Eine Lustspiel-Ouverture Opus 120; Vier Tondichtungen Nach Arnold Bocklin, Opus 128; Variationen Und Fuge Fur Orchester Uber Ein Thema von Mozart, Opus 132 by Reger, Max

Wien: Tobias Haslinger [PN T.H. 6706], 1834. Oblong folio. Unbound as issued. 1f. (title), 1-8 pp. Engraved. Decorative title with dedicatee's coat of arms. With Fischer overpaste. Minor dampstaining. First Edition. Weinmann, p. 15. Schonherr & Reinöhl, pp. 99-101. Composed following Strauss's visit to Hungary in 1833.

Berlin: Adolph Fürstner [PN A.5654F.], 1908. Folio. Original publisher's full gray cloth. [i] (title), [ii] (blank), [iii] ("Dramatis Personae"), [iv] (blank), [5]-250 pp. Text in German. With illustration by Lovis Corinth to page [5]. Binding worn, rubbed and shaken. First Edition, early issue (without the additional plate numbers to foot of page [3] and also without the statement "Auffügrungsrecht vorbehalten" to foot of page [5]). Trenner 223. Mueller von Asow p. 409. First performed on January 25, 1909 at the Königlichen Opernhaus in Dresden under Ernst von Schuch. "[Elektra]... marked the beginning of [Strauss's] artistic association with Hugo von Hofmannsthal, whom he had first met in Berlin in 1899. Having seen Reinhardt's riveting production of Hofmannsthal's Elektra in the autumn of 1905, Strauss was convinced the play would make a compelling opera. Not entirely sure he should compose consecutive tragedies, he nonetheless gave in to Hofmannsthal's pleading and vigorously began… Read More

R. H. Evans. London. 1810. NEW EDITION. The first Evans edition. 8vo. (7.6 x 5 inches). xxviii,352pp. A fine clean copy in attractive mid twentieth century leather binding, by T. F. Ford, of full brown calf. Spine decorated with gilt bands and piping and floral centre pieces in the compartments. Black label, gilt. Both boards with decorative border design in gilt and small black labels within a decorative design, lettered "T. F. F. 1943". Inner dentelles in gilt. Plain magnolia endpapers. Top edge gilt. A small neat ink note inside the rear cover states that the book was 'rebound by T F Ford 1943' and a neat five line inscription on the front free end-paper shows that the book was bound by Thomas F Ford, Architect and presented by his sons to Canon L B Tirrell on his retirement in November 1971. ---- 'Thomas Francis Ford. FRIBA (9 May 1891 â€" 11 January 1971) was a prolific ecclesiastical architect, Diocesan Architect for Southwark, an Ashpitel Prize winner at the Royal Institute of British… Read More

PSA CERTIFIED! SIGNED BY LINDA on a bookplate attached to the colophon page and professionally authenticated by PSA/DNA! Includes their ironclad Certificate of Authenticity. A lovely 3rd printing in unread as-new condition. Looks terrific in new mylar. Expedited and international shipping are welcome. Bk 8, signed by author.

SIGNED BY TONY and imported by me directly from his website during the brief period of availability. Ships from the US. Brand new softcover edition, but bumped at lower spine (see photo). Expedited and international shipping are welcome, signed by author.

Wien: Tobias Haslinger [PN T.H. 6706], 1834. Oblong folio. Unbound as issued. 1f. (title), 1-8 pp. Engraved. Decorative title with dedicatee's coat of arms. With Fischer overpaste. Minor dampstaining. First Edition. Weinmann, p. 15. Schonherr & Reinöhl, pp. 99-101. Composed following Strauss's visit to Hungary in 1833.

Berlin: Adolph Fürstner [PN A.5654F.], 1908. Folio. Original publisher's full gray cloth. [i] (title), [ii] (blank), [iii] ("Dramatis Personae"), [iv] (blank), [5]-250 pp. Text in German. With illustration by Lovis Corinth to page [5]. Binding worn, rubbed and shaken. First Edition, early issue (without the additional plate numbers to foot of page [3] and also without the statement "Auffügrungsrecht vorbehalten" to foot of page [5]). Trenner 223. Mueller von Asow p. 409. First performed on January 25, 1909 at the Königlichen Opernhaus in Dresden under Ernst von Schuch. "[Elektra]... marked the beginning of [Strauss's] artistic association with Hugo von Hofmannsthal, whom he had first met in Berlin in 1899. Having seen Reinhardt's riveting production of Hofmannsthal's Elektra in the autumn of 1905, Strauss was convinced the play would make a compelling opera. Not entirely sure he should compose consecutive tragedies, he nonetheless gave in to Hofmannsthal's pleading and vigorously began… Read More

R. H. Evans. London. 1810. NEW EDITION. The first Evans edition. 8vo. (7.6 x 5 inches). xxviii,352pp. A fine clean copy in attractive mid twentieth century leather binding, by T. F. Ford, of full brown calf. Spine decorated with gilt bands and piping and floral centre pieces in the compartments. Black label, gilt. Both boards with decorative border design in gilt and small black labels within a decorative design, lettered "T. F. F. 1943". Inner dentelles in gilt. Plain magnolia endpapers. Top edge gilt. A small neat ink note inside the rear cover states that the book was 'rebound by T F Ford 1943' and a neat five line inscription on the front free end-paper shows that the book was bound by Thomas F Ford, Architect and presented by his sons to Canon L B Tirrell on his retirement in November 1971. ---- 'Thomas Francis Ford. FRIBA (9 May 1891 â€" 11 January 1971) was a prolific ecclesiastical architect, Diocesan Architect for Southwark, an Ashpitel Prize winner at the Royal Institute of British… Read More

PSA CERTIFIED! SIGNED BY LINDA on a bookplate attached to the colophon page and professionally authenticated by PSA/DNA! Includes their ironclad Certificate of Authenticity. A lovely 3rd printing in unread as-new condition. Looks terrific in new mylar. Expedited and international shipping are welcome. Bk 8, signed by author.

SIGNED BY TONY and imported by me directly from his website during the brief period of availability. Ships from the US. Brand new softcover edition, but bumped at lower spine (see photo). Expedited and international shipping are welcome, signed by author.