M : The Man Who Became Caravaggio by Peter Robb

Picador. Paperback. GOOD. Spine creases, wear to binding and pages from reading. May contain limited notes, underlining or highlighting that does affect the text. Possible ex library copy, will have the markings and stickers associated from the library. Accessories such as CD, codes, toys, may not be included.

Picador. Paperback. VERY GOOD. Light rubbing wear to cover, spine and page edges. Very minimal writing or notations in margins not affecting the text. Possible clean ex-library copy, with their stickers and or stamp(s).

Picador, 2001. Paperback. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

Picador, 2001. Paperback. Very Good. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

Picador. Used - Good. Used book that is in clean, average condition without any missing pages.

Picador, 2001-02-10. Paperback. Good.

Picador. Used - Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

Picador, 2001-02-10. Paperback. Good. Clean, sturdy copy

Picador USA, 1999 Publisher: Picador. Clean and tight. Front cover corners slightly bent.
Pages show some toning. No marks.

New York: Picador USA; Henry Holt and Company, 2001. 570 pages, illustrations; 21 cm. Firm binding, clean inside copy. Spine slightly bowed. Age toning, edges lightly soiled. Another copy available. "As vividly and unflinchingly presented herein with 'blood and bone and sinew' (Times Literary Supplement) by Peter Robb, Caravaggio's wild and tempestuous life was a provocation to a culture in a state of siege. The end of the sixteenth century was marked by the Inquisition and Counter-Reformation, a background of ideological war against which, despite all odds, brilliant feats of art and science were achieved. No artist captured the dark, violent spirit of the time better than Caravaggio, variously known as Marisi, Moriggia, Merigi, and sometimes, simply M. As art critic Robert Hughes has said, 'There was art before him and art after him, and they were not the same.' Robb's masterful biography 're-creates the mirror Cravaggio held up to nature,' as Hilary Spurling… Read More