Search Results: 9780870700323

UsedAcceptable. Item in acceptable condition including possible liquid damage. As well answers may be filled in. May be missing DVDs, CDs, Access code, etc. 100%Money-Back Guarantee! Ship within 24 hours!!

Museum of Modern Art. Used - Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Museum Of Modern Art, 2000. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. Dust jacket in fair condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,2000grams, ISBN:0870700324

New York: The Museum of Modern Art, 2001. Near fine in a near fine jacket.. Second printing, published in conjunction with an exhibition held at The Museum of Modern Art, New York, curated by Peter Galassi. Includes Walker Evans' own photography as well as his predecessors (Atget, August Sander) and the later generations influenced by him. Illustrated with 332 black & white and 67 color plates. Hardcover. 4to. Black cloth boards in black and white photographic dust jacket. 272pp. Minor shelfwear and bumping. Pages slightly toned. Near fine in like jacket. 272pp.

New York: Museum of Modern Art, 2000. Hardcover. VG/VG, ex-library copy with stamps and labels. Pages are otherwise clean and clear.). Black cloth boards with stamped lettering, BW-photographic dust jacket with yellow and white lettering, mylar cover, 272 pp. profusely illustrated in bw and color. Catalogue of an exhibition from March 16-July 26, 2000 at the Museum of Modern Art. "At the heart of this book lies the work of the great American photographer Walker Evans, who radically expanded the possibilities of photography as an art. Photographers before Evans had certainly conceived of their pictures as art, but in order to make that claim they had most often aimed at a cultivated visual style that would advertise its differences from the vast mass of reportorial and vernacular photography. Evan's work of the late 1920s and 1930s, however, was direct and plainspoken, conclusively demonstrating how richly articulate and challenging a photograph could become by affecting no more than a hard, clear,… Read More

New York: Museum of Modern Art, 2000. First. hardcover. fine/fine. Illustrated with 332 duotone and 67 color photographs. 4to, black cloth, d.w. New York: Museum of Modern Art, (2000). First Edition. A fine copy in a fine dust wrapper.<br/><br/> Includes work of Paul Strand, Harry Callahan, Edward Weston and others.<br/><br/>

The Museum of Modern Art, New York, 2002-07-15. Hardcover. New. New. In shrink wrap. Looks like an interesting title!