Search Results: bells and other poems

London: Hodder and Stoughton, n.d., (1912), 1912. LIMITED SIGNED EDITION. 1 vol., 12-5/16" x 10-1/2", limited to 750 numbered and signed copies by the illustrator Edmund Dulac this being copy #378, Illustrated with twenty-eight tipped-in color plates, as well as several headpieces printed in black & yellow, bound in full black morocco, ribbed gilt decorated spine, covers ruled in gilt, title gilt to front cover, gilt dentelles, marbled pastedowns and endpapers, top edge gilt, others uncut as issued, by the Chelsea Bindery, hinges fine, internally clean and bright a VERY GOOD copy.

London: Hodder and Stoughton, 1912. Edition de luxe of 750 copies SIGNED BY DULAC, this no. 729. Cover and all plates fine. Front and rear flyleaves browned. The vellum covers have moderate warping. Edition de luxe of 750 copies SIGNED BY DULAC, this no. 729. Unpaged. Illustrated by Edmund Dulac with 28 tipped-in color plates. 4to. Bound in original publisher's full vellum with gilt titles and all over designs of bells on spine and upper cover, t.e.g., ribbon tie replaced. Hughey No. 29.

London, Hodder & Stoughton, [1912]. . First Dulac edition, number 239 of 750 copies, signed and numbered by Dulac; 4to (317 x 260 mm); Poe's portrait on title-page, 28 tipped in colour plates with captioned tissue-guards, 10 black ink head pieces on tan ground; publisher's decorative vellum gilt, top edge gilt, others untrimmed, free endpapers browned and usual slight age-toning and off-setting, very slight bowing to upper board, new silk ties, otherwise a near- fine copy. Conolly Hughey 29

London: Hodder and Stoughton, 1913. DELUXE EDITION. Portrait of Poe on title. With 28 full-page colored plates and 10 smaller chapter vignettes by Dulac. All printed tissue sheets present. Laid in is an announcement of an Edmund Dulac exhibition (to "be held by Messrs. Ernest Brown and Phillips, at the Leicester Galleries from November 23rd until Christmas, 1912"). Original ornate gilt-stamped vellum, without ties and a bit bowed. Edition deluxe, Number 317 of 750 copies signed by Dulac. A large, uncut copy.

London: Hodder & Stoughton, 1912. Limited. hardcover. very good(+). Dulac, Edmund. Illustrated throughout with 11 small vignettes, including the one on the title page; and 28 mounted color plates by Edmund Dulac. Thick 4to, original ornate gilt-stamped vellum (slightly yellowed; lacking the original cloth ties), uncut edges, t.e.g. London: Hodder and Stoughton, [1912]. A very good(+) clean copy.<br/> <br/> Edition de Luxe. Number 154 of 750 copies, signed by the artist on the limitation page.<br/> <br/>

London: Hodder and Stoughton,, [1912]. Only Poe could have written the poems. Only Dulac could have illustrated them Signed limited edition, number 301 of 750 copies signed by the illustrator. Dulac's illustrations for The Bells are "more uniform in mood and style than groupings for almost any other book of his to this time. Although water colours, they are overstreaked with gilt in some cases, crayon in others, to produce rich haunting effects. Deep shades of blue and a special deep pink-rust predominate throughout" (Hughey) A contemporary review in The Outlook noted that "Only Poe could have written the poems. Only Dulac could have illustrated them". Large quarto. Original white vellum, lettering and pictorial decoration to spine and front cover in gilt, top edge gilt, others untrimmed, new ties. Frontispiece and 27 colour plates with printed tissue-guards, tinted illustrations throughout. Some light soiling to binding as usual, browning to free endpapers: a near-fine copy. Hughey 29.

London: Hodder & Stoughton, 1912. Limited. hardcover. very good(+). Dulac, Edmund. Illustrated throughout with 11 small vignettes, including the one on the title page; and 28 mounted color plates by Edmund Dulac. Thick 4to, original ornate gilt-stamped vellum with silk ties (vellum covers are somewhat bowed, as usual); uncut edges, t.e.g. London: Hodder and Stoughton, [1912]. A very good(+) clean copy.<br/> <br/> Edition de Luxe. Number 386 of 750 copies, signed by the artist on the limitation page.<br/> <br/>

London: Hodder and Stoughton, n.d., (1912), 1912. FIRST TRADE EDITION. 1 vol., 10-7/8" x 8-5/8", illustrated with 28 colour plates by Edmund Dulac tipped-in, bound in full red calf, ribbed gilt decorated spine, gilt lettered blue and green leather spine labels, covers double ruled in gilt, gilt dentelles, all edges gilt, by Bayntun, inner and outer hinges fine, head and foot of spine fine, internally clean and bright, housed in a felt lined red cloth open ended slipcase, overall VERY GOOD+.

London: Hodder and Stoughton, 1912. leather_bound. Full green morocco. Aeg. Fine. Unpaginated. 27.5 x 22 cm. 22 tipped in plates by Dulac with lettered tissue guards. Blind stamp on title page "Presentation Copy." Elegant unsigned binding, raised bands, spines richly gilt in bell motifs, outer and inner border panels with gilt corner floral designs at latter, dentelles carry the same design motif, marbled endpapers.

London: Hodder and Stoughton [1912]. 4to.Illustrated. Signed limited edition. Full vellum binding with boards elaborately gilt decorated with a bell design and top edge gilt. Minor marks to the boards and lacking the original ties. Internally bright with some minor offsetting from and darkening to the endpapers. Binding firm. Illustrated with 28 beautiful full page colour plates by Edmund Dulac. Number 399, of an limited run of 750 and signed by the artist. Born in Toulouse in 1882 Dulac was one of the premier Edwardian book illustrators and his beautiful watercolour plates make a haunting companion to Poe's work. . Near Fine. Gilt Decorated Cloth. Signed Limited Edition. 1912.

London: Hodder & Stoughton. Limited Edition. Full Vellum. Near Fine. Edmund Dulac. Folio. Limited Edition of 750 copies SIGNED by Dulac, this being No. 178. Full vellum with ornate gilt decoration to upper cover and spine, top edge gilt others untrimmed, unpaginated, 28 full-colour plates tipped-in and framed, each with printed tissue guard, 10 headpieces. Negligible offsetting to endpapers, otherwise interior fine, crisp, and bright. Lower covers very lightly soiled, lacking the the tie closure, else a near fine copy of a very beautiful book.

London, New York, Toronto: Hodder and Stoughton, 1912. Undated; circa 1912. Large volume measuring 9 1/4" x 11 1/2". Dark brown supple vellum (leather) semi-flexible boards, gilt titles and borders on black fields, moderate cover wear, rub, some edge wear, spine loss. Rough cut heavy stock leaves generally very good, no writing; discoloration to exterior text block. Gilt top edge. Bind good; hinges intact. Richly illustrated with colour frontispiece and twenty-seven additional full-page colour plates by Edmund Dulac. Each with original tissue guard; few w/crease, bend, toning. Additionally features nine black & white etched chiaroscuro-like headpieces over tan b.g., also by Edmund Dulac. Unpaginated; apprx. 150 pages. Insured post. . First Edition Thus. Full-Leather. Good. Illus. by Dulac, Edmund . 4to - over 9¾" - 12" tall.

Hodder and Stoughton, 1912. Hardcover. Good/No Jacket. 4to - over 9¾ - 12" tall. Dulac, Edmond. Signed by Author(s). Limited Edition. Number 220 of 750 autographed copies from the illustrator Edmund Dulac. Stunningly illustrated with 28 color plates. Front cover with fading and wear to outer edge, (see image), moderate wear to corners, silk ribbon is worn and front cover with bend. Interior pages bright and clean with no marks or writings, binding sound. Z1 More images upon request.

London:: Hodder and Stoughton,, no date.. First edition; No. 322 of 750 copies signed by Edmund Dulac... publisher's gilt-decorated vellum, t.e.g., lacking the wide ribbon ties.. Some dust-soiling and one small (1/2") stain to the front board; otherwise fine.. Folio,. Illustrated with 28 mounted color plates by Edmund Dulac, with printed tissue overleaves, plus text illustrations..

London:: Hodder and Stoughton,, no date.. First edition; No. 115 of 750 copies signed by Edmund Dulac... publisher's gilt-decorated vellum, t.e.g., lacking the wide ribbon ties.. Armorial bookplate on pastedown; vellum boards a little bowed and very slightly dust-soiled. . Folio,. Illustrated with 28 mounted color plates by Edmund Dulac, with printed tissue overleaves, plus text illustrations..

New York and London:: Hodder and Stoughton,, [1912].. publisher's embossed and gilt-lettered cloth, in publisher's two-part box (damaged).. Slight foxing to the last few leaves; otherwise very attractive. The top half of the two-part box is very rubbed, damaged at the edges, and lacking most of its sides.. Folio,. Illustrated with 28 color plates by Edmund Dulac.. Hughey 29a. Laid in is a Christmas, 1912 announcement of a Leicester Galleries exhibition of the Dulac's watercolors for "The Bells."

London and New York:: Hodder and Stoughton,, no date.. First edition; No. 150 of 750 copies signed by Edmund Dulac... publisher's gilt-decorated vellum, t.e.g., lacking the wide ribbon ties.. Endsheets a little tanned; contents otherwise fine. The vellum boards are bowed and slightly soiled. . Folio,. Illustrated with 28 mounted color plates by Edmund Dulac plus text illustrations..

London: Hodder and Stoughton, [1912]. First Edition. Publisher's Presentation Copy. Illustrated with 28 supeb colour plates and a number of head-pieces throughout, all by Edmund Dulac. 4to, publisher’s original olive cloth very generously decorated in gilt and blind in pictorial and figurative designs over the entire spine and upper cover, with gilt decorated endleaves. A pleasing, clean and handsome copy with only light age mellowing. The plates are especially bright with all captioned tissue guards present. A SCARCE AND HANDSOME FIRST EDITION. “The Outlook” and “The Bookman” both commented that ”the book thinking people will say with grace...sometimes Dulac’s pictures are deep-coloured and intense, sometimes dim and ghost-like. But one and all are sensitized to record impressions of unearthly beauty or horror. Only Poe could have written the poems. Only Dulac could have illustrated them.” Indeed, Dulac brings Poe’s genius to life with his worlds of swirling… Read More

Hodder & Stoughton, 1912. First Edition. . Hardcover. Fine/No Jacket As Issued. First Dulac Trade Edition. Illustrated with 28 color plates by Dulac; all captioned tissue guards present. Boards are gilt-decorated cloth. One small bump on top edge, with touched extremities. Gilt endpapers. Purchased from a national auction house. Mylar protected. This volume contains brilliant illustrations of some of Poe's most famous work: The Bells, Eulalie-A Song, Annabel Lee, Sonnet-Silence, The Raven, Tamerlane and many more.

New York: Hodder & Stoughton, 1912. 1st edition US. Hardcover. Fine. Dulac, Edmund. 1st ptg. 4to, full tan cloth with blindstamped paisley and bell gilt decoration on front cover, to match the endpaper design. 28 tissue-guarded color plates and decorated endpapers by Edmund Dulac. Hughey 29c. spine darkened else fine.