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Canberra: Macmillan in Association with the National Gallery of Australia, 1982. First Edition. Conveys a lengthy interview with the artist exploring the metaphysical motivations behind his paintings. Quarto, 144 pages, plates in colour and black & white; original red cloth; near-fine copy with the dust-jacket.
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Albert Tucker
by MOLLISON, James & BONHAM, Nicholas
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Art in Australia. Third Series Number 54. Special Issue - Robert Johnson's Landscapes
by [ART IN AUSTRALIA] URE SMITH, Sydney & GELLERT, Leon (editors)
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Sydney, New South Wales, Australia
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Sydney: Art in Australia, 1934. Of interest: long article illustrated with colour plates by B.J. Waterhouse on the painting of Robert Johnson and an additional appreciation by Walter Taylor. Small quarto, original printed wrappers, colour plates, full-page black & white images; a near fine copy.
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Art in Australia. Third Series Number 41
by [ART IN AUSTRALIA] URE SMITH, Sydney & GELLERT, Leon (editors)
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Sydney, New South Wales, Australia
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Sydney: Art in Australia, 1931. Hugh McRae Number: a collection of short literary pieces, illustrated by Adrian Feint. Small quarto, original printed wrappers, colour designs by Feint throughout; lower spine end is chipped, otherwise a very good copy.
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The Art of Frederick McCubbin
by McCUBBIN, [Frederick]. MacDONALD, James
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Sydney, New South Wales, Australia
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SGD 764.66SGD 17.54 shipping to USA
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Melbourne: Lothian Publishing Company, 1916. Limited Edition. With an essay by James MacDonald and some remarks on Australian art by the artist. Frederick McCubbin (1855-1917) was an Australian artist and an outstanding member of the Heidelberg School of Australian impressionism. A student of Eugen von Guerard, McCubbin's paintings remain iconic images of pioneer life in the wilderness. They were keystones in building a mythology relating the Australian landscape to national identity. Edition of 1000 copies, fully signed by McCubbin. Quarto, forty-five illustrations in colour and black and white (some are tipped plates with printed tissue guards); original gilt decorated cloth, a little rubbed, some preliminary foxing but still a lovely clean copy.
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Charles Keene. The Artists' Artist
by [KEENE, Charles] LINDSAY, Lionel
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London: Published by P. & D. Colnaghi, for the Author, 1934. Fine. Lionel Lindsay, the famous Australian artist and critic, greatly admired Keene, the illustrator and humorous artist best known for his drawings for Punch. Lindsay believed Keene was "a truly original character...he presents us with the unparalleled paradox of the most serious artist of his time - in all that pertained to his art - devoting his genius to the service of humour...". Tipped-in are two autograph letters from Lionel Lindsay to the Australian collector Harry Chaplin. Tipped-in also is an undated autograph letter by Keene himself with a sketch and a fragment of another autograph piece. First edition, and very scarce: only 130 copies were printed, all numbered and signed by the author. Folio, original quarter cloth, frontispiece portrait and 55 fine collotype plates, each with tissue guard. Aside from a little shelfwear, this is a fine bright copy, uncut in the original binding with a slightly torn and stained dust-jacket.
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Edward Weston Photographer
by WESTON, Edward
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Sydney, New South Wales, Australia
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New York: Aperture Inc, 1965. The Flame of Recognition. His Photographs accompanied by excerpts from Daybooks & Letters. Edited by Nancy Newhall. Quarto, original red cloth, black & white plates throughout, dustjacket worn but otherwise a very good, fresh copy.
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Elioth Gruner
by GRUNER, Elioth
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Sydney, New South Wales, Australia
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SGD 247.39SGD 17.54 shipping to USA
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Sydney: Shepherd Press, 1947. Twenty-four Reproductions in Colour from Original Oil Paintings. Foreword by Norman Lindsay. A beautiful selection of the works of Gruner, described by Lindsay as "the greatest painter of pure light the world has ever seen." Limited edition of 2000 copies. Quarto, tipped colour plates; original gilt embossed cloth, one corner of the tipped frontispiece is creased, else a fine copy.
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Kenneth Rowntree
by Milner, John
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Sydney, New South Wales, Australia
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SGD 179.92SGD 17.54 shipping to USA
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London: Lund Humphries, 2002. First Edition. The first monograph on the artist, chronology of his life by Diana Rowntree; signed by the author, and inscribed by the Rowntree's to Betty and Roy Churcher. Laid in is an autograph letter signed from Diana Rowntree to Betty Churcher, sending the book, commenting on the colour of the reproductions and noting, 'A recent history of the Royal College of Art contains the sentence, '... the painting school had students of the calibre of David Hockney, John Bratby, Peter Blake and Betty Cameron'' [later Churcher]. Quarto, 88 pages, illustrated throughout, fine in dustwrapper.
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The Life and Work of Russell Drysdale
by [DRYSDALE, Russell] KLEPAC, Lou
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Sydney, New South Wales, Australia
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SGD 112.45SGD 17.54 shipping to USA
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Sydney: Bay Books, 1983. First Edition. Detailed definitive monograph on Drysdale surveying the entirety of his artistic career, including pencil and pen & ink drawings. Portrait frontispiece. Foreword by Nicholas Poussin. Quarto, original black cloth, 183 colour plates and numerous additional images in black & white, a fine bright copy in a fine dust-jacket.
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Lloyd Rees Drawings
by [REES, Lloyd] KLEPAC, Lou (editor)
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Sydney, New South Wales, Australia
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SGD 197.91SGD 17.54 shipping to USA
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Sydney: Published by John Brackenreg at the Australian Artist Editions, Artarmon Galleries, 1978. Edited with an introduction by Lou Klepac, foreword by Professor Joseph Burke. Magnificent full page plates celebrate Rees' contribution to Australian draftsmanship: covers the full span of his diverse career. Oblong quarto, plates in colour and black & white, 128 pages, original brown cloth, small patch of flecking affects the front board, otherwise a fine fresh copy in a moderately sunned dust-jacket.
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S.T. Gill's Australia
by DUTTON, Geoffrey
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Sydney, New South Wales, Australia
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SGD 35.98SGD 17.54 shipping to USA
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Melbourne: Macmillan, 1981. First Edition. Amply illustrated survey of Gills work showing a wide variety of themes and subjects. Quarto, plates in colour and black & white, illustrated endpapers; original decorated yellow papered boards, near fine copy with dust-jacket.
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Walter Withers. The Forgotten Manuscripts
by [WITHERS, Walter] MACKENZIE, Andrew (editor)
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Sydney, New South Wales, Australia
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Lilydale, Victoria: Mannagum Press, 1987. Signed Limited Edition. Collector's issue of the first edition from the Australian Art Manuscript Series. Compiled and introduced by Andrew Mackenzie, foreword by Kathleen Mangan. This scholarly work includes an essay on the artists work, short biography, all Manifold Estate mural panels reproduced in full colour, newspaper notices of Wither's work, index to paintings and more. Limited edition of 750 copies signed by Mangan and Mackenzie. Gilt lettered quarto hardcover, generously illustrated in black & white and colour, a fine copy.
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Walter Withers. The Forgotten Manuscripts
by [WITHERS, Walter]. MACKENZIE, Andrew (editor)
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Sydney, New South Wales, Australia
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Lilydale, Victoria: Mannagum Press, 1987. First Edition. This scholarly book includes an essay on the artist's work, short biography, all Manifold Estate mural panels reproduced in full colour, newspaper notices of Wither's work, index to paintings and more. From the Australian Art Manuscript Series. Quarto, generously illustrated in black & white and colour; original green papered boards, previous owner's inscription on front free endpaper, near fine copy in dust-jacket.
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William Dobell
by [DOBELL] GLEESON, James
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Sydney, New South Wales, Australia
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London: Thames and Hudson, 1965. Second Impression of the standard work on the artist by the famous Australian surrealist and influential art critic. Quarto, 32 tipped colour plates and additional monochrome images; original navy cloth, endpapers are thumbed, a very good copy with the dust-jacket.
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The Work of W. Beckwith McInnes
by [McINNES, W. Beckwith] COLQUHOUN, Alexander
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Sydney, New South Wales, Australia
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SGD 337.35SGD 17.54 shipping to USA
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Melbourne: Alexander McCubbin, 1920. First Edition. 'Painting with great facility, often with the square brushstrokes made popular by Streeton, and greatly assisted by his success in winning Archibald prizes, he made his name as a portrait painter. His landscapes have a poetic feeling and reflect the charm and sensitiveness that won him the affection of his students at the National Gallery of Victoria School' (McCulloch). Limited edition of 600 copies. Quarto, publisher's decorated stiff card covers, tipped colour and black & white plates, one corner of the front cover is chipped, internally fine and pleasing.
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