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Archive of 41 issues of Filmmakers Newsletter, 1967-1971
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Archive of 41 issues of Filmmakers Newsletter, 1967-1971

by [Experimental Film] Carl Linder (editor, founder); Suni Mallow, H. Whitney Bailey (editors, publishers); Jonas Mekas, Stan Brakhage, Bruce Conner, George Maciunas, Hollis Frampton, Bill Plympton, Standish Lawder, Alan Lomax (contributors)

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New York: Filmmakers Newsletter / Filmmakers' Cinematheque, 1971. Archive of 41 issues of "Filmmakers Newsletter," dating from the first four years of the magazine, including Vol. I, issue 1. Early issues of the magazine are scarce, and putting together a collection of this size piecemeal would be prohibitively difficult. Founded in 1967 by experimental filmmaker Carl Linder as "New York Filmmakers' Newsletter," it was originally published out of the Filmmakers Cinematheque, and served a similar purpose as Canyon Cinema's "Canyon Cinemanews," disseminating information on screenings, festivals, and republishing articles and essays about experimental film. Suni Mallow took over as editor in early 1968, and she quickly brought a wider focus to the magazine, dropping "New York" from the title and publishing the magazine under its own imprint (although it still retained ties to the Cinematheque). This broader approach to the world of avant garde film was successful, and when Mallow sold the magazine in… Read More
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Avant-Garde Films presented by The Gryphon Film Group at the Living Theatre in New York, April...

Avant-Garde Films presented by The Gryphon Film Group at the Living Theatre in New York, April 27th, 1959

by [The Living Theatre] Stan Brakhage, Marie Menken, Willard Maas (directors)

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New York: The Living Theatre, 1959. Original poster for a night of avant-garde films hosted by the Gryphon Film Group at the Living Theatre on April 27, 1959. Filmmakers were present to introduce their works, including Stan Brakhage with his landmark short "Desistfilm" (1954). The Gryphon Film Group was founded by Marie Menken and her husband Willard Maas in the mid-1950s with the help of Charles Boultenhouse and Gregory Markopoulos. It was one of the earliest attempts, with Amos and Marcia Vogel's Cinema 16, at setting up a experimental film society in the United States. The group's primary interest was furthering the poetic and lyrical qualities of film, often focusing on the perception of corporeality, which is reflected in the films presented, both of the human form, in "Geography of the Body" (Maas, 1943), and sculpted object, "Visual Variations on Noguchi" (Menken, 1945). Poster 8.5 x 12 inches. Near Fine.
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Blue Streak (Original photograph from the 1971 short film)

Blue Streak (Original photograph from the 1971 short film)

by Mark Rappaport (director)

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N.p.: N.p., 1971. Vintage double weight reference photograph from the 1971 short film. Typed label snipes affixed to the verso and bottom margin of the recto, along with an annotation in manuscript ink. An early short film by noted independent director Mark Rappaport, an experimental dissection of the concept of a "blue" movie. 10 x 8 inches. Very Good plus, with light wear along the bottom edge.
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Brakhage Films (Original sales catalog for 1976)

Brakhage Films (Original sales catalog for 1976)

by Stan Brakhage

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Rollinsville, CO: Self published, 1976. Original mail order catalog for Stan Brakhage films issued in 1976. Featuring 47 8mm and 72 16mm titles, with brief descriptions for each film. 9 x 6 inches. 12 pages. About Near Fine in saddle stapled, photo illustrated wrappers.
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The Brakhage Lectures: George Melies, David Wark [D.W.] Griffith, Carl Theodore [Theodor] Dreyer,...
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The Brakhage Lectures: George Melies, David Wark [D.W.] Griffith, Carl Theodore [Theodor] Dreyer, Sergei Eisenstein (First Edition, inscribed to Barney Rosset)

by Stan Brakhage

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9780912844046
ISBN 10
0912844043
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Chicago: The Goodlion, 1972. First Edition. First Edition. Inscribed by the author to publisher Barney Rosset on the front endpaper: "Dear Barney / In thanks for all you've given, made possible: / Thanks, / Stan Brakhage." Barney Rosset was the founder of the Grove Press, which, in addition to its obvious importance, helped usher Brakhage's work into institutions in the 1970s by "publishing" select short films by the artist on tiny reels that were sold to libraries and the publisher's readership. In this volume, Brakhage investigates four of the principal architects of cinema, including Sergei Eisenstein. A wonderful association, and an important collection by one of the most important cinematic artists of the 1970s. Very Good plus in paper-covered card wrappers as issued, with moderate rubbing and a bit of light wear at the extremities.
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Brakhage Films (Original sales catalog for 1971)

Brakhage Films (Original sales catalog for 1971)

by Stan Brakhage

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Rollinsville, CO: Self published, 1971. Original mail order catalog for Stan Brakhage films issued in 1971. Featuring 35 8mm and 35 16mm titles, with brief descriptions for the 8mm films. 7 x 8.5 inches. Ten pages, saddle stapled in self wrappers. Very Good, with dampstaining on the front wrapper and shallow vertical and horizontal creases.
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Casual Relations (Three original photographs from the 1974 experimental film)
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Casual Relations (Three original photographs from the 1974 experimental film)

by Mark Rappaport (director, screenwriter); Ted Steeg, Melvin Austin, Rich LaBonte, Pam Pilkington (starring)

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N.p.: N.p., 1974. Three vintage reference photographs from the 1974 avant-garde film. Two photographs with snipes affixed to the versos, and one with annotations in manuscript pencil regarding cropping. Noted independent director Mark Rappaport's first feature length film, shot in pieces over a year and a half. Two photographs 10 x 8 inches, one photograph 7 x 5 inches. Near Fine to Very Good plus.
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Casual Relations (Two original photographs from the 1974 film)
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Casual Relations (Two original photographs from the 1974 film)

by Mark Rappaport (director, screenwriter); Sis Smith, Julio Domínguez, Melvin Austin, Rich LaBonte (starring)

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N.p.: N.p., 1974. Two vintage reference photographs from the 1975 film. One with a printed snipe label affixed to the bottom edge of the recto. Noted independent director Mark Rappaport's first feature, an experimental film shot in pieces over eighteen months in New York. 10 x 8 inches. Near Fine.
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Chamber Films (Original flyer for an exhibition at The Living Theatre)
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Chamber Films (Original flyer for an exhibition at The Living Theatre)

by Maya Deren

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New York: The Living Theatre, 1961. Original flyer for an exhibition of six films by Maya Deren held on February 20 and 27, 1961 at the Bleecker Street Cinema, and March 6 and 13, 1961 at The Living Theater. The flyer notes that music for two of the films, "Meshes in the Afternoon" and "The Very Eye of the Night" was composed by Teiji Ito. Ephemera related to Deren's work as a pioneering avant garde filmmaker is rare. The recto of the flyer describes the concept of "chamber films," likening Deren's films to the lyrical, abstract, and economical style of chamber music "save that the idiom is visual and the instrument is the motion picture camera." With brief biographies of Deren and Ito, as well as blurbs about Deren's films on the verso, including ones from Jonas Mekas and Joseph Campbell. 11 x 8.5 inches. Very Good plus. Manuscript red pencil circling Teijo Ito's name on the verso. Two inch jagged closed tear to the left edge, with glue stains to the lower corner of the recto and verso where a… Read More
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Complete set of the Galeria Bonino monographs: Floats | More Floats | 93 Floats | Constructions...
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Complete set of the Galeria Bonino monographs: Floats | More Floats | 93 Floats | Constructions and Films (First Edition)

by Robert Breer

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New York: Galeria Bonino, 1967. Complete set of four matching exhibition catalogs for a staggered series of installations by avant-garde film director Robert Breer, held at the Galeria Bonino in New York between 1965 and 1970. The first catalog is for an exhibition at the gallery titled "Constructions and Films," and was held in early 1965, noted as Exhibition No. 10. The other three catalogs deal with exhibitions of Breer's "floats," three-dimensional geometric shapes that the director would construct, then roll down a street as one would a float in a parade-though typically Breer chose rural roads as a means of offsetting the sheer modernity of his objects. Each catalog ends with a list of Breer's exhibitions to date. These three exhibitions, titled "Floats," "More Floats," and "93 Floats," were held at the gallery in 1966, 1967, and 1970, and are labeled Exhibition Nos. 18, 29, and 44, respectively. All four volumes Near Fine or better, each in saddle stapled wrappers, with light occasional rubbing. Read More
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Death Sled II: Steel-Belted Romeos (Original flyer for the premiere of the 1990 short film at the...

Death Sled II: Steel-Belted Romeos (Original flyer for the premiere of the 1990 short film at the Artists' Television Access in San Francisco)

by Danny Plotnick (director, screenwriter); Artists' Television Access (venue); Gary Ahuna, Chris Enright, Allison Faith Levy (starring)

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San Francisco: Artists' Television Access, 1990. Vintage flyer for the premiere of Danny Plotnick's 1990 experimental short film, "Death Sled II: Steel-Belted Romeos," with an addition screening of Plotnick's 1989 short "CREEP," as well as films by Mark Street, Phillip R. Ford, Phillip Guilbeau, Laura Rosow, Jim Sikora, and Dana Mendelssohn, at the Artists' Television Access (ATA), Saturday, February 3, 1990. According to director Danny Plotnick's website, "Death Sled II: Steel-Belted Romeos" is a "tale of backwoods blacktop mayhem-Two dim-witted, lead-footed guidos from Bayonne, New Jersey bust through stoplight after stoplight in their turbo-charged, bad-assed, jet-black Pontiac Grand Prix until their mean machine nearly eighty-sixes another hunk of American steel. And that's just the start of it ... A confrontation, an assault, fists-a-flying, and traffic violations." A trailblazer for the independent film scene of the 1990s, Plotnick made over twenty films since the late 1980s, and has released… Read More
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Diaries, Notes, and Sketches, also known as Walden (Original poster for the 1969 film)
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Diaries, Notes, and Sketches, also known as Walden (Original poster for the 1969 film)

by [Experimental Film] Jonas Mekas

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New York: Jonas Mekas, 1969. Vintage large format poster for the 1969 experimental film by shot and edited by Jonas Mekas from his "film diary" footage shot between 1965 and 1969. Either unique or very nearly so, with no examples found in OCLC or institutions worldwide. The poster also doubles as liner notes for the film, briefly describing the scenes, and annotating them with the music cues and time stamps, for each of the six reels so that the viewer could engage with the nearly three hour work "according to the time available to him, according to his preference, or any other good reason." The introduction goes on to explain that after a fire in the neighboring building nearly destroyed the work, he decided release a three hour "First Draft" cut of the film he had been assembling as "Walden." Beginning in 1950, Mekas would carry around a small Bolex camera, capturing what he saw, commenting on his website "On some days I shot ten frames, on others ten seconds, still on others ten minutes. Or I… Read More
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Ein Leben fur Bild und Film [A Life for Picture and Film] (First Edition, inscribed by the author)
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Ein Leben fur Bild und Film [A Life for Picture and Film] (First Edition, inscribed by the author)

by Hans Richter

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Berlin: Akademie der Kunste, 1958. First Edition. First Edition. Limited Edition, one of an unnumbered 1000 copies. INSCRIBED on the title page by the author: "To / Billy Kluever / with my wishes / Hans Richter 59." German-born artist Hans Richter enjoyed a long career as a painter, avant-gardist, political radical, and filmmaker, co-founding the Association of Revolutionary Artists in Zurich, and regularly contributing to the Dutch periodical De Stijl. After moving to the United States in 1940, Richter directed two feature films, "Dreams That Money Can Buy" (1947) and "8 x 8: A Chess Sonata in 8 Movements" (1957), made in collaboration with Max Ernst, Jean Cocteau, Hans Arp, Marcel Duchamp, Alexander Calder, and others. Richter has been dubbed the "father of abstract film," and is considered one of the foremost historians of the Dada movement and early experimental film. Near Fine in pictorial wrappers.
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An Evening with Filmmaker George Kuchar (Original flyer for the 1994 fundraiser evening)

An Evening with Filmmaker George Kuchar (Original flyer for the 1994 fundraiser evening)

by George Kuchar

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San Francisco: San Francisco Art Institute, 1994. Vintage flyer for a fundraiser evening held at the San Francisco Art Institute on Friday December 9, 1994. Underground film director and video artist George Kuchar was known for his "low-fi" and DIY aesthetic, and was a decisive influence on No Wave Cinema, as well as artists and filmmakers such as John Waters, Andy Warhol, Todd Solondz, and David Lynch, among others. In his 40-year career as a filmmaker, Kuchar directed over 200 films and videos, including 15 8mm films made in the late 1950s and early 1960s with his twin brother Mike Kuchar, as well as many of his students' short films at the San Francisco Art Institute. His 1977 film "I, An Actress," a screen test of student actress Barbera Lapsley, was selected by the National Film Registry in 2011. 8.5 x 11 inches on purple paper. Near Fine.
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Festen [The Celebration] (Four original photographs from the 1998 Danish film)
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Festen [The Celebration] (Four original photographs from the 1998 Danish film)

by Thomas Vinterberg (director, screenwriter); Mogens Rukov (screenwriter); Ulrich Thomsen, Henning Moritzen, Thomas Bo Larsen, Paprika Steen (starring)

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N.p.: N.p., 1998. Four vintage color reference photographs from the 1998 film. Printed label of photographer Lars Høgsted on the versos, and three with a provenance label. The first Dogme 95 film, a dark comedy about a troubled family gathering to celebrate their father's sixtieth birthday. Shot on location at Skjoldenæsholm Castle in Ringsted, Denmark. 7 x 5 inches. Near Fine.
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Ghost Sisters (Original flyer for the 1981 film)

Ghost Sisters (Original flyer for the 1981 film)

by Jonathan Demme (cinematographer); Adam Brooks (director); Eugenie Bafaloukos, Sandy McLeod (starring)

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New York: Bleecker Street Cinema, 1981. Vintage flyer for the 1981 film, produced to promote screenings at the James Agee Room of the Bleecker Street Cinema. An early feature by independent filmmaker Adam Brooks, photographed by Jonathan Demme and shot entirely on super-8. 8.5 x 10.75 inches. Very Good plus, slightly age toned with light foxing on the verso, folded once horizontally.
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Grands soirs et petits matins [Mayday] (Original photograph from the set of the 1977 film)

Grands soirs et petits matins [Mayday] (Original photograph from the set of the 1977 film)

by William Klein (director, photographer)

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N.p.: William Klein, 1968. Vintage photograph, shot by director-photographer William Klein, during the making of his landmark documentary. With Klein's stamp on the back, noting his address in Paris. In making his cinema verite documentary about the occupation of the Sorbonne begun during the May, 1968 protests in Paris, Klein received unprecedented access to student leaders, activists, various committee meetings, and the general assembly. Filmed during late May and early June of 1968, the film is less a picture of the birth of a radical movement than it is a catalog of the everyday struggles, both practical and intellectual, of maintaining focus on, moving forward from, and ultimate dissipation of that foundational revolutionary spirit. 7 x 9.75 inches. In an archival mat. Near Fine.
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Hallelujah the Hills with Scorpio Rising (Promotional broadside)

Hallelujah the Hills with Scorpio Rising (Promotional broadside)

by Adolfas Mekas (director, screenplay); Kenneth Anger (director, screenplay)

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Los Angeles, 1963. Promotional broadside, designed to resemble an oversized postcard, for the Los Angeles premiere of Adolfas Mekas' feature film debut, "Hallelujah the Hills," along with the debut of Kenneth Anger's short film, "Scorpio Rising." Mekas was the brother of Jonas Mekas, a film critic, filmmaker, and essentially father figure of the avant-garde New American Cinema of the 1960s, which in turn spawned the underground film movement that continued into the 1970s. "Hallelujah the Hills," a surreal comedy satirizing politics, American pop culture, religion, and sexual mores, was the first feature film in that movement. 11.5 x 9.25 inches, black and white type and illustrations on brown card stock, printed on recto only. Slight toning at the edges, brief creasing to one corner, else Near Fine. National Film Registry. BFI 1112.
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Hallelujah Die Hugel [Hallelujah the Hills] (Original German poster for the 1963 film)

Hallelujah Die Hugel [Hallelujah the Hills] (Original German poster for the 1963 film)

by Adolfas Mekas (director, screenwriter); Heinz Edelman (designer); Peter H. Beard, Sheila Finn, Martin Greenbaum (starring)

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Munich: Peter-Presse / Atlas Films, 1965. Original 1965 German A1 poster for the 1963 US film. Designed by Heinz Edelman From the collection of noted film historian Amos Vogel. Full provenance available. An iconoclastic, utterly American underground film best understood by way of the reactions it receives from viewers outside the US. Time Out Guide notes: "a highpoint from the 'innocent' years of American underground cinema, and something of an enduring delight for real film buffs. Mekas' comedy starts from an enthusiastic parody of French 'new wave' concepts like using two actresses to play one character, and manages to go on to incorporate references (part satire, part homage) to what seems like every other branch of cinema extant ... from samurai movies to Chaplinesque slapstick...hitting the intended tone between love and skepticism." Jean-Luc Godard: "Next to the two big shots of the New York School, Clarke and Cassavetes, [Mekas] seemed a poor relative, especially since people got him… Read More
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Keep Your Right Up [Une Place Sur La Terre Comme Au Ciel] (Original photograph from the 1987 film)

Keep Your Right Up [Une Place Sur La Terre Comme Au Ciel] (Original photograph from the 1987 film)

by Jean-Luc Godard (director, screenwriter, starring); Jane Birkin, Dominique Lavanant, Pauline Lafont, Eva Darlan, Isabelle Sadoyan (starring)

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Paris: Gaumont, 1987. Vintage oversize borderless photograph of Jean-Luc Godard from the 1987 film. With manuscript annotations on the verso. An experimental film that irreverently mixes genres, twisting together a broad range of references to literature, film comedy, and the history of cinema. Starring Godard himself as a filmmaker, thus blurring the fictional category from the outset. Made the same year as Godard's production of "King Lear." 12 x 9 inches. Near Fine. Olive Films 327.
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