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12 [Twelve] Angry Men (Original photograph from the 1957 film)

12 [Twelve] Angry Men (Original photograph from the 1957 film)

by Henry Fonda (starring); Reginald Rose (screenplay, starring); Sidney Lumet (director); Jack Klugman (starring)

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Beverly Hills, CA: United Artists, 1957. Vintage studio still photograph from the 1957 film. Based on the 1954 teleplay by Reginald Rose, about a jury of white men as they deliberate the conviction or acquittal of a Puerto Rican teenager charged with murdering his father. Nominated for three Academy Awards, including Best Picture and Best Director. Set in New York. 10 x 8 inches. Very Good plus, lightly and evenly toned, and slightly curled. National Film Registry. Criterion Collection 591. Ebert II. Grant US. Rosenbaum 1000.
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2001: A Space Odyssey (Original photograph from the 1968 film)

2001: A Space Odyssey (Original photograph from the 1968 film)

by Stanley Kubrick (director, screenwriter); Arthur C. Clarke (screenwriter); Keir Dullea, Gary Lockwood (starring)

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Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1968. Vintage reference photograph from the 1968 film, showing actor Kier Dullea. Printed mimeo snipe affixed to the verso. From the archive of film historian and author Joel Finler. Stanley Kubrick's sprawling, science fiction epic traces the evolution of human intelligence under the influence of an unspecified alien force. The film's high scientific accuracy, coupled with bleeding-edge special effects and minimal use of dialogue, make "2001" universally recognized as one of the most influential films ever made. Winner of an Academy Award for Best Special Effects, and nominated for three others including Best Director. Set variously in the desert, in space, in deep space, and on the astral plane. Shot on location in Scotland, England, Arizona, and Utah. 10 x 8 inches, with wide horizontal margins. Very Good plus, lightly worn at the top right corner. National Film Registry.
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2001: A Space Odyssey (Original pressbook for the 1968 film)

2001: A Space Odyssey (Original pressbook for the 1968 film)

by Stanley Kubrick (director, screenwriter); Arthur C. Clarke (screenwriter)

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Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1968. Vintage pressbook for the 1968 film. The director's sprawling, science fiction epic traces the evolution of human intelligence under the influence of an unspecified alien force. The film's high scientific accuracy, coupled with bleeding-edge special effects and minimal use of dialogue, make "2001" universally recognized as one of the most influential films ever made. Winner of an Academy Award for Best Special Effects, and nominated for three others including Best Director. Set variously in the desert, in space, in deep space, and on the astral plane. Shot on location in Scotland, England, Arizona, and Utah. 8.75 x 11.75 inches. 20 pages, side stapled. Very Good, moderately rubbed, with faint soil and wear on the bottom right corner of the front wrapper. National Film Registry.
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Abbott and Costello Meet Frankenstein (Original publicity photograph from the 1948 film)

Abbott and Costello Meet Frankenstein (Original publicity photograph from the 1948 film)

by Charles Barton (director); Robert Lees, Frederic I. Rinaldo, John Grant (screenwriters); Bud Abbott, Lou Costello, Lon Chaney Jr., Bela Lugosi (starring)

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Universal City: Universal Pictures, 1948. Vintage publicity photograph from the 1948 film, showing actors Bud Abbott and Lou Costello facing off against Lon Chaney Jr., Bela Lugosi, and Glenn Strange (as the Wolf Man, Dracula, and Frankenstein's monster, respectively). Freight handlers come across the remains of Frankenstein's monster, and soon find themselves caught in a battle between Dracula, who seeks to resurrect the monster, and the Wolf Man, who wishes to thwart Dracula. The first of several horror-comedy films facing off Abbott and Costello against Universal monsters, preceding "Abbott and Costello Meet the Invisible Man" (1951), "Abbott and Costello Meet Dr. Jekyll and Mr. Hyde" (1953), and "Abbott and Costello Meet the Mummy" (1955). 10 x 8 inches. Near Fine.
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Adam's Rib (Original photograph from the 1949 film)

Adam's Rib (Original photograph from the 1949 film)

by George Cukor (director); Ruth Gordon, Garson Kanin (screenwriters); Spencer Tracy, Katharine Hepburn (starring)

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N.p.: N.p., 1949. Vintage reference photograph of Will Wright, Katharine Hepburn, and Spencer Tracy from the 1949 film. "Jacques Moreau" collection stamp and two "Metro-Goldwyn-Mayer France, Inc." stamps on verso. For many, this sixth entry in the Hepburn-Tracy canon was the peak for the duo, a non-stop, brainy battle-of-the-sexes gabfest that epitomized the two at their very best. Written by Ruth Gordon and Garson Kanin, the same writing team who produced "Pat and Mike" the following year. Nominated for an Academy Award for Best Screenplay. Set in and shot on location in New York City and Newtown, Connecticut. 8 x 10 inches. Very Good plus, with light creasing to corners. National Film Registry. Rosenbaum 1000. Byrge & Miller, The Screwball Comedy Films: A History and Filmography (1934-1942).
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Adam's Rib (Original double weight photograph of Katharine Hepburn from the set of the 1949 film)

Adam's Rib (Original double weight photograph of Katharine Hepburn from the set of the 1949 film)

by Katharine Hepburn (starring); Spencer Tracy (starring); George Cukor (director); Ruth Gordon, Garson Kanin (screenwriter);

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Beverly Hills, CA: Metro-Goldwyn-Mayer [MGM], 1949. Vintage double weight photograph of Katharine Hepburn lounging on the set of the 1949 film. Mimeo snipe and Advertising Code "Approved" stamp, dated "Sep 9 1949" on verso. For many, this sixth entry in the Hepburn-Tracy canon was the peak for the duo, a non-stop, brainy battle-of-the-sexes gabfest that epitomized the two at their very best. Written by Ruth Gordon and Garson Kanin, the same writing team who produced "Pat and Mike" the following year. Nominated for an Academy Award for Best Screenplay. Set in and shot on location in New York City and Newtown, Connecticut. 8 x 10 inches. Very Good plus, with light creasing to right edge and tiny chip at the bottom right margin. National Film Registry. Rosenbaum 1000. Byrge & Miller, The Screwball Comedy Films: A History and Filmography (1934-1942).
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The African Queen (Original photograph from the 1951 film)

The African Queen (Original photograph from the 1951 film)

by John Huston (director, screenwriter); C. S. Forester (novel); James Agee, Peter Viertel, John Collier (screenwriters); Humphrey Bogart, Katharine Hepburn, Robert Morley (starring)

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Beverly Hills, CA: United Artists, 1951. Vintage reference photograph from the 1951 film, showing actor Humphrey Bogart in costume, in the rain. Based on the 1935 novel by C. S. Forester, which follows the crew of a steamship ferrying supplies to villages in East Africa during World War I. A classic masterpiece of an adventure tale, in which a boozy Bogart and an uptight Katharine Hepburn find romance in the face of wartime adversity. Winner of an Academy Award for Best Actor for Bogart, and nominated for Best Director, Best Screenwriting, and Best Actress. 8 x 10 inches. Near Fine. National Film Registry.
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Alien (Original photograph of Ridley Scott on the set of the 1979 film)

Alien (Original photograph of Ridley Scott on the set of the 1979 film)

by Ridley Scott (director); Dan O'Bannon, Walter Hill, David Giler (screenwriters); H.R. Giger (effects); Sigourney Weaver, Tom Skerritt, Veronica Cartwright, Harry Dean Stanton (starring)

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N.p.: N.p., 1979. Vintage borderless reference photograph of director Ridley Scott with a camera crew on the set of the 1979 film. One of the greatest science fiction/horror films ever made, a franchise so rich in themes and expandability that it has generated three sequels and two prequels of comparable (or nearly comparable) artistic merit. The infamous "chest bursting" scene paved the way for future horror films to feature gore in more imaginative ways (but also caused viewers to vomit in theaters upon its initial release). Returning home from a mission, the crew of the spacecraft Nostromo is awakened by the ship's computer to answer a distress signal from a nearby planet. The rescue team discovers a bizarre pod field with pods housing unseen terror. Winner of an Academy Award for Best Effects. 10 x 8 inches. About Fine. National Film Registry. Ebert II.
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Alien (Original photograph of Ridley Scott, Derek Vanlint, and H.R. Giger on the set of the 1979...

Alien (Original photograph of Ridley Scott, Derek Vanlint, and H.R. Giger on the set of the 1979 film)

by Ridley Scott (director); Dan O'Bannon, Walter Hill, David Giler (screenwriters); H.R. Giger (effects); Sigourney Weaver, Tom Skerritt, Veronica Cartwright, Harry Dean Stanton (starring)

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N.p.: N.p., 1979. Vintage borderless reference photograph of director Ridley Scott with cinematographer Derek Vanlint on the set of the 1979 film, with artist H.R. Giger looking on in the background. One of the greatest science fiction/horror films ever made, a franchise so rich in themes and expandability that it has generated several sequels and prequels. Returning home from a mission, the crew of the spacecraft Nostromo is awakened by the ship's computer to answer a distress signal from a nearby planet. The rescue team discovers a bizarre pod field with pods housing unseen terror. Winner of an Academy Award for Best Effects. 10 x 8 inches. About Fine. National Film Registry. Ebert II.
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All About Eve (Original exhibitor's manual and campaign book for the 1950 film)

All About Eve (Original exhibitor's manual and campaign book for the 1950 film)

by Joseph L. Mankiewicz (director, screenwriter); Mary Orr (story); Bette Davis, Anne Baxter, George Sanders, Celeste Holm, Marilyn Monroe, Thelma Ritter (starring)

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Los Angeles: Twentieth Century-Fox, 1950. Vintage exhibitor's manual and campaign book for the 1950 film. Based on the 1946 story "The Wisdom of Eve" by Mary Orr. An aging Broadway star finds her life slowly and insidiously overtaken by her new assistant, an ambitious young woman named Eve. Nominated for 14 Academy Awards, winning six, including Best Picture. The only film in Oscar history to receive four acting nominations for women-Bette Davis and Anne Baxter for Best Actress, and Celeste Holm and Thelma Ritter for Best Supporting Actress. Exhibitor's manual 14.5 x 11 inches, campaign book 11 x 15 inches. Very Good plus overall. National Film Registry. Criterion Collection 1003. Ebert I. Rosenbaum 1000.
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All About Eve (Original photograph from the 1950 film)

All About Eve (Original photograph from the 1950 film)

by Joseph L. Mankiewicz (director, screenwriter); Bette Davis, Anne Baxter, George Sanders, Celeste Holm, Marilyn Monroe, Thelma Ritter (starring)

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Los Angeles: Twentieth Century-Fox, 1950. Vintage reference photograph from the 1950 film, showing actors George Sanders and Ann Baxter. Printed mimeo snipe in French affixed to the verso, along with a provenance stamp. Based on the 1946 story "The Wisdom of Eve" by Mary Orr. An aging Broadway star finds her life slowly and insidiously overtaken by her new assistant, an ambitious young woman named Eve. Nominated for 14 Academy Awards, winning six, including Best Picture. The only film in Oscar history to receive four acting nominations for women-Bette Davis and Anne Baxter for Best Actress, and Celeste Holm and Thelma Ritter for Best Supporting Actress. 10 x 8 inches. Very Good plus, moderately faded. National Film Registry. Criterion Collection 1003. Ebert I. Rosenbaum 1000.
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All the President's Men (Original photograph from the 1976 film)

All the President's Men (Original photograph from the 1976 film)

by Alan J. Pakula (director); Carl Bernstein, Bob Woodward (book); William Goldman (screenwriter); Dustin Hoffman, Robert Redford, Jack Warden (starring)

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N.p.: N.p., 1976. Vintage borderless reference photograph from the 1976 film, showing actor Robert Redford stepping out of a taxi, with the US Capitol in the background. With manuscript ink annotations on the verso. From the archive of film historian and author Joel Finler. Based on the 1974 book by Carl Bernstein and Bob Woodward. The iconic New Hollywood account of the Watergate investigation, starring Redford and Dustin Hoffman in exceptionally strong performances, as the Washington Post reporters who uncover the details of the Watergate scandal that leads to President Richard Nixon's resignation. Winner of four Academy Awards, including Best Screenplay, and nominated for four others. 7.5 x 10 inches. Near Fine. National Film Registry. Spicer US Neo-Noir.
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All the President's Men (Original screenplay for the 1976 film)
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All the President's Men (Original screenplay for the 1976 film)

by Dustin Hoffman, Robert Redford (starring); Alan J. Pakula (director); Carl Bernstein, Bob Woodward (book); William Goldman (screenwriter)

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Burbank, CA: Warner Brothers, 1974. Draft script for the 1976 film. Copy belonging to an unknown cast or crew member, with the name "Hirschberg" in manuscript ink on page 17, and three pages of manuscript notes about the script laid in. Based on the 1974 book by Bob Woodward and Carl Bernstein. An iconic New Hollywood film about the Watergate investigation, starring Robert Redford and Dustin Hoffman in very strong performances. Winner of four Academy Awards, including Best Screenplay, and nominated for four others, including Best Picture and Best Director. Yellow titled wrappers, noted as copy No. 30 in manuscript ink annotation, dated July 11, 1975. Title page integral with the first page of the text. 182 leaves, with last page of text numbered 161. Xerographic duplication, rectos only, with blue, pink, and yellow revision pages throughout, dated variously between 6/5/75 and 9/22/75. Pages Near Fine, wrapper Very Good plus, bound with two gold brads. National Film Registry. Spicer US Neo-Noir.
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America America (Original photograph from the set of the 1963 film)

America America (Original photograph from the set of the 1963 film)

by Elia Kazan (director, screenwriter, novel); Stathis Giallelis (starring)

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Burbank, CA: Warner Brothers, 1963. Vintage photograph on the set of the 1963 film, showing director Elia Kazan and crew on a scaffolding shooting across a large lake. With some manuscript pencil annotations (including the film title) on the verso. Based on Kazan's own 1962 novel, based on the life of his uncle, about a young Greek man living in 19th century Ottoman Turkey, and his long and poverty stricken journey to emigrate to America. Winner of an Academy Award, and nominated for Best Picture, Best Director, and Best Original Screenplay. Shot on location in Turkey and Greece. 10 x 8 inches. Near Fine. National Film Registry. Scorsese, A Personal Journey Through American Movies.
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Anatomy of a Murder (Original photograph from the set of the 1959 film)

Anatomy of a Murder (Original photograph from the set of the 1959 film)

by [Duke Ellington, Billy Strayhorn] Otto Preminger (director); John D. Voelker (novel); Wendell Mayes (screenwriter); James Stewart, Lee Remick, Ben Gazzara (starring)

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Burbank, CA: Otto Preminger Films, 1959. Vintage photograph of Otto Preminger, Duke Ellington and Billy Strayhorn on the set of the 1959 film. Preminger's "Anatomy of a Murder" was the first major Hollywood film to feature a score by an African American composer. The jazz score, composed by Ellington and Strayhorn (uncredited), and performed by Ellington's Orchestra, won three Grammy Awards in 1959 including Best Sound Track Album. Based on the 1958 novel by John D. Voelker, under the pseudonym Robert Traver, which he based on a real life case of a veteran accused of killing a local man who he believed raped his wife. Nominated for seven Academy Awards, including Best Picture, Best Adapted Screenplay, Best Actor for Jimmy Stewart, and twice for Best Supporting Actor for George C. Scott and Arthur O'Connell. Set in and shot on location in Michigan. 10 x 8 inches. Near Fine, very light creasing. National Film Registry. Rosenbaum 1000. Criterion Collection 600. Penzler 101. Spicer US. Grant US.… Read More
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Anatomy of a Murder (Original photograph of Duke Ellington and Lee Remick on the set of the 1959...

Anatomy of a Murder (Original photograph of Duke Ellington and Lee Remick on the set of the 1959 film)

by Duke Ellington, Lee Remick (subjects); Otto Preminger (director); John D. Voelker (novel); Wendell Mayes (screenwriter); James Stewart, Ben Gazzara (starring)

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N.p.: N.p., 1959. Vintage photograph of Lee Remick and Duke Ellington on the set of the 1959 film. From the archive of film historian and author Joel Finler. The first major Hollywood film to feature a score by an African American composer. The jazz score, composed by Ellington and Billy Strayhorn and performed by Ellington's Orchestra, won three Grammy Awards in 1959. Based on the 1958 novel by judge John D. Voelker (writing under the pseudonym Robert Traver), based on a real life case of a veteran accused of killing a local man whom he believed raped his wife. Nominated for seven Academy Awards. Set and shot on location in Michigan. 10 x 8 inches. Near Fine, lightly faded, with a hint of creasing at the corners. National Film Registry. Rosenbaum 1000. Criterion Collection 600. Penzler 101. Spicer US. Grant US. Selby US.
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Anatomy of a Murder (Two original photographs of Duke Ellington and Billy Strayhorn on the set of...
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Anatomy of a Murder (Two original photographs of Duke Ellington and Billy Strayhorn on the set of the 1959 film)

by Duke Ellington, Billy Strayhorn (subjects); Otto Preminger (director); John D. Voelker (novel); Wendell Mayes (screenwriter); James Stewart, Ben Gazzara (starring)

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Los Altos, CA: Carlyle Productions / Columbia Pictures, 1959. Two vintage reference photographs taken on the set of the 1959 film, one showing Duke Ellington working on the film score, and the other showing Ellington laughing with Billy Strayhorn. Carlyle Productions stamps on the versos. The first major Hollywood film to feature a score by an African American composer. Composed by Ellington and Strayhorn and performed by Ellington's Orchestra, the score won three Grammy Awards in 1959. Based on the 1958 novel by judge John D. Voelker (writing under the pseudonym Robert Traver), based on a real life case of a veteran accused of killing a local man whom he believed raped his wife. Nominated for seven Academy Awards. Set and shot on location in Michigan. One 8 x 10 inches, the other 10 x 8 inches. Near Fine. National Film Registry. Rosenbaum 1000. Criterion Collection 600. Penzler 101. Spicer US. Grant US. Selby US.
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Anatomy of a Murder (Original photograph from the 1959 film)
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Anatomy of a Murder (Original photograph from the 1959 film)

by Otto Preminger (director); John D. Voelker (novel); Gjon Mili, Al St. Hilaire (still photographers); Wendell Mayes (screenwriter); James Stewart, Lee Remick, Ben Gazzara, Arthur O'Connell (starring)

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Culver City, CA: Columbia Pictures, 1977. Vintage photograph from the 1959 film. Based on the 1958 novel by John D. Voelker, under the pseudonym Robert Traver, which he based on a real life case of a veteran accused of killing a local man who he believed raped his wife. Nominated for seven Academy Awards, including Best Picture, Best Adapted Screenplay, Best Actor for Jimmy Stewart, and twice for Best Supporting Actor for George C. Scott and Arthur O'Connell. Set in Michigan and shot on location there. 8 x 10 inches. Very Good to Near Fine. National Film Registry. Rosenbaum 1000. Criterion Collection 600. Penzler 101. Spicer US. Grant US. Selby US.
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Anatomy of a Murder (Original keybook photograph from the 1959 film)

Anatomy of a Murder (Original keybook photograph from the 1959 film)

by Otto Preminger (director); John D. Voelker (novel); Wendell Mayes (screenwriter); James Stewart, Lee Remick, Ben Gazzara, Arthur O'Connell, Eve Arden (starring)

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Burbank, CA: Otto Preminger Films, 1959. Vintage keybook studio photograph of Lee Remick with Jimmy Stewart and Duke Ellington at the piano from the 1959 film. Based on the 1958 novel by John D. Voelker, under the pseudonym Robert Traver, which he based on a real life case of a veteran accused of killing a local man who he believed raped his wife. Nominated for seven Academy Awards, including Best Picture, Best Adapted Screenplay, Best Actor for Jimmy Stewart, and twice for Best Supporting Actor for George C. Scott and Arthur O'Connell. Set in and shot on location in Michigan. 10 x 8 inches. Very Good plus, with some light edgewear. National Film Registry. Rosenbaum 1000. Criterion Collection 600. Penzler 101. Spicer US. Grant US. Selby US.
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Anatomy of a Murder (Original photograph of Duke Ellington, Lee Remick, and Jimmy Woode on the...

Anatomy of a Murder (Original photograph of Duke Ellington, Lee Remick, and Jimmy Woode on the set of the 1959 film)

by Duke Ellington, Jimmy Woode, Lee Remick (subjects); Otto Preminger (director); John D. Voelker (novel); Wendell Mayes (screenwriter); James Stewart, Lee Remick, Ben Gazzara (starring)

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Burbank, CA: Otto Preminger Films, 1959. Vintage photograph of Lee Remick, Duke Ellington and Jimmy Woode rehearsing on the set of the 1959 film. The first major Hollywood film to feature a score by an African American composer. The jazz score, composed by Ellington and Billy Strayhorn and performed by Ellington's Orchestra, won three Grammy Awards in 1959. Based on the 1958 novel by judge John D. Voelker (writing under the pseudonym Robert Traver), based on a real life case of a veteran accused of killing a local man who he believed raped his wife. Nominated for seven Academy Awards. Set and shot on location in Michigan. 10 x 8 inches. Near Fine, very light creasing. National Film Registry. Rosenbaum 1000. Criterion Collection 600. Penzler 101. Spicer US. Grant US. Selby US.
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