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Sherman Oaks, Calif: Wilmar Publ, 1973. frontis. map, b/w plates, illus., pict. d.j. Early woman explorer and archaeologist in Yucatan.
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EARLY EXPLORING IN LANDS OF THE MAYA WITH EDNA ROBB WEBSTER : A COLLECTION OF ADVENTURES AND RESEARCH IN THE MAYA AREA, DATING FROM 1928-1940, WITH A SUPPLEMENT OF JET-AGE DEVELOPMENTS
by Webster, Edna Robb
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EARLY EXPLORING IN LANDS OF THE MAYA WITH EDNA ROBB WEBSTER : A COLLECTION OF ADVENTURES AND RESEARCH IN THE MAYA AREA, DATING FROM 1928-1940, WITH A SUPPLEMENT OF JET-AGE DEVELOPMENTS
by Webster, Edna Robb
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Sherman Oaks, Calif: Wilmar Publ, 1973. frontis. map, b/w plates, illus., pict. wrps. Early woman explorer and archaeologist in Yucatan.
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EASY RECIPES OF CALIFORNIA WINEMAKERS
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San Francisco, CA: Wine Advisory Board, 1970. illus., spiral boards.
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ECO: ARTE CONTEMPORÁNEO MEXICANO
by Power, Kevin (Dir)
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Madrid; México: Museo Nacional Centro de Arte Reina Sofia; CONACULTA, 2005. color plates, ports., cat., bios/chrons., bibls., wrps. Catalogue of selected works that reflect the aesthetic plurality of Mexican contemporary art during the last 2 decades of the 20th century. The creations have as main theme the singularity of the megalopolis of Mexico City exemplifying the complexity and variety developed by a group of trans generational artists. Included are: Gunther Gerszo, Enrique Guzman, Francisco Toledo as well as the those from the emerging new generation: Jorge Yazpik, Verena Grimm, Diego Teo, and many others. The catalogue includes full page color plates of selected pieces that included the traditional formats (painting, sculpture and photography) along contemporary formats: DVDs., Video art, installation art, digital art, collages and documentation of performance, large-format installations and architectural interventions. The exhibition at the museum coincided with the ARCO 2005 program with…
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ECO SISTEMA: BERNARDO OYARZÚN.; La etimología de la palabra Eco (oiko): casa, define este trabajo. Texto:..
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Santiago de Chile: Galería Gabriela Mistral, Consejo Nacional de la Cultura y las Artes, 2005. b/w and color plates, frontis., ports., diag., facs., cat., bibl., bio/chron., color pict. wrps. Eco Sistema is an installation from artist Oyarzún (b. Chile 1963), where he reflects on the notion of landscape from an environmental, cultural and biographic point of view and reconstructs with large format photographs and recollected objects from the farmers the natural and human aspects of El Ñadi (in the community of the Los Muermos in southern Chile), and famous for the illegal cutting of larch trees (alerces) and the destruction of native forest. ENGLISH AND SPANISH TEXT. LIMITED EDITION OF 1500.
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ECOLÓGICA
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São Paulo: MAM, Museu de Arte São Paulo, 2010. color plates, cat., pressed, stamped semi-hard boards. OCLC: 770231069. The exhibition features 22 works curated by Philip Chaimovich, inspired by concepts of André Gorz and are readings of the current approach on the social ecology. According Chaimovich, "the history of life on Earth shows that nature is catastrophic, with the cycles of activity on the planet almost destroyed all life on Earth in more than one occasion. The permanence of ecosystems is always provisional, and human life may perish, despite the efforts. " Another topic is how nature is understood today. At least a part of the answer of why nature is now seen as a harmonious and friendly place can be found in art, which has always portrayed nature and gardens like Eden. The exhibition is divided into conceptual works in various materials and living works, which are used in natural plants. Some of the artists include: Dias & Riedweg, Gabriela Albergaria, Jaardineiro André Feliciano,…
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ECUADOR: THE HIGHLANDS.; Translated into English by Allan Miller
by Anhalzer V., Jorge
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Quito: Edición Mariscal, 1987. color plates, cat., tbl., map, black vinyl boards, color pict. d.j. Fine photographic study in color of Ecuador's spectacular mountains, focused on the northern and central volcanoes. English translation of: "Ecuador, tierras altas" (1987).
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EDEN
by Martín, Patricia (Ed)
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México;Bogotá: México, Antiguo Colegio de San Idelfonso, del 18 de Marzo al 15 de Junio de 2003/ Bogotá, Biblioteca Luis Ángel Arango, 15 de Mayo al 5 de Julio de 2004, 2004. b/w and color plates, ind., facs., plans, cat., color pict. boards. Exhibition catalogue presents texts and artistic works from the Jumex collection on the notion of Eden (Paradise), from utopia landscapes, nature and the human relation with the universe, from darkness to light, chaos to order and heaven to earth. Some artists include: Bas Jan Ader, Francis Alys, Francois-Xavier Courreges, Yoshiro Suda, Sofia Taboas and Fernando Ortega among others. Texts by Patricia Martin, Pablo Vargas Lugo, Fischli & Weiss, Patrick Charpenel, Baudelio Lara and Michel Blanscube. ENGLISH AND SPANISH TEXTS.
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EDGAR DEGAS: ESCULTOR
by Czestochowski, Joseph and Anne Pingeot (Eds)
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México, Memphis Tennesee: INBA, Museo Nacional de San Carlos, International Arts and The Torch Press, 2002. b/w and color plates, bio/chron., ind., pict. d. j. Exhibition of catalogue raisonne of bronze sculptures by one of the most important artists of the 19th century, Edgar Degas (b. 1834 Paris, d. 1817). Major exhibition held at the Museo Nacional de San Carlos in Mexico. Includes numerous informative essays and full-page color plates on Degas and his works. The sculptures are familiar Degas; female dancers and horses, sculpted in bronze of small to medium format. Important exhibition and reference. Texts translated into SPANISH from the Memphis International Arts exhibition. LIMITED EDITION OF 1000.
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EDGAR SÁNCHEZ: OTRA VEZ EL CUERPO
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Caracas: Fundación Corp Group Centro Cultural, 2004. frontis., b/w and color plates, cat., bio/chron., color pict. wrps. Exhibition catalogue of his recent paintings and never before published drawings of the human figure. LIMITED EDITION OF 500.
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EDGARDO RAMÍREZ CHIRINOS EN ILO: CONSTRUIR UN SUEÑO = BUILDING A DREAM.; Textos: Miguel Angel Roca...[et al]; Editor Arq. Enrique Salas Zegarra
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(Peru): Edgardo Ramirez Chirinos, 2005. b/w and color plates, frontis., maps, ports., plans, elevations, draws, cat., color pict. fldg. wrps. The present book reviews from an architectonic perspective the urban development of the city of ILO, a port town in southern Peru. The authors review the multidimensional process aimed at creating a new image for the city through architectonic interventions in the downtown areas and the the embankments where the talent of architect Ramirez Chirinos made possible the dreams of the people proving that regardless of profound bias and economic limitations it is still possible to create contemporary architecture and urban design "making opportunity out of adversity". ENGLISH AND SPANISH TEXT.
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EDGARDO CATALÁN: A POETICS OF ABSCENCE [SIC] = UNA POÉTICA DE LA AUSENCIA
by Rojas Contreras, Sergio (Ed)
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Santiago de Chile: The Atahualpa Foundation; Metales Pesados Libros, 2007. b/w & color plates, ports., bio/chron., color fldg. pict. wrps. OCLC: 313477686. Major work on the works on paper (drawings, prints and watercolors) and paintings on canvas. This is the first attempt to offer a broad view of his artistic career. Contains many works that had not been previously documented. His works are held by the Santa Barbara Museum of Art among others. Contents: Una poética de la ausencia = A poetics of absence / Sergio Rojas Contreras -- Pasajero en tránsito: viñetas autobiográficas = Passenger in transit: autobiographical vignettes -- Afuera-adentro, adentro-afuera = Outside-inside, inside-outside / Leslie I. Larsen.. ENGLISH AND SPANISH TEXT. LIMITED EDITION OF 1000 COPIES.
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EDIFICIO, EL ESPACIO. DOMINGO ÁLVAREZ: LA GRAMÁTICA DEL ESPACIO. VÍCTOR LUCENA: EL ESPACIO EN EL OBJETO.; Presentación: Elizabeth Nitsche. Exposición No. 979, Catálogo No. 863
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Caracas: Museo de Bellas Artes, 1998. b/w and color plates, plans, illustrations, drawings, biographies/chronologies, bibliographical references (page 137), hemerography, portraits, color wrappers. FRONT COVER READS: "EL ESPACIO" Interesting exhibit, where the space is the principal protagonist showing the architectural plans, drawings of noted architects in Venezuela. Reprint of 1992 edition.
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EDUARDO ABAROA: ENGENDROS DEL OCIO Y LA HIPOCRESÍA/FREAKS OF LEISURE AND HYPOCRISY 1991-1999
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Mex: Instituto Nacional de Bellas Artes/Museo de Arte Alvar y Carmen T. de Carrillo Gil, 4 de agosto al 11 de noviembre, 2000. b/w and color plates, cat., bio., fldg. pict. wrps. Nine year survey of works by installation artist Abaroa (b. 1968 Mex.) Abaroa's manifold themes, with their obsessive repetition, act as an object jigsaw puzzle, in which playfulness is the determining factor. He often uses toys and comic figures. TEXT IN ENGLISH AND SPANISH. LIMITED EDITION OF 1000.
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EDUARDO ALVES DA COSTA: PINTURAS
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São Paulo: Pinacoteca, 2002. color plates, port., cat., chrons., color pict. wrps. The first exhibit in Brazil of Alves da Costa (b. 1936, Niteroi, Brazil) after a successful European tour. His work of daily life scenes began in 1982 and reflect a "magic realism" akin to that of Latin American literature.
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EDUARDO VIEIRA DA CUNHA; Includes texts by the artist, Monica Zielinski, et al.
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Porto Alegre, Brasil: Museu de Arte do Rio Frande do Sul Ado Malagoli, 2003. b/w and color plates, bio/chron., color pict. boards, color pict. d.j. Working simultaneously with painting and photography Viera da Cunha (b. Brazil, 1956) has sought to establish bridges between these two means of expression. His themes bring memories and evocation of loss, mingled with a lyrical and solitary world, from an autobiographical point of view. They go further in questioning of painting within the field of art. He often selects ex voto images because they have a popular and Brazilian origin and engages them in dialogue with the photographic. Retrospective monograph unites his major series/themes. He received his MFA in photography at Brooklyn College and the guidance of Phillip Pearlstein. He received the "Bernard Shaw" and the Brooklyn College Foundation awards and many prestigious awards in Brazil. ENGLISH AND PORTUGUESE TEXTS.
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EDUARDO LUDENS; Text: Alejandro Ortiz González and Fernando Gález de Aguinaga
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México: SINTAXIS, 2003. b/w plates, bio./chron., cat., pict. wrps. Wire sculptures , assemblages, stabiles and mobiles in medium and large format of Ludens (b. Chicago 1864, has lived and worked in Mexico City since 1968). Text by Fernando Gálvez de Aguinaga and Alejandro Otrtiz González. All English text.
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EDUARDO STUPÍA: REFLEJOS
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Buenos Aires: Galería Jorge Mara La Ruche; Rabobank International, 2010. b/w plates , boards. The center of the exhibition, consists of two large pieces (195 x 300 cm), each of which is reflected on the other, but in a way elusive, hidden, sometimes imperceptible . Eduardo (b. 1951, Argentina) has had local and international exhibits as an individual and in a group since 1973 and is the winner of numerous awards. MOMA-NY counts his work in their collections. LIMITED EDITION OF 1000.
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EDUARDO PLA: OBRAS 2000/05
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Buenos Aires: Planetario Galileo Galilei, 2005. b/w and color plates, illus., ports., cat., bio/chron., folding dividers, b/w pict wrps, d.j. with cut-out circle on front wrapper, plus CD ROM in plastic sleeve tipped-in on verso of last divider. Retrospective exhibition of two decades of Pla's (b. Argentina 1952) digital art. Pla is one of the first Argentinean artists to explore the use of digital-electronic art in the field of visual arts, using new effects in public spaces and in full contact with the natural environment. His education in architecture is reflected in his installations of floating spheres and digital photo mosaic portraits. With critical texts by Pierre Restany, Rosa Faccaro, Jorge Glusberg and Ilona Selmeczi. Includes a CD with a catalogue of his art.
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EFECTO MARIPOSA: ENSAYOS SOBRE ARTE EN COLOMBIA 1985-2000
by Ponce de León, Carolina
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Bogotá: Instituto Distrital de Cultura y Turismo, 2004. plus 48 b/w and color plates, facs., ports., b/w pict. fldg. wrps. Anthology of essays and published newspaper texts produced between 1985 and 2000 by curator and writer Ponce de Leon. The essays are on the social and cultural context of art production in Colombia and the role of art criticism in the country's artistic evolution during the last quarter of the 20th century. Among the artists mentioned are: José Antonio Suárez, Doris Salcedo, Omar Rayo, Luis Caballero, and Beatriz González among others. Carolina Ponce reúne artículos de prensa, ensayos y textos sobre crítica de arte, sobre artistas colombianos como José Antonio Suárez, Doris Salcedo, Omar Rayo, Luis Caballero, María Teresa Hincapié, María Fernanda Cardoso y Beatriz González, entre otros. Buena obra de referencia sobre arte contemporáneo colombiano.
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