Working Space

Cambridge: Harvard University Press, 1986. hardcover in dust jacket., two small dots to top board. no other flaws, clean, no writing or markings, tight binding.; 177pp., 36 color plates, 55 b/w figures., comprised of the charles eliot norton lectures 1983-84 delivered by frank stella.. First Edition /First Printing. Hard Cover. Near Fine/Near Fine. 4to - over 9¾" - 12" tall.… Read more about this item

Cambridge, MA: Harvard University Press, 1986. First edition. Softcover. 177 pages. Includes numerous color and black and white illustrations. A clean very near fine copy in wrappers.

Cumbreland, Rhode Island, U.S.A.: Harvard Univ Pr, 1986. 5th or later Edition. Soft cover. Very Good/No Jacket. Book very good, small corner creases to covers, several corner creases to inner pages. Binding tight and straight, inner pages glossy and unmarked. Numerous color, b/w photo reproductions. "Working Space affords a rare opportunity to view painting from the inside out,… Read more about this item

Cambridge, MA: Harvard University Press, 1986. Softcover. VG (edge-wear to covers; lower corner rubbed. light stain to textblock edge. interior clean & bright). Grey color illustrated glossy wraps. 177 pp. 36 color, 55 bw plates. Includes laid-in New Yorker profile of Frank Stella from September 10, 1984.

Harvard University Press, 1986. Paperback. Acceptable. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

Cambridge: Harvard University Press, 1986. Paperback. Very good +. 9 x 11 in. Paper wraps. Condition is VERY GOOD+ ; covers very clean, minor wear. Binding tight, text unmarked. Art. RGR.

Cambridge, Massachusetts, and London, England: Harvard University Press, 1986. First Paperback Edition. Paperback. Very Good. 27.5 x 23.5 cm. Quarto. 177pp. Some shelf wear to the edges of the covers.

Cambridge: Harvard University Press, 1986. First edition. Illustrated. 177 pp. 1 vols. 4to. Brown cloth. Fine in fine dust jacket. First edition. Illustrated. 177 pp. 1 vols. 4to. Inscribed "To Steve & Sigrid love Frank 1986.

Cambridge: Harvard University Press, 1986. Quarto (28cm). Grey pictorial softcover; [xii],[178]pp; color and black and white illustrations. Lightly rubbed, bumped at base of spine, else clean and sound: Very Good.

Cambridge: Harvard University Press, 1986. paperback. fine. Stell, Frank. Illustrated both in color and b/w. 177 pages. 4to, glossy pictorial wrappers. Cambridge: Harvard University Press, 1986. First softcover edition. A fine copy.<br/><br/>

Harvard University Press, 1986-10-10. First Edition. paperback. Used: Good.

Cambridge, Mass. London, England: Harvard University Press [9780674959615] [no date]. (Mass market paperback) 177pp. As new. 4to. As new. The Charles Eliot Norton Lectures 1983 - 84..

Harvard University Press, 1986. Paperback. Acceptable. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

Harvard Univ Pr, 1986. Paperback. New. 192 pages. 11.00x9.25x0.50 inches.

Cambridge: Harvard University Press, 1986. First Edition, First Printing . Illustrated Wrappers. Fine/No Dust Jacket. 10 7/8" Tall. Color Plates. As new.

Harvard University Press, 1986. Hardcover. Acceptable. Disclaimer:A readable copy. All pages are intact, and the cover is intact. Pages can include considerable notes-in pen or highlighter-but the notes cannot obscure the text. An ex-library book and may have standard library stamps and/or stickers. At ThriftBooks, our motto is: Read More, Spend Less.Dust jacket quality is not guaranteed.

Harvard University Press. Used - Very Good. 1986. Paperback. Very Good.

Cambridge (Harvard University Press), 1986.. (10), 177, (3)pp. Prof. illus. 4to. Wraps.

Paperback / softback. New. Here is a rare opportunity to view painting through the discerning eyes of one of the world's foremost abstract painters. Stella uses the crisis of representational art in sixteenth-century Italy to illuminate the crisis of abstraction in our time.