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How New York Stole the Idea of Modern Art
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How New York Stole the Idea of Modern Art Paperback - 1985

by Serge Guilbaut

From the publisher

"A provocative interpretation of the political and cultural history of the early cold war years. . . . By insisting that art, even art of the avant-garde, is part of the general culture, not autonomous or above it, he forces us to think differently not only about art and art history but about society itself."-New York Times Book Review

From the rear cover

Why was New York abstract expressionism so successful after World War II? To answer that question, Serge Guilbaut takes a controversial look at the complicated, intertwining relationship among art, politics, and ideology. He explores the changing New York and Paris art scenes of the Cold War period, the rejection by artists of political ideology, and the coopting by left-wing writers and politicians of the artistic revolt.

Details

  • Title How New York Stole the Idea of Modern Art
  • Author Serge Guilbaut
  • Binding Paperback
  • Edition New edition
  • Pages 288
  • Volumes 1
  • Language ENG
  • Publisher University of Chicago Press, Chicago, Illinois, U.S.A.
  • Date 1985-04-15
  • Features Bibliography
  • ISBN 9780226310398 / 0226310396
  • Weight 0.8 lbs (0.36 kg)
  • Dimensions 9.05 x 5.99 x 0.76 in (22.99 x 15.21 x 1.93 cm)
  • Themes
    • Cultural Region: Mid-Atlantic
    • Cultural Region: Northeast U.S.
    • Geographic Orientation: New York
  • Library of Congress Catalog Number 83006506
  • Dewey Decimal Code 709.747

About the author

Serge Guilbaut is professor and department head in the Department of Fine Arts at the University of British Columbia.

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How New York Stole the Idea of Modern Art
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How New York Stole the Idea of Modern Art

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How New York Stole the Idea of Modern Art

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How New York Stole the Idea of Modern Art

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How New York Stole the Idea of Modern Art

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How New York Stole the Idea of Modern Art
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How New York Stole the Idea of Modern Art

by Guilbaut, Serge

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ISBN 10 / ISBN 13
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Chicago, IL and London: The University of Chicago Press, 1984. Trade Paperback. Good. 8vo or 8° (Medium Octavo): 7¾" x 9¾" tall. 277 pp. Solidly bound copy. Light markings in text. Has light water mark along bottom page end. Solid readable copy.
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