Description:
Hardback. New. This book explores Andy Warhol's creative engagement with social class. During the 1960s, as neoliberalism perpetuated the idea that fixed classes were a mirage and status an individual achievement, Warhol's work appropriated images, techniques, and technologies that have long been described as generically "American" or "middle class." Drawing on archival and theoretical research into Warhol's contemporary cultural milieu, Grudin demonstrates that these features of Warhol's work were in fact closely associated with the American working class. The emergent technologies which Warhol conspicuously employed to make his work home projectors, tape recorders, film and still cameras were advertised directly to the working class as new opportunities for cultural participation. What's more, some of Warhol's most iconic subjects Campbell's soup, Brillo pads, Coca-Cola were similarly targeted, since working-class Americans, under…
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Warhol's Working Class: Pop Art and Egalitarianism Hardcover - 2017
by Anthony E. Grudin
Details
- Title Warhol's Working Class: Pop Art and Egalitarianism
- Author Anthony E. Grudin
- Binding Hardcover
- Pages 202
- Volumes 1
- Language ENG
- Publisher University of Chicago Press
- Date 2017
- Illustrated Yes
- Features Bibliography, Illustrated, Index
- ISBN 9780226347776 / 022634777X
- Weight 1.65 lbs (0.75 kg)
- Dimensions 10.1 x 7.2 x 0.8 in (25.65 x 18.29 x 2.03 cm)
-
Themes
- Chronological Period: 20th Century
- Library of Congress subjects Pop art - United States, Art and society
- Library of Congress Catalog Number 2017015347
- Dewey Decimal Code 700.92
Media reviews
Citations
- Choice, 06/01/2018, Page 0
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Warhol's Working Class: Pop Art and Egalitarianism
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Warhol's Working Class – Pop Art and Egalitarianism
by Grudin, Anthony E.
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Warhol's Working Class: Pop Art and Egalitarianism
by Grudin, Anthony E.
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