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University Of Chicago Press, 1990-12-18. Hardcover. Like New. Like New Inside and Outside. Clean and crisp! Small inscription on 1st page. You will be pleased. Excellent book! ( z1s62C ) Some very minor shelf wear on dust cover. ** Fast Shipping! **
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The Old Guard and the Avant-Garde: Modernism in Chicago, 1910-1940 Hardcover - 1990
by Sue Ann Prince (Editor)
First line
For a city that is probably one of the best analyzed, most carefully described, and incessantly invoked in the western world, Chicago's art history remains a closely guarded secret.
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- Title The Old Guard and the Avant-Garde: Modernism in Chicago, 1910-1940
- Author Sue Ann Prince (Editor)
- Binding Hardcover
- Edition First Edition
- Pages 304
- Volumes 1
- Language ENG
- Publisher University of Chicago Press, Chicago
- Date December 18, 1990
- Illustrated Yes
- ISBN 9780226682846 / 0226682846
- Weight 1.8 lbs (0.82 kg)
- Dimensions 10 x 7 x 0.9 in (25.40 x 17.78 x 2.29 cm)
- Library of Congress subjects Modernism (Art) - Illinois - Chicago, Art, American - Illinois - Chicago - 20th
- Library of Congress Catalog Number 90035236
- Dewey Decimal Code 709.773
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The Old Guard and the Avant-Garde: Modernism in Chicago, 1910-1940
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The Old Guard and the Avant-Garde : Modernism in Chicago, 1910-1940
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University of Chicago Press, 1990. Hardcover. Good. Disclaimer:Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.
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The Old Guard & the Avant�Garde
by Prince, Sue Ann
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University of Chicago Press, 01/12/1990 00:00:01. hardcover. Good. 2.8179 cent in x 23.1724 cent in x 16.6773 cent in. 1990 EDITION with dust jacket - rare and collectable - will send out 1 st class post within 12 hours of receipt of order
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THE OLD GUARD AND THE AVANT-GARDE. Modernism in Chicago, 1910-1940
by Prince, Sue Ann, Edited by
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Chicago: The University of Chicago Press, (1990). first printing. hardcover. Fine/Fine. Includes both black and white and color illustrations; notes, selected bibliography, index. Small quarto, approx. 10 1/4", (26 cm) tall and 7 1/8" (18 cm) wide. 280 pages. This book is an edited collection of the proceedings of a 1988 symposium titles "The Coming of Modernism to Chicago, 1910-1940," organized by the Archives of American Art, Smithsonian Institution, and co-sponsored by the Art Institution of Chicago. Book and dust jacket are in fine condition. Studio
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The Old Guard and the Avant-Garde: Modernism in Chicago, 1910-1940
by Prince, Sue Ann, editor
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Chicago: University of Chicago Press, 1990. Hardcover. xxiv, 280p., cloth-covered boards, 7x10.25 inches, illus., corners bumped else very good condition in an unclipped and edgeworn dj with an old price sticker on the front panel.
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The Old Guard and the Avant-Garde: Modernism in Chicago, 1910-1940
by Prince, Sue Ann [Editor]
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University Of Chicago Press, 1990-12-18. Hardcover. Very Good/Very Good. 7x1x10. Jacket flap is creased, Minor shelf wear, binding tight, front endpage has a name, else pages clean and unmarked.
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The Old Guard and The Avant Garde: Modernism In Chicago, 1910-1940
by Prince, Sue Ann (editor)
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Chicago: University of Chicago Press. Fine copy in fine dust jacket. 1990. 1st. hardcover. Small 4to, 280 pp. .
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The Old Guard and the Avant-Garde: Modernism in Chicago, 1910-1940
by Prince, Sue Ann
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University Of Chicago Press. Used - Very Good. 1990. 1st Edition. Hardcover. Very Good.
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The Old Guard and the Avant-Garde: Modernism in Chicago, 1910-1940
by Prince, Sue Ann (Editor)
- Used
- Hardcover
- first
- Condition
- Used - Very good in very good dust jacket. DJ has slight wear and soiling. Minor corner bumping.
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Silver Spring, Maryland, United States
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Chicago, IL: University of Chicago Press, 1990. First edition. First printing [stated]. Hardcover. Very good in very good dust jacket. DJ has slight wear and soiling. Minor corner bumping.. xxiv, 284 p. Illustrations (some in color). Chronology. Notes. Selected Bibliography. Index. This volume, the first to focus on Chicago, tells the story of that city's vitriolic struggle between an 'old guard' who advanced the ideals of traditional ninteenth-century art and an 'avant-garde' of painters, illustrators, photographers and sculptors who espoused the new modernist art from Europe. The result is an illuminating exploration of Chicago's early cultural development with a focus on the struggle that largely defined the course of the city's art and art institutions in the early decades of this century.
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