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Hybrid Practices: Art in Collaboration with Science and Technology in the Long
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Hybrid Practices: Art in Collaboration with Science and Technology in the Long 1960s Hardcover -

by David Cateforis (Editor); Steven Duval (Editor); Shepherd Steiner (Editor)


From the rear cover

"An admirable and expansive book--a key resource for scholars and educators interested in the intertwining histories of the aesthetic and the technological during the second half of the twentieth century."--Michael Maizels, Assistant Professor of Art History, University of Arkansas, and author of Barry Le Va: The Aesthetic Aftermath

"A welcome contribution to the study of collaborative practices in art, science, and technology in the postwar period, this volume brings together a strikingly original collection of case studies that recast our understanding of such practices in new and exciting ways."--James Nisbet, Associate Professor of Art History and Visual Studies, University of California, Irvine

Details

  • Title Hybrid Practices: Art in Collaboration with Science and Technology in the Long 1960s
  • Author David Cateforis (Editor); Steven Duval (Editor); Shepherd Steiner (Editor)
  • Binding Hardcover
  • Pages 329
  • Volumes 1
  • Language ENG
  • Publisher University of California Press
  • Illustrated Yes
  • Features Bibliography, Illustrated, Index
  • ISBN 9780520296596 / 0520296591
  • Weight 2.1 lbs (0.95 kg)
  • Dimensions 10.3 x 7.2 x 0.9 in (26.16 x 18.29 x 2.29 cm)
  • Library of Congress subjects Art and society, Art, Modern - 20th century
  • Library of Congress Catalog Number 2018011302
  • Dewey Decimal Code 701.05

About the author

David Cateforis is Professor and Chair of Art History at the University of Kansas. He has published widely on twentieth-century American art and international contemporary art. He is the editor of Rethinking Andrew Wyeth and Decade of Transformation: American Art of the 1960s and coeditor of Albert Bloch: Artistic and Literary Perspectives.

Steven Duval is an artist and researcher based in Buffalo, New York, who has shown work in the Gwangju biennale, Nuit Blanche Paris, Apexarts New York, and the Fruitmarket Gallery in Edinburgh. He also runs the Independent Arts Research project.

Shepherd Steiner is Associate Professor of Contemporary Art and Theory at the University of Manitoba. He is the coeditor of Cork Caucus: On Art, Possibility and Democracy and The New Criticism: Formalist Literary Theory in America and Abroad. He is the author of Rodney Graham: Phonokinetoscope and the editor of Mosaic, an Interdisciplinary Critical Journal.

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Hybrid Practices

by David Cateforis

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In Hybrid Practices, essays by established and emerging scholars investigate the rich ecology of practices that typified the era of the Cold War. The volume showcases three projects at the forefront of unprecedented collaboration between the arts and new sectors of industrial society in the 1960s and 70s—Experiments in Art and Technology (E.A.T.), the Art and Technology Project at the Los Angeles County Museum of Art (A&T), and the Artist Placement Group (APG) in the UK. The subjects covered include collaborative projects between artists and scientists, commercial ventures and experiments in intermedia, multidisciplinary undertakings, effacing authorship to activate the spectator, suturing gaps between art and government, and remapping the landscape of everyday life in terms of technological mediation. Among the artists discussed in the volume and of interest to a broad public beyond the art world are Bernd and Hilla Becher, John Cage, Hans Haacke, Robert Irwin,… Read More
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Hybrid Practices: Art in Collaboration with Science and Technology in the Long 1960s

Hybrid Practices: Art in Collaboration with Science and Technology in the Long 1960s

by David Cateforis

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  • Hardcover
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Binding
Hardcover
ISBN 10 / ISBN 13
9780520296596 / 0520296591
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Hardback. New. In Hybrid Practices, essays by established and emerging scholars investigate the rich ecology of practices that typified the era of the Cold War. The volume showcases three projects at the forefront of unprecedented collaboration between the arts and new sectors of industrial society in the 1960s and 70s-Experiments in Art and Technology (E.A.T.), the Art and Technology Project at the Los Angeles County Museum of Art (A&T), and the Artist Placement Group (APG) in the UK. The subjects covered include collaborative projects between artists and scientists, commercial ventures and experiments in intermedia, multidisciplinary undertakings, effacing authorship to activate the spectator, suturing gaps between art and government, and remapping the landscape of everyday life in terms of technological mediation. Among the artists discussed in the volume and of interest to a broad public beyond the art world are Bernd and Hilla Becher, John Cage, Hans Haacke, Robert Irwin, John Latham,… Read More
Item Price
SGD 86.09
SGD 17.32 shipping to USA
Hybrid Practices – Art in Collaboration with Science and Technology in the Long 1960s
Stock Photo: Cover May Be Different

Hybrid Practices – Art in Collaboration with Science and Technology in the Long 1960s

by Cateforis, David (Editor)/ Duval, Steven (Editor)/ Steiner, Shepherd (Editor)

  • New
  • Hardcover
Condition
New
Binding
Hardcover
ISBN 10 / ISBN 13
9780520296596 / 0520296591
Quantity Available
1
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Exeter, Devon, United Kingdom
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This seller has earned a 4 of 5 Stars rating from Biblio customers.
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Univ of California Pr, 2018. Hardcover. New. 276 pages. 10.25x7.25x0.75 inches.
Item Price
SGD 106.31
SGD 17.40 shipping to USA