Prints - English from Alan Wofsy Fine Arts

New Arrivals

Adoration of the Magi. Original aquatint.

Adoration of the Magi. Original aquatint.

by Veronese, Paolo (1528–1588), After; John Stange Esq. , collectioni.

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London: late 18th-early 19th Century. Sepia aquatint. 31.5 x 41.5cm., platemark. 37.5 x 51cm. Sheet size.
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Coronation of King George VI and Queen Elizabeth. Westminster Abbey. 12th May 1937. Tassled Christmas memento.

Coronation of King George VI and Queen Elizabeth. Westminster Abbey. 12th May 1937. Tassled Christmas memento.

by Matania, Chevalier Fortunino (1881-1963)

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Norwich: 1937. Color gravure as cover with yellow tassels. Served as Christmas memento from Raymond King, Sandringham Court, Norwich. 18 x 23cm. . Provenance: Estate of Pierre Malo (1902-1962) .
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The Downfall of Sejanus.(Satirical broadside on Robert Walpole and the Excise Crisis, comparing him with Sejanus and the de Wit brothers.)  First edition of the engraving.

The Downfall of Sejanus.(Satirical broadside on Robert Walpole and the Excise Crisis, comparing him with Sejanus and the de Wit brothers.) First edition of the engraving.

by 18th Century British Caricaturist

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London: circa 1733. Engraving. 40 x 33cm. Mounted on a support sheet.... British Museum 1868,0808.3554: Satirical broadside on Robert Walpole and the Excise Crisis, comparing him with Sejanus and the de Wit brothers. A street scene with an executioner, saying "This is the fate of all Oppressors", dragging the headless body of Walpole whose head lies at the feet of another… Read more about this item
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The Hottentots feeding upon the excrement and entrails of beaf. (Remnants of a 17th Century engraving.)

The Hottentots feeding upon the excrement and entrails of beaf. (Remnants of a 17th Century engraving.)

by 17th Century engraver

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England: circa 17th Century. Remnants of a 17th Century engraving. 10 x 13; 7 x 15; 4 x 5 cm.
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A chorus of singers rehearsing William Huggins' oratorio

A chorus of singers rehearsing William Huggins' oratorio "Judith". Original etching. 18th Century Impression.

by Hogarth, William (1697-1764)

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1732. 17.1 x 15.4 cm on 18th century laid paper. Fine impression. Before the text beneath the image.... Paulson, 127.... The print shows a rehearsal of the oratorio "Judith", written by William Huggins (1696-1761), with music by William Defesch. It was performed on 16 February 1732/1733, at Lincoln's Inn Fields. Huggins (1696-1761) was a close friend of Hogarth's. William Defesch… Read more about this item
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John Wilkes, Esq. Original etching. 18th Century Impression.

John Wilkes, Esq. Original etching. 18th Century Impression.

by Hogarth, William (1697-1764)

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1761. 34.5 x 22.3 cm. on 18th century laid paper. Fine impression. Paulson, 214 first state.
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A Chorus of Singers. Original etching. 18th Century Impression.

A Chorus of Singers. Original etching. 18th Century Impression.

by Hogarth, William (1697-1764)

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1736. 21 x 17.4 cm. on 18th century laid paper. Fine impression. Paulson, 127, third state.
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The Laughing Audience. Original etching. 18th Century Impression.

The Laughing Audience. Original etching. 18th Century Impression.

by Hogarth, William (1697-1764)

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1733. 7.5 x 14.8 cm. on 18th century laid paper. Fine impression. Lower text with receipt trimmed off. Paulson, 130.
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Paul before Felix. Original etching. 18th Century Impression.

Paul before Felix. Original etching. 18th Century Impression.

by Hogarth, William (1697-1764)

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1761. 34.5 x 22.3 cm. on 18th century laid paper. Fine impression. Paulson, 191a fourth state of five.
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The Sleeping Congregation . Original etching. 18th Century Impression.

The Sleeping Congregation . Original etching. 18th Century Impression.

by Hogarth, William (1697-1764)

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1736-1762.. 26 x 20.5cm. on 18th century laid paper. Fine impression. Paulson, 140.
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The Times. Plate I. Original etching. 18th Century Impression.

The Times. Plate I. Original etching. 18th Century Impression.

by Hogarth, William (1697-1764)

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1762. 24.6 x 30.5 cm. on 18th century laid paper. Fine impression. Paulson, 191a fourth state of five.
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Characters and Caricaturas. Original etching. 18th Century Impression.

Characters and Caricaturas. Original etching. 18th Century Impression.

by Hogarth, William (1697-1764)

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1743. 22.3 x 20.6cm. on 18th century laid paper. Fine impression. Lower text with receipt trimmed off. Paulson, 156.
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The Stage Coach, or the Country Inn Yard. Original etching. 18th Century Impression.

The Stage Coach, or the Country Inn Yard. Original etching. 18th Century Impression.

by Hogarth, William (1697-1764)

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1747. 21.6 x 30.7cm. on 18th century laid paper. Fine impression. Paulson, 167. 3rd state of four.
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Time Smoking a Picture. Original etching. 18th Century Impression.

Time Smoking a Picture. Original etching. 18th Century Impression.

by Hogarth, William (1697-1764)

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1761. 22 x 17 cm. on 18th century laid paper. Fine impression. Lower text with receipt trimmed off. Paulson, 208.
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The five Orders of Perriwigs. Original etching. 18th Century Impression.

The five Orders of Perriwigs. Original etching. 18th Century Impression.

by Hogarth, William (1697-1764)

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1761. 35.6 x 22.5 cm. on 18th century laid paper. Fine impression. Paulson, 209, first state.
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H.M. Brig Acorn, 16 Guns, in chase of the Piratical Slaver Gabriel. To Captain Adams and the Officers of the Brig this print is respectfully dedicated by their obedient servant, Edmund Fry. First edition. of the lithograph

H.M. Brig Acorn, 16 Guns, in chase of the Piratical Slaver Gabriel. To Captain Adams and the Officers of the Brig this print is respectfully dedicated by their obedient servant, Edmund Fry. First edition. of the lithograph

by Condy, N.M. del; Dutton, Thomas Goldsworthy Lith.; Day & Haghe Lithrs. to the Queen.

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London: Ackermann & Co., circa 1841. Handcolored lithograph. 38 x 45 cm. sheet size, with the full text beneath the image. Fold mark and repaired tear; mounted on a support sheet. N.M.Condy del; T.G.Dutton Lith. Day & Haghe Lithrs.to the Queen. [Published in London by Ackemann & Co. and George Foster, in Plymouth by Edmund Fry. Hand-colored… Read more about this item
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A scene at the London Museum Piccadilly,--or--a peep at the spoils of ambition, taken at the Battle of Watereloo--being a new tax on John Bull for 1816 &c &c / G. Cruikshank, fect.. First edition of the etching.

A scene at the London Museum Piccadilly,--or--a peep at the spoils of ambition, taken at the Battle of Watereloo--being a new tax on John Bull for 1816 &c &c / G. Cruikshank, fect.. First edition of the etching.

by Cruikshank, George, 1792-1878.

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London : Pubd. by H. Humphrey, St. James's St., London, 1816 Jany.. Uncolored etching. 27.2 x 37.5 cm. Closed tear 9 cm. British Museum website: 1859,0316.111; Library of Congress Control Number 2006688753 George Cruikshank takes a sardonic view of the vulgar hordes who ‘peep at the spoils of ambition’ taken at the battle of Waterloo. The wild crowd seems to have… Read more about this item
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Palace of the Tuileries facing la place du Carrousel. First edition.

Palace of the Tuileries facing la place du Carrousel. First edition.

by Sparrow, [S.] ]

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SGD 274.92

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London: Richard Phillips, 1803. Original engraving. With folds. 9.75 x 20.5 inches. Rare. 3" of the image is not in the scan.
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A Front View of the Hall of Audience at the Palace of Yuen-Min-Yuen. First edition.

A Front View of the Hall of Audience at the Palace of Yuen-Min-Yuen. First edition.

by Alexander, William (1767-1816) (and Wilson Lowry (engraver)

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London: G. Nicol. 1796. . Engraving. Plate 22. 24 x 35 cm. image on Whatman watermakfred 1794. Sheet size 42 x 59 cm. Large Waterstain in lower maring, not affecting the4 image. k. Blick von N in die Einsiedelei in der Verenaschlucht mit der St. Verena- und der St. Martinskapelle und mit zahlreichen Staffagefiguren. Christian von Mechel est un graveur et… Read more about this item
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Queen Mary's Tower Holyrood Palace containing her private apartments in which Rizzio was murdered. First edition lithograph

Queen Mary's Tower Holyrood Palace containing her private apartments in which Rizzio was murdered. First edition lithograph

by Swarbreck, Samuel Dukinfield (c.1799–1863)

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London: Printed at C. Hullmandel and Published by the Author, 1839.. Hand-colored lithograph. Image: 41x29 cm (16¼x11½") matted: 52x39 cm (20½x15½"). Signed in stone. S.D. Swarbreck was an architectural, topographical, and genre painter, who was active from 1815-1863. He made a number of prints of Edinburgh. From "Sketches in Scotland," Abbey, "Scenery of Great Britain and Ireland, "no. 492: 4.
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