Music from

New York: Grove Press, 1979. Softcover. Near Fine. First Evergreen edition. Introduction by John Lahr. Trade paperback. 70pp., [6pp.] Pages age-toned, near fine. The unproduced screenplay for a proposed follow-up film to The Beatles *Help*, by gay playwright Joe Orton who was discovered murder the morning of his meeting with the Fab Four.

New York: The Modern Library, 2000. Hardcover. Fine/Fine. First edition. 237pp. Fine in a fine dust jacket. Signed by Albert Murray, and very uncommon thus.

Chicago: The Dramatic Publishing Company, 1959. Softcover. Fine. First edition. Book and lyrics by Shirley Jackson; music by Allan J. Friedman. 12mo. 36pp. Stapled printed yellow wraps. Fine. Very scarce.

New York: Mercury Music Corporation, 1951. Softcover. Very Good. First edition. Quarto. Stapled illustrated yellow wrappers. Modest offsetting on the wrappers, very good or a little better.

(New York: Handy Music Company, 1946. Hardcover. Very Good/Very Good. Second edition. Quarto. 236pp., frontispiece. Dedication by George S. Schuyler. Printed glossy boards (the first edition had printed mat paper covered boards). Some modest rubbing on the boards, very good or better in rubbed, very good dust jacket. A collection of hymns and songs by and about African-Americans,… Read more about this item

Boston: Little, Brown and Company, 1983. Softcover. Fine. First edition. Introduction by Gary Schmidgall. Trade paperback. 202pp. Illustrated from both color and black-and-white photographs. Light offsetting on inside wrapper and front fly, else fine. Issued as part of The Metropolitan Opera Classic Library.

New York: Harper & Row, 1987. Hardcover. Fine/Fine. First edition. 222pp. Edited with supplemental material by Robert T. Jones. Illustrated from both black-and-white and color photographs of theater scenes, black-and-white plates. Fine in a fine dustwrapper. Autobiography of a famous American composer.

New York: The Macmillan Company, 1971. Hardcover. Fine/Very Good. First trade edition (preceded by several piracies). Fine in very good dust jacket with some light rubbing, short tears, and very shallow nicking at the crown.

Boston: W.H. Oakes / E.H. Wade, 1860. Softcover. Very Good. Unknown edition. Folio. Wrappers. 5pp. Notched along the spine from once being bound within an album, light foxing throughout, and rubbing to the exterior, still a very good and complete copy. For voice and piano. Plate number, 362-5. There are quite a few holdings of this song by… Read more about this item

St. Paul, Minnesota: College of St. Catherine, 1986. Softcover. Very Good. Event program. Octavo. 56pp. Poems in both Spanish and English, the remainder of the text in English. Illustrated in black and white. Modest general wear and lower wrap a bit soiled, very good and sound. Prints poems, a dedication to Olof Palme, and material relating to the… Read more about this item

New York: William Hall & Son, 1844. Softcover. Good. Stated new edition. Folio. Wrappers. 5pp. Front wrapper detached but present, notched along the spine from once being bound within an album, tearing at the bottom of the spine, an early tape repair to the front wrapper, and foxing throughout, a complete but good only copy. For voice and… Read more about this item

Dublin: Paul Alday, 1815. Softcover. Good. Unknown edition. Folio. Wrappers. 8pp. Early tape repairs along the fore edge of the front wrapper, the spine, and the top edge and fore edge of the back wrapper, offsetting and foxing throughout, and soiling to the exterior, still a good or better copy that appears to have the complete score though… Read more about this item

Cincinnati: The John Church Company, 1909. Softcover. Near Fine. First edition. Folio. 7pp. Wrappers. Lightly notched along the spine from once being bound within an album, light toning, else near fine. For high voice and piano. Plate number, 16148-6. *OCLC* locates only two holdings and it appears to be equally scarce in the trade.

New York: Chappell & Co, 1910. Softcover. Near Fine. Original promotional pamphlet featuring three sheet music samples. 12mo. Single bifolium making four pages. Light toning, else near fine. Each song is for voice and piano. Features samples of "Clementina's Song ('A maiden sat at her casement wide')," "Everybody's Secret," and "Pearl and Song (There was a Star)." Liza… Read more about this item

Philadelphia: Elkan-Vogel, 1958. Softcover. Very Good. First edition. Quarto. Single bifolium with a single sheet insert making six pages. Neat ink note in the margin of page three, check mark on the front cover, and foxing to the exterior, still a very good and complete copy. For voice and piano. Plate imprint, "I'm Nobody 3.

Boston: Oliver Ditson, 1857. Softcover. Very Good. Unknown edition. Folio. 6pp. Wrappers. Notched along the spine from once being bound within an album, the rear wrapper is separating a bit from the spine, foxing and offsetting throughout, and the verso of the front wrapper is marked as page three suggesting this might have originally had an additional cover/front… Read more about this item

New York: G. Schirmer, 1910. Softcover. Good. Later printing. Folio. Two nested bifoliums making eight pages. Outer bifolium nearly separated along the fold, owner name in pen on the top of the front cover, light edgewear, and offsetting and rubbing to the exterior, a complete and good or better copy. For voice and piano. Plate number, 13792. The… Read more about this item

Philadelphia: Elkan-Vogel, 1958. Softcover. Very Good. First edition. Quarto. Single bifolium making four pages. Music shop stamp and price cancel sticker on the front cover with some sticker residue, toning to the exterior, still very good. For voice and piano. Plate imprint, "When the Hills Do 2.

Boston: Oliver Ditson & Co, 1876. Softcover. Very Good. Unknown edition. Folio. 18pp. Wrappers. Notched and worn along the spine from once being bound within an album, foxing and offsetting throughout, still very good with the music seemingly complete though it may be lacking the rear wrapper. A quintette for piano and four voices. Plate imprint, "Chough &… Read more about this item

Unbound. Near Fine. Sepia-toned gelatin silver photograph. 5.5" x 8". Image depicts Zachery seated at an upright piano. Identified in ink on verso, and also identified from a portrait on a calendar mounted on the wall behind him. Circa 1960. Professor Zachary, from Pine Bluff, Arkansas, lived in "a part of the well-educated black community which centered around… Read more about this item