Labyrinth Sublime: The Inside Passage by Keough, Pat and Rosemarie - 2011

Nurnberg: Johann Andreas Endter & heirs of Wolfgang, 1668. Hardcover. Good. Fine full-page engraved plates (65) numbered 1-63 with 2 bis plates (45 & 47) + 1 text illustration +full page elaborate copperplate coat of arms of Leopold I by C.N. Schurtz.. Folio old vellum (spine split repaired, front cover nearly detached). Bookplate of Bibliotheca Prieseriana (showing books on shelves) and small library stamp on pastedown. Titlepage in red and black with printer's mark of 2 female supporters with sun shining on clasped book with monogram AEW. Titlepage +36pp including full page copperplate coat of arms of Leopold I by C.N.Schurtz +1762pp + 34pp indices + [2]pp errata with a few part-lines of loss to lower outer corner & tatty edges. Double column Gothic type with shoulder notes throughout. Two marginal tears with loss hardly touching print & first page of dedication with cropping to outer edge, some corner creases, else clean and no worming/no foxing/no ink marks. Despite its huge bulk the book block… Read More

Atlantic Beach, Florida:: Linda Broadfoot,, 2005.. Edition of 50. A combination of handset letterpress and computer generated work. Letterpress was used to print the text using metal type on a flat bed press on a Vandercook Universal III using Hahnemuhle Biblio and Copperplate papers at the Letterpress & Foundry of Michael and Winifred Bixler. Then digitally reproduced small Giclée prints of the artist's original 20 x 24" Polaroid image transfers were printed archivally on Crane's Museo paper using an Epson 4000 printer. A modern day Cabinet of Wonders. Broadfoot uses A. S. Byatt's "Things Are Not What They Seem" to accompany her images as "a numinous guide to viewing" these wonders of nature. The insects shown were selected from the Florida State Collection of Arthropods. Broadfoot: "In the spring of 2001, I began to borrow insect specimens from the Florida State Collection of Arthropods. Carefully transporting this delicate cargo to… Read More

London:: Printed for the Author; And sold by most Booksellers in Great Britain and Ireland, 1750., 1750. Folio 13.75 x 8.75 inches; 349 x 223 mm. [2, title (verso blank)], [2, dedication to Thomas [Hering], Archbishop of Canterbury (verso blank)], vii, [1, Errata], [10, "A List of the Subscribers"], [1, "The Contents"], [1, "Authors Quoted" and "Texts of Scripture Cited or Illustrated"], 250, 251*-254*, 251-314, [7, Explanatory Notes], [1, blank], [4, Addenda], [7, Index], [1, blank] pp. Pages 116 and 117 misnumbered 115 and 116. Large folding engraved map, "A Map of the Island of Barbados," by Thomas Jefferys, Geographer, and 30 engraved plates (22 of which are botanical) by R. Austen, George Bickham, George Dionys Ehret, and J. Mynde, after Ehret and Bickham. Each of the plates is dedicated to one or more of the subscribers (mainly royalty and peerage). Engraved head-piece vignette, "A Prospect of Bridge-Town in the Island of Barbadoes," on pages 1, 31, 61, 188, and 251, and engraved head-piece… Read More

John Churchill, London, 1845. 8vo in original red cloth stamped in blind with gilt titling to spine. 198 pp. followed by 8 pp. of publisher's ads. First edition of 1,500 copies, subsequently appended to later editions of Vestiges. VG. Corners and spine ends bumped; small nick to edge of rear board. Light soiling to boards. Binding is strong. Text block is clean and tight. Faint foxing to endmatter and very sparsely in the text, which is free of writing or any other markings. Photos are of the actual book you will receive. Ships wrapped in bubble wrap and packed with care in a box.

Strasbourg: Argentinae: Ex officina Martini Flach junioris, 1501. Half leather. Fine. Folio, printed in Strassburg by Martin Flach, 7 February 1501; 161 unnumbered leaves. BINDING: new Gothic hand-sewn oak binding by Arthur Green of Malvern; tawed quarter leather over quarter-sawn oak boards, quires hand-sewn on four double-cords creating four raised spine bands, board leather blind-tooled with period style rosettes and fleurs-de-lys within panel of diagonal blind triple fillets, hand-sewn Gothic double headbands of alternate hand-dyed indigo and undyed linen thread, hand-made brass hasps and clasps ornamented in period style; an exceptionally attractive recreation of a Gothic hand-sewn binding employing medieval techniques contemporaneous with the date the book was printed. COLLATION: [pi]6, a2-8, b-y6, z8, zeta6, antisigma8; leaf a1 excised and subsequent first few lines of a2[recto] redacted in black ink in the sixteenth century by the inquisitor for its heretical content (see below). TEXT: Double… Read More

Nurnberg: Johann Andreas Endter & heirs of Wolfgang, 1668. Hardcover. Good. Fine full-page engraved plates (65) numbered 1-63 with 2 bis plates (45 & 47) + 1 text illustration +full page elaborate copperplate coat of arms of Leopold I by C.N. Schurtz.. Folio old vellum (spine split repaired, front cover nearly detached). Bookplate of Bibliotheca Prieseriana (showing books on shelves) and small library stamp on pastedown. Titlepage in red and black with printer's mark of 2 female supporters with sun shining on clasped book with monogram AEW. Titlepage +36pp including full page copperplate coat of arms of Leopold I by C.N.Schurtz +1762pp + 34pp indices + [2]pp errata with a few part-lines of loss to lower outer corner & tatty edges. Double column Gothic type with shoulder notes throughout. Two marginal tears with loss hardly touching print & first page of dedication with cropping to outer edge, some corner creases, else clean and no worming/no foxing/no ink marks. Despite its huge bulk the book block… Read More

Atlantic Beach, Florida:: Linda Broadfoot,, 2005.. Edition of 50. A combination of handset letterpress and computer generated work. Letterpress was used to print the text using metal type on a flat bed press on a Vandercook Universal III using Hahnemuhle Biblio and Copperplate papers at the Letterpress & Foundry of Michael and Winifred Bixler. Then digitally reproduced small Giclée prints of the artist's original 20 x 24" Polaroid image transfers were printed archivally on Crane's Museo paper using an Epson 4000 printer. A modern day Cabinet of Wonders. Broadfoot uses A. S. Byatt's "Things Are Not What They Seem" to accompany her images as "a numinous guide to viewing" these wonders of nature. The insects shown were selected from the Florida State Collection of Arthropods. Broadfoot: "In the spring of 2001, I began to borrow insect specimens from the Florida State Collection of Arthropods. Carefully transporting this delicate cargo to… Read More

London: N/P. First Edition . Quarter Leather. Very Good/No Jacket. Nos. 1 of 1804 through 12 of 1806, bound as a single volume, with covers bound in at rear; 76 hand colored plates, of which two are folding; Modern quarter leather, with gilt stamped lettering and decoration and marbled paper over boards; Scattered mostly very light foxing; Scattered offsetting, sometimes on the heavy side; Collated and complete.

John Churchill, London, 1845. 8vo in original red cloth stamped in blind with gilt titling to spine. 198 pp. followed by 8 pp. of publisher's ads. First edition of 1,500 copies, subsequently appended to later editions of Vestiges. VG. Corners and spine ends bumped; small nick to edge of rear board. Light soiling to boards. Binding is strong. Text block is clean and tight. Faint foxing to endmatter and very sparsely in the text, which is free of writing or any other markings. Photos are of the actual book you will receive. Ships wrapped in bubble wrap and packed with care in a box.

Strasbourg: Argentinae: Ex officina Martini Flach junioris, 1501. Half leather. Fine. Folio, printed in Strassburg by Martin Flach, 7 February 1501; 161 unnumbered leaves. BINDING: new Gothic hand-sewn oak binding by Arthur Green of Malvern; tawed quarter leather over quarter-sawn oak boards, quires hand-sewn on four double-cords creating four raised spine bands, board leather blind-tooled with period style rosettes and fleurs-de-lys within panel of diagonal blind triple fillets, hand-sewn Gothic double headbands of alternate hand-dyed indigo and undyed linen thread, hand-made brass hasps and clasps ornamented in period style; an exceptionally attractive recreation of a Gothic hand-sewn binding employing medieval techniques contemporaneous with the date the book was printed. COLLATION: [pi]6, a2-8, b-y6, z8, zeta6, antisigma8; leaf a1 excised and subsequent first few lines of a2[recto] redacted in black ink in the sixteenth century by the inquisitor for its heretical content (see below). TEXT: Double… Read More