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Cambridge University Press, 2004. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,800grams, ISBN:9780521804714
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The Cambridge Companion to the Lied Paperback - 2004
by James Parsons (Editor)
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- Title The Cambridge Companion to the Lied
- Author James Parsons (Editor)
- Binding Paperback
- Edition Reprint
- Pages 438
- Volumes 1
- Language ENG
- Publisher Cambridge University Press, Cambridge
- Date 2004-07-19
- Illustrated Yes
- Features Bibliography, Illustrated, Index
- ISBN 9780521804714 / 052180471X
- Weight 1.57 lbs (0.71 kg)
- Dimensions 9.66 x 6.92 x 0.88 in (24.54 x 17.58 x 2.24 cm)
- Library of Congress subjects Songs - Germany - History and criticism, Songs - Austria - History and criticism
- Library of Congress Catalog Number 2003051229
- Dewey Decimal Code 782.421
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The Cambridge Companion to the Lied (Cambridge Companions to Music)
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The Cambridge Companion to the Lied (Cambridge Companions to Music)
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Cambridge University Press. Good. 2004. Paperback. 052180471X . This book is in good condition; no remainder marks. The book has some shelfwear and edge wear. Some scattered highlighted passages: most pages are clean. ; Cambridge Companions to Music; Height: 9.61 Inches, Length: 6.69 Inches, Weight: 1.5211896078 Pounds, Widt; 438 pages .
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The Cambridge Companion to the Lied
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Paperback / softback. New. This is a 2004 introductory chronicle of the Lied and places it in its full context - at once musical, literary, and cultural - with chapters devoted to focal composers, influence on other musical genres, use as a musical commodity, and issues of performance.
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The Cambridge Companion to the Lied (Cambridge Companions to Music)
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The Cambridge Companion to the Lied by Parsons, James
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ISBN: 9780521804714Cambridge University Press | 16 August 2011
Paperback | 438 pages
Beginning several generations before Schubert, the Lied first appears as domestic entertainment. In the century that follows it becomes one of the primary modes of music-making. By the time German song comes to its presumed conclusion with Richard Strauss's 1948 Vier letzte Lieder, this rich repertoire has moved beyond the home and keyboard accompaniment to the symphony hall. This is a 2004 introductory chronicle of this fascinating genre. In essays by eminent scholars, this Companion places the Lied in its full context - at once musical, literary, and cultural - with chapters devoted to focal composers as well as important issues, such as the way in which the Lied influenced other musical genres, its use as a musical commodity, and issues of performance. The volume is framed by a detailed chronology of German music and poetry from the late 1730s to the present and also contains a comprehensive bibliography.
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