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Early Modern Tragedy, Gender and Performance, 1984-2000: The Destined Livery
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Early Modern Tragedy, Gender and Performance, 1984-2000: The Destined Livery Hardcover - 2007

by Roberta Barker


From the publisher

List of Figures Acknowledgements List of Abbreviations Introduction: The Destined Livery? PART ONE: REALISM AND REINSCRIPTION What We Are, But Not What We May Be: The 'Feminist' Ophelia and the Reproduction of Gender An Actor in the Main of All: Individual and Relational Selves in The Duchess of Malfi The Natural Father and the Imaginary Daughter: Patriarchy as Realism and Representation in Titus PART TWO: PERFORMANCE AND PERFORMATIVITY 'Let Me Forget Myself': What a Queen is Good For in Edward II Death and the Married Maiden: Gender Reproduction as Destruction in The Broken Heart Tricked Like a Bride: A New Traffic in A Woman Killed with Kindness Conclusion: Cultural Drag, or, Hamlet and Ophelia Redux Appendix: Casts, Production Teams, and Opening Dates of Productions Discussed Bibliography Index Index

Details

  • Title Early Modern Tragedy, Gender and Performance, 1984-2000: The Destined Livery
  • Author Roberta Barker
  • Binding Hardcover
  • Pages 237
  • Volumes 1
  • Language ENG
  • Publisher Palgrave MacMillan
  • Date 2007-08-22
  • Illustrated Yes
  • Features Bibliography, Dust Cover, Illustrated, Index
  • ISBN 9781403994790 / 140399479X
  • Weight 0.97 lbs (0.44 kg)
  • Dimensions 8.5 x 5.5 x 0.63 in (21.59 x 13.97 x 1.60 cm)
  • Themes
    • Chronological Period: Modern
    • Cultural Region: British
    • Interdisciplinary Studies: Gender/Sexuality Studies
  • Library of Congress subjects Sex role in motion pictures, English drama - Early modern and
  • Library of Congress Catalog Number 2007025502
  • Dewey Decimal Code 822.910

About the author

ROBERTA BARKER is Associate Professor of Theatre and Early Modern Studies at Dalhousie University/The University of King's College, Halifax, Nova Scotia, Canada. She has published articles on the drama of Ford, Middleton, Shakespeare, Webster and Stoppard in performance, and has edited Common Conditions (1576) for the Malone Society.
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Early Modern Tragedy, Gender and Performance, 1984-2000: The Destined Livery
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New. Using nine recent theatrical and cinematic productions as case studies, it considers the productive contradictions and tensions that occur when contemporary actors perform the gender norms of previous cultures. It will be of interest to theatre practitioners as well as to students of early modern drama, of performance, and of gender studies.
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