Works of Charles Gibson,Two Volumes, by Charles Dana Gibson - 1906

New York: David McKay, 1919. A fine copy of the first edition in scarce dust wrapper with some soiling and wear. All of the first issue points except gilt titles on the cover. All other points match Nudelman A53. The pictorial pastedown on the front cover is most often found with scratches and other problems. This copy is exceptionally nice.

Newcastle: Emerson Charnely, and Baldwin, Cradock, and Joy, 1820 A good copy of the large paper 1st edition in contemporary half leather binding. This edition was printed on thicker high quality paper. With frontispiece portrait of Thomas Bewick, 4 portraits of Bewick by different engravers, and numerous engravings to illustrate the Fables. Contents: frontispiece; title page with small ink signature to top dated 1824; advertisement; Memoir; Catalogue; portraits; table of contents; select fables - pp1-332. The binding has gilt-lined raised bands to the spine and marbled boards. Page edges lightly marbled. The binding has wear to corners and the top and bottom of the spine but is in very good clean condition. There are some faded areas to the foredge marbling. The original endpapers are present. The preliminaries and the frontispiece are very spotty, and the frontispiece has a small repaired section in the gutter. The final page has some marking and the final blank and verso to rep are also very spotty.… Read More

LONDON : Hodder & Stoughton, 1908 A very good copy of the 1st trade edition with 40 tipped in colour plates by Edmund Dulac. In original green decorative cloth binding with gilt design on front board and spine. The binding is clean with bright gilt to the front board and spine. It has been professionally rebacked so is sound and tight. There is slight marking at the bottom edge of the front board and some very slightly paler areas on the back board. Corners with light wear. The original green endpapers are present with an inscription dated Xmas 1908 to the fep. There is some light foxing to the half title. Contents in very good condition being very clean with some light toning to page edges. The plate at p11 has a small corner crease and the tissue guard to the plate at p126 is creased.

London: Longman, Orme, Brown, Green, and Longman , 1841. SCARCE in contemporary fine binding, two volumes in polished calf, the backs with black and red morocco labels and intricate gilt tooling, marbled end papers and edges, the bookplates of Walmer Castle and a later 20th c. owner front end papers, prior owner inscriptions in pencil and ink concerning Walmer Castle and Cattermole's engravings, "considered to be some of his finest". Very Good, the calf rubbed and soiled. Both volumes with frontis engravings and engraved title pages, Vol. I with 7 engravings in text, Vol. II with 13 in text. The title pages call for 15 in Vol. I and 13 in Vol. II, leaving the possibility of 4 missing engravings, however no evidence of removal. . First Edition. Polished Calf. Very Good. 8vo - over 7¾" - 9¾" tall.

New York: William Wood & Co, 1884. xi, 292 pp. plus nine wonderful chromolithograph plates (including frontispiece). Original mustard yellow cloth binding stamped in black, gilt lettering at spine. Very Good Plus, prior owner name front end page, minor wear at spine ends. . First Edition. Decorative Cloth. Very Good Plus. 8vo - over 7¾" - 9¾" tall.

J.M.Dent and co. London.,1904. FIRST BROCK EDITION. 8vo. Illustrated throughout with colour title page and 24 full page colour plates. Finely bound in original publishers delux full vellum binding with spine and front board fully decorated and lettered in gilt. Decorative endpapers. Top edge gilt, others untrimmed. A fine copy of this beautiful edition.:

John Major, London.,1824. SECOND MAJOR EDITION. Illustrated with 14 copper engraved plates and several woodcuts throughout the text. Two small patches of browning affecting the top outer corner of ten leaves, otherwise a very good copy in fine nineteenth century binding by Thomson of Exeter, with binders ticket on front paste down. Full tan calf, raised bands, compartments fully gilt. Red title label, gilt. Boards with double blind ruled and one gilt ruled borders. Marbled endpapers. School prize plate on front paste down shows that this copy was given as a prize in January 1842. Previous owners name(dated 1881) and ink name stamp on blank endpapers. Front hinge neatly repaired. Some minor rubbing to edges but generally a very good copy in an attractive nineteenth century binding.:

Boots the Chemist. ND.,(1927). NEW EDITION. 4to (10.1 x 8.1 inches). Sixteen full colour plates, mounted within a black ruled border. Each plate with the title printed below the border. 95 line illustrations throughout, some full page. Previous owners neat name on front blank endpaper otherwise a fine copy in original burgundy cloth with gilt illustrations and lettering to front board and spine. Front board with quadruple ruled black borders, spine ruled in gilt. In the scarce original publshers dustwrapper with colour illustration mounted onto the front panel, below black lettering and four line border. Flaps and other panels lettered in black. Original printed price (15/-) on spine has been blacked out neatly. Aside from a couple of tiny chips to the wrapper this is a beautiful fine example of this well produced edition. Scarce in this condition.:

Hodder & Stoughton. London. No Date. circa 1909. EARLY THOMSON EDITION. 4to. (10 x 7.6 inches). Beautifully illustrated with 40 fine, full colour plates. Each tipped in and with a printed paper guard. Line drawings on each Act title page. A tight, crisp copy in publishers green cloth with bright gilt lettering to the spine. Front board lettered and elaborately illustrated in gilt. Plain white endpapers. Minor fading to the green cloth on the spine and small faint mark to the very bottom of the rear board but overall a very good, bright copy of this beautiful book.

Tuscaloosa, Alabama:: Down Home Girl Studio,, 2013.. Edition of 75. 8.75 x 8.25"; 24 pages. Letterpress printed on handmade paper of cotton and abaca fibers. Text and images were printed using photopolymer plates and reduction linoleum blocks. Fonts are Optima Bold and Gill Sans Light. Handbound in quarter-cloth with cover paper of handmade walnut dyed flax. 3.5 x 3.5" illustration inset of quilted papers, which were designed with the artist's mother. Suzanne Sawyer: "The legacy of quilting is ubiquitous in American history, so much so that it has lost some of the meaning it once held. But its history is rich and perhaps best typified in African American culture such as with the quilters of Gee's Bend. The quilters, descendants of former slaves living in rural Alabama, developed a unique, improvisational style of quilting using just remnants of clothing. Their quilts have become world renowned for their simple geometric patterns and have been compared to the work of modern… Read More