Search Results: the book of ahania by blake william

New York, 1965. First Edition . Soft cover. Near Fine. Near fine in original wrappers with numerals and letters written at the top left corner of the front panel.

[London:: The Trianon Press for The William Blake Trust,, 1973]. Fine facsimile edition; No. 418 of 750 copies.. publisher's quarter morocco and marbled boards in publisher's marbled slipcase.. A fine copy in a near fine, very slightly sunned slipcase.. Folio,. Facsimile in color.. Commentary and Bibliographical History by Geoffrey Keynes.

Large 4to 231pp with 57pp of coloured plates. London: Tate Gallery, 1995. Large 4to 231pp with 57pp of coloured plates. As new in original cloth and dust-jacket. § First Edition, now out of print. Not found in Bentley.

Paris: Trianon Press, 1973. Facsimile Edition. Quarter Leather. Near Fine. Quarto. Gilt lettered quarter navy morocco over marbled paper boards. Housed in matching marbled cardboard slipcase. Edition limited to 808 copies of which this is #465. A facsimile of the original edition. includes the original prospectus. Nice copy.

Trianon Press for The William Blake Trust, 1973. Hardcover. Near Fine Condition/No Dust Jacket. facsimile edition, 4to., patterned boards, black leather backstrip,In the original slip case Size: Quarto. Category: Art & Design; .

clairvaux, France: The Trianon Press for the William Blake Trust. 1965. F Facsimile Edition Collectible. H Hardcover. Near Fine. Quarter black leather over marbled boards; gilt title to spine, housed in publisher's matching marbled-paper slipcase, folio, unpag. Another spectacular facsimile production from the Trianon Press, under the direction of Arnold Fawcus - and reproducing Blake's Illustrations on Arches rag paper mimicking Blake's originals. One of a limited edition 808 copies total, of which this copy is # 246.

London: Trianon Press, 1973. Total edition of 808, this is copy 438. Color facsimile. 1 vols. 4to. Quarter blue morocco and marbled paper boards, as new in original slipcase. Blake, William. Total edition of 808, this is copy 438. Color facsimile. 1 vols. 4to.

Clairvaux: Trianon Press, 1973. Limited Edition. Fine. Quarto: 6 colour facsimile leaves : 5 pp. of commentary : quarter black morocco : slipcase. 367 of 750 copies bound in quarter leather morocco with hand-marbled paper sides. Bentley, Blake Books, A15. "Blake suppressed the "Book of Ahania" and recast her tale in "The Four Zoas". She is Urizen's ‘Shadowy Feminine Semblance' ". (Damon, Blake Dictionary). Erdman understands her as Blake's personification of nature as both Eve and the Garden, recalling that pleasant time before the Fall i.e. before private ownership gave rise to man's exploitation of man. (Blake. Prophet Against Empire, p.233).

London: The Trianon Press, 1973. [Facsimile edition]. Pp. [22](last colophon), comprising coloured frontispiece and facsimile title page, 4 tinted facsimile text pages (the last of which includes a coloured tailpiece illustration), one black & white plate and 8 pages of editorial matter, including Commentary and Bibliographical History by Geoffrey Keynes; wide demy 4to; qr. navy morocco, spine lettered in gilt, marbled papered boards, the leather faintly scuffed; uncut; within matching marbled papered slipcase with morocco fore-corner tips; book label of David Levine, Sydney, on upper pastedown, a little light foxing (mainly of endpapers); published by the Trianon Press (France), for The William Blake Trust, London, 1973. One of 750 numbered copies thus bound (of a total edition of 808), printed on Arches pure rag paper. *Blake completed only one copy of The Book of Ahania, which continues the story of the Book of Urizen, and he never included it in any list of his productions. The paper for this… Read More

London: Trianon Press, 1973. First edition thus, limited to 808 copies on Arches paper. Fine in matching marbled slipcase, slipcase with wear at opening only. First edition thus, limited to 808 copies on Arches paper. Folio. Color facsimile reproduction of the illuminated pages by the collotype and stencil process. Gilt-titled morocco spine with marbled boards.

I-III - Princeton: Princeton University Press for the William Blake Trust; IV-VI - London: Tate Gallery Publications for [the same], 1998.. Six volumes, mixed American and British issues. Publisher's illustrated card covers. Profusely illustrated. Very good. First published in hardback between 1991 and 1995.

London: Trianon Press, 1973. No.243 of 808 copies. 4to, 6 colour facsimile plates reproduced in Paris at the Trianon Press using the collotype and hand-stencil process, one black and white illustration plus 5 pp. of commentary by Geoffrey Keynes. 4to., original quarter dark blue morocco, marbled paper covered boards, in the original marbled paper covered slipcase. A very good, bright copy. Booklabel of Elaine Klemen.||A facsimile of the only known copy of The Book of Ahania which was owned by Lessing Rosenwald. The original frontispiece was supplied for this facsimile by its owner Geoffrey Keynes. The Book of Ahania continues the story of the Book of Urizen. As Keynes writes: “Ahania, the feminine Emanation of Urizen, signifies Pleasure in Blake’s system....the poem begins with...a new character Fuzon who...signifies Passion..Fuzon attacks Urizen..with a fiery globe...Urizen was sorely wounded in the loins [and]..in his agony at losing his source of pleasure, he seized on Ahania, calling her… Read More

Clairvaus, Jura, and Paris, France: Trianon Press, 1973. Hardcover Quarto in slipcase. Hardcover. Very good. black quarter morocco leather with hand-marbled papered boards, gilt lettering to spine, in matching hand-marbled slipcase, No. A of 26 copies reserved for the Trustees of the William Blake Trust and the Publishers Standard shipping (no tracking) / Priority (with tracking) / Custom quote for large or heavy orders.

Jura and Paris, France; London: The Trianon Press for the William Blake Trust, 1973. Book. Fine. Hardcover. Limited Edition. 4to - over 9¾" - 12" tall. Black 1/4 morocco, blue marbled paper covered boards, spine panel lettered in gilt, slipcased. 7 plates (6 color), printed on rectos only. No. 433 of an edition limited to 808 total copies, 750 of which were numbered (rear colophon). As issued. Slipcase shows slight shelf wear. A fine facsimile printed with collotype process on Arches rag paper, with color applied via stencils..

Paris: Trianon Press for The William Blake Trust, 1973. Hardcover. Fine. Facsimile edition. Quarto. Quarter morocco and marbled paper covered boards. Copy letter W of 26 copies reserved for The William Blake Trust. Fine in fine slipcase with very slight wear.

Trianon Press 1973. First Edition. Hardback. Fine/No Jacket. First Limited Edition thus, Trianon Press 1973. No. 14 (XIV) of 32 of the Deluxe edition fully leather bound in black morocco housed in the publisher's marbled slipcase. A Fine copy. Probably unread, in mint condition. Note each copy of the 32 Deluxe edition contains an original guide-sheet, stencil and copperplate, and a set of plates showing the progressive stages of the collotype and hand-stencil process.

London: Trianon Press, 1973. Copy #1 of 32 special copies. Color facsimile accompanied with a set of paltes showing progressive stages of the collotype and hand stencil process, together with a guide sheet and stencil (Only in Roman numeral copies) and unique to COPY ONE the etched copper plate for the title-page tipped in at back and etched in "Copy 1". 1 vols. 4to (11 x 9 inches ; 22.5 x28 cm.). Bound in publisher's full black morocco , as new in original slipcase. Blake, William. Copy #1 of 32 special copies. Color facsimile accompanied with a set of paltes showing progressive stages of the collotype and hand stencil process, together with a guide sheet and stencil (Only in Roman numeral copies) and unique to COPY ONE the etched copper plate for the title-page tipped in at back and etched in "Copy 1". 1 vols. 4to (11 x 9 inches ; 22.5 x28 cm.). COPY NUMBER ONE, WITH COPPER PLATE.