Search Results: objects of desire design and society by forty adrian

Thames & Hudson, 1992. Paperback. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

Thames & Hudson, 1992. Paperback. Acceptable. Disclaimer:A readable copy. All pages are intact, and the cover is intact. Pages can include considerable notes-in pen or highlighter-but the notes cannot obscure the text. At ThriftBooks, our motto is: Read More, Spend Less.Dust jacket quality is not guaranteed.

Thames & Hudson, 1992. Paperback. Very Good. Disclaimer:May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

Knopf Doubleday Publishing Group, 1987. Paperback. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.Dust jacket quality is not guaranteed.

Knopf Doubleday Publishing Group, 1987. Paperback. Very Good. Disclaimer:A copy that has been read, but remains in excellent condition. Pages are intact and are not marred by notes or highlighting, but may contain a neat previous owner name. The spine remains undamaged. At ThriftBooks, our motto is: Read More, Spend Less.Dust jacket quality is not guaranteed.

Thames & Hudson. Used - Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Thames & Hudson, 1992-06-17. Reprint. paperback. Used: Good.

Knopf Doubleday Publishing Group. Used - Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.

Thames & Hudson, 1992-06-16. paperback. Good. 6x0x9. Paperback book in good condition. Some light discoloration on the cover. Prior owner's name inside the cover.

Paperback. Good.

Paperback. Very Good.

Cameron Books, 1986. First Paperback Edition. Paper Back. Very Good. 4to - over 9¾" - 12" Tall. (light toning to outer extremities).

Thames & Hudson. Used - Good. Ships from the UK. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Thames & Hudson, 2000. Reprint. Soft cover. Fine. 8vo - over 7¾ - 9¾" tall. pgs.245 plus bibliography and index clean tight copy

Thames & Hudson Ltd. Paperback. Used; Good. **WE SHIP WITHIN 24 HRS FROM LONDON, UK, 98% OF OUR ORDERS ARE RECEIVED WITHIN 7-10 DAYS. We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

Thames & Hudson. Paperback. Used; Good. Simply Brit – welcome to our online used book store, where affordability meets great quality. Dive into a world of captivating reads without breaking the bank. We take pride in offering a wide selection of used books, from classics to hidden gems, ensuring there’s something for every literary palate. All orders are shipped within 24 hours and our lightning fast-delivery within 48 hours coupled with our prompt customer service ensures a smooth journey from ordering to delivery. Discover the joy of reading with us, your trusted source for affordable books that do not compromise on quality. 05/27/1986

Paperback. Very Good.

Pantheon, 1986. c.255pp. Hardback with DJ, VG, stated First American Edition, index, b& w photos and illustrations, Examination of the role played by design in daily lives, . First American Edition. Hard Cover. Very Good/Very Good.

Thames & Hudson Ltd, 1986. 1st Edition . Hardcover. Good/Fair. Name On Inside Rear Boards And Sacattered, Lightly Pencilled Annotations In The Text. Robust And Unworn Hardback. The Unclipped Dj Has Wear And Tear.

Thames and Hudson, publishers, London 1986 large softcover, 6½" x 9¾" Small Erratum slip mounted in Index. Book in VERY GOOD condition In this radical and highly original examination of design and its place in society, Adrian Forty challenges premises that have usually passed unquestioned. He argues that societies use design to express their values. Design is shaped by economic and social conditions; it can be manipulated to overcome resistance to innovations that seem threatening. Here he looks at the appearance of man-made goods in the two hundred years since the introduction of mechanized production. 272 illustration - from penknives to railway carriages.