Search Results: the machine as seen at by hulten kg pontus

New York: The Museum of Modern Art, 1968. stamped metal covers imprinted with an illustration of the outside of the building housing the Museum in full color. square 8vo. stamped metal covers imprinted with an illustration of the outside of the building housing the Museum in full color. 216, (2) pages. Well-illustrated exhibition catalogue. Very good condition. From the private reference library of Dorothy Sloan with a commemorative bookplate loosely inserted.

New York:: Museum of Modern Art,. 1968.. Sm 4to., 218 pp. .

New York: Museum of Modern Art, 1968. hardcover. very good(+). Illustrated with black & white photographic illustrations. 216 pages. Short square 4to, embossed and painted metal covers, slightly scuffed on spine. New York: M.O.M.A., 1968. A bright copy in very good(+) condition.<br/> <br/> The 1968-69 exhibition of "comments on technology by artists of the Western world" from Leonardo Da Vinci to the present.<br/> <br/>

New York (The Museum of Modern Art), 1968.. 216pp. Prof. illus. Sq. 4to. Hinged tin binding. Covers designed by Anders Österlin, after a photograph by Alicia Legg.

New York: The Museum of Modern Art, 1968. Hardcover. Very Good. Illustrated work presents artists' reflections on machinery and other forms of technology. Quarto (24.5 cm tall). 218 pp. Metal binding with decoratively stamped boards. From private collection. Metal is a little tarnished along spine and edges of boards. Light spotting to edges of book block.

New York: Museum of Modern Art, 1968. hardcover. near fine. Illustrated with black & white photographic illustrations. 216 pages. Short square 4to, embossed and painted metal covers. New York: M.O.M.A., 1968. A bright copy in near fine condition.<br/> <br/> The 1968-69 exhibition of "comments on technology by artists of the Western world" from Leonardo Da Vinci to the present. From the library of Nan Rosenthal, curator of modern art at the Metropolitan Museum of Art & The National Gallery with her name on the fly-leaf<br/> <br/>

New York, Museum of Modern Art, 1968.. 218pp. 4to. Original stamped metal pictorial covers, a little scratched on rear. Black and white photographs and illustrations throughout. A very good copy.. First edition.

New York: The Museum of Modern Art, 1968. Hardcover. Small 4to. Pictorial stamped tin. 216pp. Frontispiece, numerous illustrations. Very good. Covers bright and handsome, with spine rusted to appearance of brown velvet. Attractive first edition of this famed exhibition catalogue.

Museum of Modern Art NY 1968. 1968. bouns in metal vg #419 .

New York: The Museum of Modern Art, 1968. . 8vo. 216 pp. Very Good with staining on pages and rusting on edges of covers. Hard cover. Embossed and printed metal board covers with hinged binding. Mostly Color plates. Featuring works by Marcel Duchamp, Francis Picabia, Fernand Leger, Robert Rauschenberg, Robert Breer et al. First Edition.

New York: The Museum of Modern Art, 1968. First Edition . Hardcover. Vg/No Jacket. Small 4to. 216 pgs. b/w illustrations of exhibits.Catalogue of the exhibition held at The Museum of Modern Art, 25 Nov. 1968 - 9. Feb. 1969. The catalogue is notable for its striking design by Anders Osterlin, and its covers unusual fabrication from pressed metal, hinged along the spine. Front cover is bright and lightly rubbed. Back cover lightly scratched and a little tarnished. The catalogued works are divided into Art, Invention, Car, Camera and Experiments in Art and Technology and includes early examples by artists such as Durer and Leonardo da Vinci, but predominantly focuses on the technological and artistic explosion of the 20th century. Artists featured include Hans Bellmer, Alexander Calder, Charles Chaplin, Marcel Duchamp, Max Ernst, Lyonel Feininger, Paul Klee, El Lissitzky, Man Ray, and others.

New York: MOMA, 1968. Book. Illus. by Various Artist. Very Fine. Hardcover. 1st.Edition 1968, Painted stamped metal cover ,hinged and pop revied binding , 216 page book with black & white illustrations . Scarce exhibition catalogue and in one of the best condition around. Condition : Very Fine Size: 4to - over 9¾" - 12" tall.

MOMA, January 1968. Hardcover . Very Good. Hinged metallic binding; a modest amount of surface smudging to spine and rear; overall, very nice.

New York: Museum of Modern Art; distributed by New York Graphic Society, Greenwich, Conn, 1968. First edition. Small 4to., 216 pp., b&w and color illustrations. Color-illustrated embossed aluminum covers. Light scratches on the rear cover. A fine copy. The brightly illustrated aluminum binding adds distinction to this well-illustrated and extensive catalog of a major exhibition. The scope is quite large and encompasses the investigations into movement by Etienne-Jules Marey, Eadweard Muybridge, Jacques Henri Lartigue, the photograms of Man Ray and Laszlo Moholy-Nagy, as well as the works of Leonardo da Vinci and Marcel Duchamp.

New York: The Museum of Modern Art, 1968. First printing. Fine.. First edition of this iconic production, printed to accompany the museum's 1968 exhibition of the same name - an uncommonly fine example. An attractive and unusual production, reminiscent of tin lithographed toys of the early 20th century, published as the catalogue for the landmark MoMA show that ran from Nov. 25th 1968 to Feb. 9th 1969. Artists include Calder, De Chirico, Duchamp, Ernst, Giacometti, Grosz, Klee, Leger, Magritte, Man Ray, Moholy-Nagy, Bruno Munari, Oldenburg, Picabia, Rauschenberg, Rosenquist, Schwitters, Takis, and Tinguely, among others. Though by no means an uncommon title, this is easily the nicest example we've encountered. 9.5'' x 8''. Original color pictorial lithographed press aluminum covers designed by Anders Osterlin (after a photograph by Alicia Legg). 216 pages. Just touches of wear here and there. Else an exceptionally bright and sharp copy of a book typically prone to much greater wear.

New York, New York: Museum of Modern Art, 1968. First edition. Exhibiiton catalog. Bound in stamped, serigraphed stainless steel covers designed by Anders Osterlin, 218 pp with illustrations (200 b&w, 12 col.). Very good. 24 X 22 cm. [218].

New York: Museum of Modern Art. Fine. 1968. Hard Cover. AN EXCEPTIONAL COPY IN THE ORIGINAL MAILER. 4to, 216 pp, fine in stamped and printed metal covers in the original printed corrugated cardboard mailer (mailer somewhat stained, but solid and unused). Profusely illustrated in b&w. Still a classic. An amazingly fresh and unhandled copy of a book usually found in much lesser condition. .

New York: The Museum of Modern Art, 1968. First edition. Hardcover. 216 pages. An exhibition catalog for a landmark show that ran November 25, 1968 through February 9, 1969 at The Museum of Modern Art and then traveld for additional dates. Includes brief essays about each work in the catalog along with numerous color and black and white illustrations of works by the likes of Alexander Calder, Marcel Duchamp, Max Ernst, Alberto Giacometti, Rene Magritte, Man Ray, Claes Oldenburg, Robert Rauschenberg, Kurt Schwitters, and numerous others. A clean very near fine copy with an illustrated metal binding. A much nicer than usual copy of a book that is easily prone to wear.

New York: The Museum of Modern Art, 1968. Hardcover With Metal Cover Boards. Very Good. 8vo or 8° (Imperial Octavo): 8¼ x 11½" tall. Jean Tinguely, Homage to New York, A Self-Construction & Self-Destroying Work of Art, March 17, 1960, in the Sculpture Garden, The Museum of Modern Art, NYC (Inner Covers); K.G. Pontus Hultén, John Melin & Gösta Svensson (Design); Anders Österlin (Cover). 216 + pp. A great, almost spotlessly clean copy! Solidly and tightly bound, essentially and nearly flawless copy with minimal internal and external wear and use. Copy with crisp pages, spotlessly clean text, and light shelf wear. Smooth covers. Dust jacket or cover boards are engraved metal plates.

(THE MUSEUM OF MODERN ART) HULTEN, K.G. Pontus. THE MACHINE, AS SEEN AT THE END OF THE MECHANICAL AGE. New York: 1968. 4to. Embossed aluminum covers. 218 pages. First edition. An exotic exhibition catalogue reviewing and commenting on artistic views of machinery from the time of Leonardo da Vinci to the modern period, concentrat on the twentieth century. The wide range of artists represented include Duchamp, Robert Breer, Bellmer, Man Ray, Picabia and many others. Well illustrated with hundreds of half-tone reproductions of artworks shown. A ve good, bright copy of an interesting philosophical discussion.