Search Results: cobra by lambert jean clarence

Abbeville Press, 1984. 261 pp., Hardcover, dust jacket, ex library, else text clean & binding tight. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Abbeville Pr, 1984-02. Hardcover. Good.

Ediciones Polígrafa, 1993. hardcover. Bueno. Barcelona 1993. Ediciones Polígrafa. El Reino Imaginal. Vol 1. Los Artistas Cobra. 160 pp. Vol 2. La Imaginación Material. 198 pp. 25x17. Cartoné con sobrecubiertas. Estuche. Muy ilustrado.

Amstelveen, Cobra Museum voor Moderne Kunst, 1996. 144 pp., 67 colour plates, num ills Pedersen kan worden beschouwd als voorloper van Cobra; fraaie en rijkgeïllustreerde tentoonstellingspublicatie met essays van deskundigen; zeer goede conditie

Königstein im Taunus: Karl Robert Langewiesche Nachfolger Hans Köster, 1985. hardcover. gebraucht, gut Original-Leinen-Band mit Schutzumschlag, mit goldgeprägtem Deckel- und Rückentitel Schutzumschlag mit leichten Gebrauchsspuren, sonst GUTES EXEMPLAR. 26 x 30 cm.

Antwerpen : Mercatorfonds, 1983. Hardcover. Good. Original gilt lettered cloth, dust jacket, illustrations (partly in colour), 4to.

Abbeville Press, 1984. Hardcover. A fine copy in a near-fine jacket with the extremities just lightly touched. 11.75 x 10 inches. 261 pages. Cloth; dust jacket. "Traces the history of Cobra, an avant-garde art movement centered in Copenhagen, Brussels, and Amsterdam, and examines the group's influence on modern art.

Amstelveen, Cobra Museum voor Moderne Kunst, 1996. 144 pp., 67 colour plates, num ills Pedersen kan worden beschouwd als voorloper van Cobra; fraaie en rijkgeïllustreerde tentoonstellingspublicatie met essays van deskundigen; zeer goede conditie

A overall Very good+ 2 volume item, Hardcover with DJ in paperback Slipcase, ex-library with stamps & stickers, damage on the bottom of slipcase as in images (_1, _2, _3), DJ's as in images (_4, _5), books in fine condition.Le Tome 1 s'ouvre sur un important essai IMAGINER, C'EST VOIR où l'auteur donne une formulation définitive à sa conception de l'imagination et de l'image artistique, explore des champs imaginaux communs aux artistes Cobra et à un certain nombre de peintres et sculpteurs d'aujourd'hui. Dans le tome 2, l'auteur a multiplié les analyses particulières sur les principaux artistes Cobra: Jorn, Dotremont, Appel, Alechinsky, Constant, C.-H. Pedersen.collection:
Diagonales.

Königstein (Karl Robert Langewiesche Nachfolger Hans Köster), 1985.. 261, (1)pp. 429 illus. (67 color). Lrg. 4to. Cloth. D.j.

E-111: Abbeville Pr. Very Good. 1984. Hardcover. Hardcover. 4to. Published by Abbeville Press, New York. 1984. 261 pgs. Illustrated with 429 illustrations, including 67 in full color. First Edition/First Printing. DJ has light shelf-wear present to the DJ extremities. Bound in cloth boards with titles present to the spine and front board. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. Founded in Paris in 1948 by artists and writers principally from Denmark, Belgium and the Netherlands, Cobra was one of the most important new revolutionary art movements in Europe in the immediate post-war years. Lambert traces the origins of Cobra in detail, discussing its sources in Belgian surrealism and in Danish avant-garde art of the late 1930s. He stresses the importance of Cobra as one of the major components of Western art in the second half of the 20th century, side by side with art informel and… Read More

New York, Abbeville Press, 1983. 262 pp., ca. 400 ills. authorative monograph on the Cobra art movement in Copenhagen, Brussels, Amsterdam and Paris; richly illustrated; nearfine condition

New York, Abbeville Press, 1983. 262 pp., ca. 400 ills. authorative monograph on the Cobra art movement in Copenhagen, Brussels, Amsterdam and Paris; richly illustrated; LIKE NEW condition

Antwerpen, Mercatorfonds, 1983. 262 pp., ca. 400 ills. gezaghebbende monografie over de Cobra kunstbeweging en zijn leden; de Nederlandse Experimentele Groep; de tentoonsteling in het Stedelijk in 1949; Cobra na Cobra; ALS NIEUW conditie

New York: Abbeville Press, 1983. Hardcover. VG/VG-. Navy blue cloth/boards; gilt lettering. Color-pictorial dj with white lettering and French folds. 261 pp. with 429 illustrations; 67 in color. Founded in Paris in 1948 by artists and writers principally from Denmark, Belgium and the Netherlands, Cobra was one of the most important new revolutionary art movements in Europe in the immediate post-war years. Lambert traces the origins of Cobra in detail, discussing its sources in Belgian surrealism and in Danish avant-garde art of the late 1930s. He stresses the importance of Cobra as one of the major components of Western art in the second half of the 20th century, side by side with art informel and abstract expressionism. - from the dj flap.

Chene / Hachette, 1983. Hardcover. Very Good/Good. In French. A few dog eared pages. Dust jacket edgeworn with a few tears at corners.

Antwerpen, Mercatorfonds, 1983 . Gebonden, linnen, vergulde titel op de voorplat en de rug, originele geillustreerde omslagwikkel in kleur, 26x30cm, 262pp, geillustreerd in kleur en z/w, bibliografie, index. Uitgave die de Cobra beweging onder de loep neemt. Uitgebreide historie en bespreking van de bijhorende kunstenaars.

New York: Abbeville Press, 1983. . Folio. [260 pp]. Hard-cover. Very Good. DJ Very Good. Color and B&W plates. Previous owner’s (Pasquale Iannetti) stamp on inside front cover.

Antwerpen, Mercatorfonds, 1983. 262 pp., ca. 400 ills. gezaghebbende monografie over de Cobra kunstbeweging en zijn leden; de Nederlandse Experimentele Groep; de tentoonsteling in het Stedelijk in 1949; Cobra na Cobra; ALS NIEUW conditie

Editions Galilée, 2008. Paperback. New. French language. 9.29x5.75x1.42 inches.