Search Results: the stanislavski method by moore sonia

Viking Press, 1960-01-01. Hardcover. Very Good.

New York: Viking Press, 1960. Hardcover. Very Good- in Good+ dust jacket. Usual library markings; DJ shows user wear with rubbing along edges and corners; sticker removed from spine with minor surface tearings; tape marks on DJ flaps, boards, and endpapers; pocket on last page; light surface tearing to rear pastedown; library stamp on top page edge and copyright page; 1 1/2 x 1 1/2" surface tear to inside DJ at top edge; DJ in mylar protector. ; Ex-Library; 5 3/4 x 8 1/2"; 78 pages.

Viking. Used - Good. Good condition.

NY: Viking Press, (c1960). black cloth. Ex-library, moderate cover wear & soil, VG- no dj. 8vo. black & white frontis illustration. Preface by John Gielgud, Foreward by Joshua Logan

New York: The Viking Press, 1960. 1st Edition . Hardcover. Very Good/Very Good. 8vo - over 7¾ - 9¾" tall. Preface by Sir John Gielgud. Foreword by Joshua Logan. 1st printing. 78pp. A little shelfwear, very good in sl worn dust jacket

New York: The Viking Press, 1960. Book. Very Good. Hardcover. First Edition. 8vo. (xvi) 78 pp. Black cloth lettered in silver on the spine; red upper edge; black and white frontis portrait of Konstantin S. Stanislavski as Gayev in Chekov's The Cherry Orchard. Light wear at the corners of the dustjacket with a few nicks and short tears around the edges; price clipped; no interior markings. From the teachings of Stanislavski, the Contents are: Preface by Sir John Gielgud; Foreword by Joshua Logan; Introduction; Art of Theater; The Method: Action, If, Given Circumstances; Imagination; Concentration of Attention on the Stage; Relaxation of the Muscles; Units and Objectives; Feeling of Truth and Belief; Emotional Memory; Communion; Adaptation; Tempo Rhythm; Motive Forces of Psychological Life; The Unbroken Line of a Role; The Actor's Inner State; The Super Objective and the Through Line of Action; The Subconscious in the Inner Creative State; The Actor's Physical Apparatus; and Perspective..

New York: The Viking Press, 1964. Soft cover. Very Good. 12mo (tall). Digested from the teachings of Konstantin S. Stanislavski. Third printing. xiv, [1], 78 p.p. With bibliography. Illustrated paperback. Covers worn at extremities, sticker ghost to front at head, wear and a few stains to rear, spine and edges of rear cover sunned. Some damp staining to the edges of the text block and some pages of the interior, but text is not obscured. Offsetting to p.p. 60-61. Stanislavski pioneered the use of theatre studios as a laboratory in which to innovate actor training and to experiment with new forms of theatre. Stanislavski organised his techniques into a coherent, systematic methodology, which built on three major strands of influence: (1) the director-centred, unified aesthetic and disciplined, ensemble approach of the Meiningen company; (2) the actor-centred realism of the Maly; and (3) the Naturalistic staging of Antoine and the independent theatre movement.

Gollancz, 1960. 1st Edition. Hardcover. Very Good. The boards are a touch rubbed and sunned. Internally clean and tightly bound.. Our orders are shipped using tracked courier delivery services.

London: Victor Gollancz, 1960. With a preface by John Gielgud. Neat previous owner ink inscription on -fep. Some light foxing and soiling to d/w.. First British Edition. Hard Cover. Very Good/Good Plus. 8vo - over 7¾" - 9¾" tall.

New York: Viking Press. 1960. First Edition; First Printing. Hardcover. Very Good in a Very Good- dust jacket. Some edgewear inlcuding minor tearing to jacket. ; 8vo 8" - 9" tall .

Viking. Fair. 1960. Paperback. Presentation inscription to don crAIG. ; Signed by Author .