Search Results: the rhinegold by wagner richard

Alma Classics. Used - Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Alma Classics. Used - Very Good. Used book that is in excellent condition. May show signs of wear or have minor defects.

Alma Classics, 2003. Paperback. Acceptable. Disclaimer:A readable copy. All pages are intact, and the cover is intact. Pages can include considerable notes-in pen or highlighter-but the notes cannot obscure the text. At ThriftBooks, our motto is: Read More, Spend Less.Dust jacket quality is not guaranteed.

Sovereign Press, 1990. Unabridged.. Trade paperback. Very good. light shelfwear, no ownership marks, bumped corner. Trade paperback (US). 128 p.

Paperback. Very Good. GERMAN AND ENGLISH. This paperback has unmarked pages except for a price written inside the front cover. The cover is lightly worn.

Oneworld Classics, 1985-01-01. paperback. Very Good. 1985 pbk. Unmarked text, clean interior. Light creases on cover, near spine. Lh

B. Schott, 1111. Paperback. Acceptable. No Edition Remarks. 75 pages. Paperback book with brown paper covers. Pages are lightly tanned, but text remains clear. Noticeable marking to some pages throughout; text is not obscured. Binding is firm. Previous owner's inscription and stamp to first page. Paper covers have minimal edgewear, with minor curling to corners. Spine is moderately tanned, with noticeable creasing, and slight scuffing and tearing to ends. Visible marks overall.

1985, John Calder/Riverrun Press. A few notations on title page otherwise excellent copy, appears unused. FINE. 96 pp.

New York: G. Schirmer. Good with no dust jacket. No pub date. Trade Paperback. Slightly Worn and Soiled/German and English Texts. .

Metropolitan Opera House. Very Good-. 1888. Softcover. Four pairs of leaves roughly opened, with tearing to the upper spine corners and adjacent upper margins. Two other pairs of leaves have very small tears from opening. Covers have marginal browning. ; Approx. 6 7/8" wide by 9 1/4". English translation of the poem by John P. Jackson. Opera - parallel text in English and German. ; 58 pages .

Wagner The Rhinegold, opera 150 actual pages but numbered to 75 as theys use the same number for both German and English translation. London, United Kingdom: Schott & Co. Ltd circa 1900. German on left hand pages with english translation on right. Very light wear to covers. See photos

bx 107

Fred Rullman. Used - Good. Good condition. (Wagner, Opera)

G Schirmer. hardcover. Very Good. 0x0x0. Unmarked hardcover no jacket.

Oneworld Classics, 2011-02-01. Paperback. Used:Good.

G. Schirmer, Inc.. Very Good with no dust jacket. 1904. Hardcover. Exlibrary with usual library markings. Rebound. Recent reprint. Bilingual: German and English. ; 221 pages .

Boston: Oliver Ditson Company, 1885. Paper bound, brown wrappers, 46pp. Previous owner name (Marjorie Northup) very modestly inked to top of title page. Very good. Bilingual text in German and English. 80 grams. All books in stock and available for immediate shipment from Winnipeg, Manitoba.

Mainz (London, Paris, Brusells): B. Schotts Sohne, n.d. Translated by Frederick Jameson (1839-1916) into English. unspecified edition. Green cloth, a.e.red, green and gilt eps. Small 8vo (17cm). pp. 75, 84, 98, 86. Very Good/No jacket, as issued. Light edge and corner wear, caps chipped, light overall page toning. Small bookseller ticket: Heinrich Jaffe, Munchen. Wagner spent over 20 years on the libretto and music to be performed in four nights for a total of about 15 hours. First full performance in 1876 at the Bayreuth Festival continues to this day..

G, Schirmer. Used - Good. Good condition. English and German. (opera, vocal scores, books in German) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

HardPress Publishing, 2012-01-10. Paperback. Good.

New York: Grosset & Dunlap, 1939. Hardcover. Very Good. 8vo. 44 pp. Decorative covers and illustrated endpapers. Adapted by Robert Lawrence, and illustrated in color and in black and white by Alexandre Serebriakoff. Authorized by the Metropolitan Opera Guild. A simple retelling of the story, with main themes introduced as part of the story. The Metropolitan Opera Guild was established in 1935 to broaden the base of support for the Metropolitan Opera, promote greater interest in opera, and develop future audiences by reaching out to a wide public and serving as an educational resource that provides programs, publications, materials and services to schools, families, individuals, and community groups nationwide. The Authorized Edition of The Metropolitan Opera Guild, Inc. Presumed first printing thus.