Search Results: natives of rock by wescott glenway

Francesco Bianco, 1926. Hard Cover. Good-. Pamela Bianco. Stated limited edition but not numbered. A couple 1" chips at spine and some light spotting to endpapers. Bright gilt to front cover

Francesco Cianco, 1925. Hard cover. Very good/No jacket. Book is in great condition with no visible flaws apart from some light handling wear. Binding is tight and inside is clean and unmarked.

New York: Francesco Bianco, 1925.. Hardcover. Good. Octavo. 20, [i]pp. First edition. One of 550 copies. Boards. Two-piece cardboard box, small piece at foot missing. Illustrated by Pamela Bianco.

New York, NY: Francesco Bianco, 1925. paper-covered boards, front cover gilt-stamped. Francesco Bianco. 8vo. paper-covered boards, front cover gilt-stamped. unpaginated. Limited to 550 copies. Explanatory note by the aurhor precedes text, table of contents. A collection of poetry.

Francesco Bianco, 1925. Limited Edition, Signed. hardcover. Good/Missing. 0x0x0. Signed by Author. Limited Edition; signed. Brown cloth covered boards with gold titles; 1" missing from base of spine, otherwise Very Good; 8vo - over 7 3/4" to 9 3/4" tall; no jacket. Five hundred copies on Vidalon Velin hand-made paper, this copy numbered 140; author's note regarding text corrections on half title page; inscribed to previous owner and signed by the author on following page; 6 pages with author's corrections, no other markings; 20 pages.

NY:: Francesco Bianco,. Near Fine in Good dust jacket. 1926. Hardcover. Limited edition: this copy is number 59 of 500 copies. Previous owner's name and date on front free endpaper, else near fine in a good (long tears - tape repaired, age toned, one small hole) glassine dust jacket. .

New York: Francesco Bianco, (1926). Pamela Bianco. First edition. Number 174 of 500 numbered copies (of 550 total). Decorations by Pamela Bianco.Fine in brown paper boards with gilt lettering and decoration on front and spine. In original glassine with few chips and tears and a fine example of the original box.

New York: Francesco Bianco, 1925. First, Limited Edition. Octavo. Three-quarter morocco over maroon cloth boards; unpaginated. One of 500 copies on Vidalon Velin hand-made paper, out of a total edition of 550. Slight rubbing to joints (external), else fine.

New York: Francesco Bianco, 1925. Hardcover. Fine/Very Good. First edition. Decorations by Pamela Bianco. Octavo. [38]pp. Paper-covered boards decorated in gilt. A fine copy in publisher's unprinted glassine dust jacket with a few moderate chips and short tears. Vidalon Velin hand-made paper issue, limited to 500 numbered copies (this is copy number '61') of a total edition of 550 copies. Poet and scholar Samuel French Morse's copy, with his attractive bookplate, designed by Cummington Press publisher Wightman Williams on the front flyleaf.

NY: Francesco Bianco, 1926. Bound in purple boards stamped in gold with large decoration to front panel. The first edition of this book, limited to 550 copies (this copy is un-numbered). Enclosed is a signed handwritten note from the artist, Pamela Bianco in a neat, small hand and in a hand written envelope. 20 pp. Some sunning to front panel and a little wear to bottom of spine. . Author-Signed Letter. First Edition. Hard Cover. Very Good/No Jacket. Illus. by Pamela Bianco. 8vo - over 7¾" - 9¾" tall. Limited Edition.

New York: Francesco Bianco, 1925. Hardcover. Fine/Fine. First edition. Decorations by Pamela Bianco. Octavo. [38]pp. Paper-covered boards decorated in gilt. Illustrated. Fine in fine publisher's unprinted glassine dust jacket and fine publisher's lidded box. Vidalon Velin hand-made paper issue. This is copy number 315 of a total edition of 550 copies.

New York: Francesco Bianco, 1925. Limited. hardcover. fine. Decorations by Pamela Bianco. Thin 8vo, boards. N.Y.: Francesco Bianco, 1925. Limited First Edition.<br/><br/> One of 500 unnumbered copies, Immaculate copy in tissue dust wrapper and a lidded box.<br/><br/>

New York: Francesco Bianco, 1925. Limited Edition. Hardcover. Very Good+/Good. Paper-covered boards, stamped in gilt on upper board and spine; glassine dust jacket; 8vo; pp. [16], 20, [2]. Number 502 from a limited edition of 500 copies on Vidalon Velin hand-made paper (total limitation of 550, with variations), inscribed by Pamela Bianco on the limitation page. Spine tips and corners gently bumped; small spot of soiling near the gutter of pp. 16-17. Dust jacket chipped and torn along the edges. With the prospectus laid-in, as well as 2 specimen pages (the list of titles, and the colophon), and a handwritten note, "I hope you'll like them!" possibly from one of the Biancos. (Laid-in material lightly wrinkled along the edges, and stained at the top edge from a rusty paperclip.) A nice copy.

New York: Francesco Bianco, 1925. First Edition. Hardcover (Original Cloth). Very Good Condition/No Dust Jacket. Pamela Bianco. Light wear at edges, lacking the slipcase. 133 of 550 copies - scattered light foxing. Laid in is a handwritten, signed note from Wescott responding to a letter from famed Esquire editor L. Rust Hills who had requested a story. One and a half page letter dated May 10, 1959 from Stone-blosson, Hampton, N.J. A nice association of two major 20th century literary figures. Size: Octavo (8vo). Illustrator: Pamela Bianco. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Poetry; Inventory No: 045540.

New York: Francesco Bianco, 1925. Hardcover. Fine. First edition. With decorations by Pamela Bianco. Corners very slightly bumped, still fine lacking the unprinted tissue dustwrapper and cardboard box. One of 550 copies. A lovely copy.

New York: Francesco Bianco, 1925. No. 141 of 575 copies, signed by the author. With decorations by Pamela Bianco. 1 vols. 8vo. Original brown boards, gilt decoration on upper cover, spine slightly faded, with small piece of hinge missing at top, else fine. No. 141 of 575 copies, signed by the author. With decorations by Pamela Bianco. 1 vols. 8vo. Limited Edition, Signed. The author has specially signed this copy--the edition was not signed as a matter of course.