Search Results: 9781912520640

Royal Academy of Arts, 2021-08-10. Hardcover. Used: Good.

Royal Academy of Arts, 2021-08-10. Hardcover. Used:Good.

Royal Academy of Arts. New. BRAND NEW, GIFT QUALITY! NOT OVERSTOCKS OR MARKED UP REMAINDERS! DIRECT FROM THE PUBLISHER!

London, UK: Royal Academy of Arts, 2021. Very Good. Very good condition. Light wear. Binding tight, pages clean. Pictures available upon request.. AP.

UsedVeryGood. signs of little wear on the cover.

UsedVeryGood. signs of little wear on the cover.

UsedVeryGood. Minor shelf wear

UsedLikeNew. Remainder mark

UsedLikeNew. Remainder mark

UsedLikeNew. Remainder mark

New. .

New. .

New. .

Paperback. Very Good.

Hardback. New.

Hardback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; David Hockney’s uplifting iPad drawings of the arrival of spring near his house and studio in Normandy, France.

Royal Academy of Arts, 2021. Hardcover. New. 168 pages. French language. 6.75x9.75x0.94 inches.

Royal Academy of Arts. New. Special order direct from the distributor

Royal Academy of Arts, 2021. Hardcover. New. 168 pages. French language. 6.75x9.75x0.94 inches.

Bozar, Brussels / Royal Academy 2021. HB, 250 x 175 mm, 160 p, 140 illustraties, Exhibition catalogue English edition. ISBN 9781912520640. At the beginning of 2020, just as global Covid-19 restrictions were coming into force, the artist David Hockney was at his house, studio and garden in Normandy. From there, he witnessed the arrival of spring, and recorded the blossoming of the surrounding landscape on his iPad, a method of drawing he has been using for over a decade. Drawing outdoors was an antidote to the anxiety of the moment for Hockney - 'We need art, and I do think it can relieve stress,' he says. This uplifting publication - produced to accompany a major exhibition at the Royal Academy of Arts - includes 116 of the new iPad drawings and shows to full effect Hockney's singular skill in capturing the exuberance of nature. The book begins with an interview with the show's curator, Edith Devaney, in which Hockney discusses his heralding of the spring.