Search Results: Art from Alex Richardson

London: Koenig Books, 2013. 1st edition. Paperback. Quarto. 172 pages. Numerous b&w (and 1 colour) photographs within the text. Published in an edition limited to 1500 copies. Attached to the inside back cover is a CD of "Andre Cadere and Lynda Morris in Conversation, 33 Devonia Road, London N1, March 1976". Catalogue of a travelling exhibition held at Modern Art (Oxford), Mu.ZEE (Ostend) and Artists Space (New York) between 14 December 2012 and 30 June 2013. Very Good

Cairo: American University in Cairo Press, 2008. 1st edition. Hardback. Original black cloth with gold lettering to spine. Quarto. [xv prelims] 236 pages. Profusely illustrated with b&w and colour photographs throughout. Foreword by Robert Hillebrand of the University of Edinburgh. Fine in Very Good jacket which has a little rubbing and a few faint marks to its faces.

Munich: Prestel, 2019. 1st edition. Hardback. Issued in pink pictorial boards without a jacket. Folio. 319 pages. Profusely illustrated in colour and b&w throughout. Text in German and English. Catalogue of an exhibition held at the Belvedere 21 museum, Vienna, from February 1st to August 18th 2019. Very Good. Rear board has picked up a scratch.

New York: Taglialatella Galleries, 2015. Paperback. Quarto. Unpaginated [36 pages]. Illustrated in colour throughout. Catalogue of a New York exhibition of Banksy's work held in October 2015. One of a limited edition of 1000 copies. Good. Page edges tanned. Cover has some wear to its edges, spine ends and corners. Both faces have picked up a few small marks.

Forde: Selja Forlag, 2008. 1st edition. Hardback. Issued in pictorial boards without a jacket. Octavo (24.5 x 22.5 cm). 144 pages. Profusely illustrated in colour and b&w throughout. Text in Norwegian, but with English translations of the picture captions and a five page summary in English at the back. Profile of Knud Bergslien (1827-1908) and his nephew Nils (1853-1928), Norwegian folklore and portrait painters. Very Good. Boards a little worn at each corner; faint scratch to the back.

San Diego, CA: Museum of Contemporary Art, 1997. 2nd printing. Paperback. Folio. 198 pages. Profusely illustrated in colour throughout. Includes prefaratory essays by Hugh M. Davies and Ronald J. Onorato. Near Fine.

Billingshurst: The Bookplate Society in association with The Keridwen Press, 1988. 1st edition. Paperback. Octavo (21 x 15 cm). 35 pages, 23 of which are b&w reproductions of the bookplates. (Also a b&w photograph of the artist as a frontispiece.) Part of a limited run of 500 copies, 140 of which were numbered and signed by the author. This is copy number 75: the number is inked on the reverse of the title page, the signature on the Introduction page that follows it. Very Good in Good jacket. Text a little shelf-soiled in its bottom corner, near the fore-edge. Jacket has faded around the spine, which is also a bit tanned at its foot.

London: Booth-Clibborn Editions, 2012. 1st edition. Paperback. Quarto. Decorated Solander box containing 2 paperback books, 9 posters and a CD. A collaboration between British fashion designers and contemporary artists, the results exhibited at the Victoria & Albert Museum in July 2012 as part of the cultural programme for the London Olympic Games. Book One is 147 pages of mostly colour photographs, a Foreword by Lucy Yeomans and an essay on the links between fashion and art by Iain R. Webb. Book Two is 56 pages of b&w photographs by Gautier Deblonde, with a Curator's Note by Susanna Greeves. The posters are printed in colour on half chart paper (56 x 39.8 cm). The designers/artists involved are: Hussein Chalayan/Gavin Turk; Giles Deacon/Jeremy Deller; Stephen Jones/Cerith Wyn Evans; Mary Katrantzou/Mark Titchner; Nicholas Kirkwood/Simon Periton; Peter Pilotto/Francis Upritchard; Jonathan Saunders/Jess Flood Paddock; Paul Smith/Charming Baker; Matthew Williamson/Mat Collishaw. Attached to the inside… Read More

New York: Assouline Publishing, 2008. 1st edition. Hardback. Brown boards with the subject's and publisher's names blind-stamped to spine and front. Octavo. 79 pages, 56 of which are full colour plates. Signed by Malandrino on the front free endpaper: "London June 11/09 / Catherine Malandrino". Good in Good jacket. Text tanned at the edges. Jacket a little creased at the edges and spine ends, with some rubbing to the front and a tanned back.

London: Paul Holberton, 2016. 1st edition. Hardback. Original purple cloth with red lettering to spine. Folio. 200 pages. Profusely illustrated in colour throughout. Preface by Altaf S. Al Sabah. Near Fine in Near Fine jacket.

Cambridge: The University Press, 2009. Hardback. Purple cloth with gold armorial decoration to front and gold lettering to spine. Octavo. 54 pages. 37 b&w line illustrations within the text. Number 133 in a limited edition of 800 copies, published to mark the 800th anniversary of the founding of the University of Cambridge. Very Good. Corners of the boards a little bumped.

London: Atlas Press, 2016. Paperback. Octavo. 120 pages. Illustrated in colour and b&w. Translated from the French by Chris Allen. Number 201 of a limited edition of 333 copies. Very Good. Small spot to the front cover; back creased in its bottom corner.

Evesham: HotHive Books, 2010. 1st edition. Hardback. Original black pictorial boards with white lettering to spine and front. Folio. Unpaginated [104 pages]. Illustrated with full colour photographs throughout. Foreword by Brian Catling. Very Good in Good jacket which has some obvious rubbing to its faces.

Colchester: Firstsite, 2016. 1st edition. Paperback. Octavo (21 cm). 143 pages. Illustrated in colour and b&w throughout. Foreword by Sally Shaw; Introduction by Marie-France Kittler. Essays by Shukaitis, Penny Rimbaud, Rebecca Binns, George McKay, Patricia Allmer and John Sears, Yuval Etgar. Published to accompany an exhibition held at the Firstsite Gallery from 12 November 2016 to 19 February 2017. Very Good. Cover a bit worn at the edges and corners, particularly at the foot of its spine and in the bottom corner of its front.

Wisley: AAPPL Artists' and Photographers' Press, 2007. 1st edition. Hardback. Issued in pictorial boards without a jacket. Quarto. 112 pages. Illustrated in full colour throughout. Signed and inscribed by the artist on the reverse of the front free endpaper: "To Samantha / Lots of love / A Sudworth". Good. Boards worn and rubbed at the edges, particularly along the spine folds and around the head of the spine. Both faces are rubbed and marked.

London: SG Gallery, 2004. Paperback. Quarto (28 x 24.6 cm). Unpaginated [28 pages]. Illustrated with colour photographs by David Buckland of the sculptor's work. Catalogue of an exhibition held at the SG Gallery from 4 June to 17 July 2004. Includes a conversation between Blumenfeld and Karen Wright conducted at Pietrasanta in April 2004. Very Good. Page edges tanned. White card cover has a faint crease on its back and a few marks and spots on each of its faces.

Buffalo, NY: Firefly Books, 2015. Hardback. Issued in pictorial boards without a jacket. Octavo. 224 pages. Profusely illustrated throughout in colour, sepia and b&w. Good. Boards bumped at the corners. Spine has a tiny nick near its head and some creasing at its foot. Front has picked up several small marks.

Stockholm: WESC, 2006. 1st edition. Hardback. Quarto. 200 pages. Illustrated in full colour and b&w throughout. Very Good in Good jacket which has some wear along its edges and at each corner, tanned edges to its flaps and rubbed faces.

London: Sam Fogg, 2002. Paperback. Quarto. 124 pages. Illustrated in full colour throughout. Very Good. Spine has a small creased bump at its foot and several wrinkles at its head.

Mantta: Gosta Serlachius Fine Arts Foundation, 2015. 2nd edition. Hardback. Issued in pictorial boards without a jacket. Octavo (20.6 x 25.2 cm). 180 pages. Numerous colour illustrations within the text. Introduction by Pauli Sivonen, Director of the Serlachius Museum. Dual text in Finnish and English, translated by Kaija Anttonen, Steven Crockatt and Kristian London. Revised catalogue of an exhibition held at the Serlachius Museum between 2014 and 2017. Very Good.