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Good. Lugd[uni] Batavorum, Ex Officinâ Elseviriorum, 1640. 12mo. [xxiv; 1-289 ; 300-414 ; xxviii] Numbers 290-299 not used in pagination. Printers device on the title page. (Dedication to Ioanni de Laet by Bonaventure and Abraham Elzevier, Lugd-Batav.Kal.Sept. MDCXL. Praefatio, C. Plinii Caecilii Secundi Vita per Ioannem Mariam Catanaeum composita. Eiusdem Vita ex epistola collecta. Ex Onuphrii Panuini Commentariis in fastos, ad annum DCCCLIII. Nomenclator.) Black gilt morocco, raised bands with armorial back strip. Bookplates of M. A. G-du Plessis and P. de La Moranderie. Hinges worn but holding. Verso of front flyleaf has a shelf mark, "a/3." With the annotation " au chiffre du duc de Sardes-Bovannes " (sp ?). There is a prior bookseller's comment on the edition in ink. Willems 506. Copinger 3646.
Search Results: Classics from G.Gosen Rare Books & Old Paper, ABAA, ILAB
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C. Plinii Caecilii Secundi Epistolarum Libri X et Pangyricus. Accedunt ariantes Lectiones.
by Elzevier
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- good
- Hardcover
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- Used - Good
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- Hardcover
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- 1
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Publius Terentius Afer
by Pickering Miniature Classics
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- Fine
- Hardcover
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- Used - Fine
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- Hardcover
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New York, New York, United States
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SGD 1,308.15SGD 27.54 shipping to USA
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Fine. Publius Terentius Afer, Londini impensis Gul. Pickering, 31, Lincolns Inn Fields, MDCCCXXII. Contemporary red morocco, raised bands, gilt edges, 83 mm x 46 mm, 3 7/16 in x 2 1/16 in, one of Pickerings famous miniature classics, containing all six of Terentius' surviving comedies: Andria, Eunuchus, Heauton Timorumenos, Hecyra, Adelphi, Phormio. [iv; 220 pages, ii] With an additional engraved title page and an engraved frontispiece portrait of Publius Terentius Afer. Royal motto on printed title page, dedication to John Spencer. Printed on India paper, gilt-edging all around, contemporary red morocco, raised bands, Bookseller Louis W. Bondy's clipped catalogue description laid in. Fine.
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Theophrasti Eresi Characteres ethici, siue morum descriptiones. Graecè & Latinè. Cum notis & Monitis Ioannis Angelii Werdenhagen I.C.C.
by Theophrastus
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- Signed
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- Used
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Theophrasti, Eresi Characteres ethici, siue morum descriptiones. Graecè & Latinè. Cum notis & Monitis Ioannis Angelii Werdenhagen I.C.C., Lugduni Batauorum, Ex Officinâ Ioannis Maire, 1632. 90 mm x 47 mm, in-32, 2 pt, three parts in one volume : Greek text printed in Greek, followed by the Latin translation by the Calvinist theologian Isaac Casaubon. The third part is the commentary of Johann Angelius von Werdenhagen. [Initial blank(s) missing; 71 pages (verso blank); 98 pages; 3 blanks; 237 pages, errata of 2 pages; 2 concluding blanks]. Title page signed by I. J. Brownlee and Peter Wilson. Original vellum over paper boards, darkened and worn from use. The numeral "19" is inked on the back at the head. Notation on the verso of the final blank: "VP. 1746".Peter Wilson (1746–1825) was born in Ordiquhill, Banffshire, Scotland, and studied at the University of Aberdeen. After moving to New York City in 1763, he worked as a teacher and then as principal of the Hackensack Academy before becoming… Read More
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Virgidemarum. Satires in Six Books.
by Hall (Joseph)
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- Used - Very Good +
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Very Good +. Oxford, printed for R. Clements, 1753. In-12, [ii; xii; half-title, verso blank; prologue; pages 13 -108; 2 final blanks]. Brackets drawn on a few lines on pages 55 and 67. Complete. Contemporary calf with gilt decoration, marbled end-papers. The first three books of tooth-lesse satires, attacking institutions, were published in 1597, with reprints in 1598 and 1602, and the last three of byting satires, attacking individuals under pseudonyms which were probably no disguise to Halls contemporaries, in 1598 and 1599. Hall claimed these were the first satires in the English language to have taken Juvenal for a model. They gave much offense, and an attempt was made to have them all burned. The British Library copy of this title has a manuscript note saying the editor of this (1753) edition was William Thompson of Queens College, Oxford. Bookplates of Frances (with coronet and shelf mark) and Stuart Bennett. Ownership signature of Sam. Gillam. Eighteenth century mottled calf, marbled endpapers.
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