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[1845 ENGRAVING BY BRINDESI / OTTOMAN NAVIGATION / CONSTANTINOPLE] Embarcation de l'Amiral: Amiraute.

by GIOVANNI JEAN BRINDESI, (Italian painter, watercolor artist, engraver, traveler), (1826-1888).

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Paris: Imp. Lemercier, 1845. No Binding. Very Good. A fine original chromo-lithograph print from "Souvenirs de Constantinople" by Brindesi, printed in 1845. Framed, but will be sent no frame. 52x49 cm / 39x 44 cm print area. Stains on right bottom margins of the paper. The Ottoman navy, stationed in front of the Tophane Artillery barracks, is preparing to sail under the leadership of Kapudan Pasha's ship "Amiraute". Jean Brindesi was born in 1826 and worked primarily as a watercolour artist. During the Abdulmecid period (1831-1861), he worked on scenes involving soldiers in Istanbul. Two albums of lithographs after his drawings were produced by Lemercier in Paris: Elbicei Atika - Musee des Anciens Costumes Turcs de Constantinople, 1855, and Souvenirs de Constantinople, 1860; these two works are collections of picturesque views of the city of Constantinople. The originals are kept at the Istanbul Topkapi Palace Museum and at the University of Istanbul. (Source: Levantine Heritage). Read More
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Beynelmilel illizyonist ve vantrolog Mahir. [International illusionist and ventriloquist Mahir].

by MAHIR (The illusionist and the ventriloquist).

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[Istanbul]: Yilmaz Ofset Basimevi., ca. 1970, 1970. Leather. Very Good. Elephant Folio - over 15 - 23" tall. Original b/w printed poster. Size: (100 x 70 cm). In Turkish. It shows Mahir in front of devil. Beynelmilel illizyonist ve vantrolog Mahir. [International illusionist and ventriloquist Mahir]. Scarce.
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[ENGRAVING] Incendie du quartier de Pera a Constantinople, 9 Aôut 1839. Painted by Theodore Gudin, (1802-1880); Engraved by Joseph John Skelton, (1783-1871).

by THEODORE GUDIN, (1802-1880), (Painter); JOSEPH JOHN SKELTON, (1783-1871), (Engraver).

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Paris: Diagraphe et Pantographe Gavard., ca. 1850, 1850. Soft cover. Very Good. Folio - over 12 - 15" tall. Original color copper engraving. Oblong folio. (26 x 36 cm). Description in French. Incendie du quartier de Pera a Constantinople, 9 Aôut 1839. Painted by Theodore Gudin, (1802-1880); Engraved by Joseph John Skelton, (1783-1871). Rare color engraved print. Shows 1839 fire in Pera area in Istanbul (probably that district is Kasimpasa which mostly mariners live in), and its chaos: hectic people have appeared on the roofs of the burning houses, law enforcement agencies are working, and the muezzin has been seen on balcony for 'selâ'. Jean Antoine Théodore Gudin was a French painter of the 19th century, born in Paris. He especially painted navy scenes, and was a pupil of Girodet-Trioson. Gudin was one of the first Peintres de la Marine, at the court of Louis-Philippe and Napoleon III. Gudin died at Boulogne-sur-Seine in 1880. His daughter Henriette Gudin also became… Read More
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[ENGRAVING] View of Tophana or the Artillery Arsenal at Constantinople.

by (Author of the book) JOHN CAM HOBHOUSE, (1st Baron Broughton), (1786-1869).

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[London]: [James Cawthorn], [1813], 1813. Hardcover. Very Good. Folio - over 12 - 15" tall. Original color engraving with its frame. Oblong folio. (28 x 41 cm). Description in English. Originally folded. It's in frame. It's from the book named 'A Journey through Albania, and other Provinces of Turkey in Europe and Asia, to Constantinople, during the years 1809 and 1810' by John Cam Hobhouse printed in 1813, London. Attractive one of 17 color plates in the book. Scarce.
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[FINE COPPER ENGRAVING 17th CENTURY] Turque allant au Bain. [Woman from Turkey on her way to the public baths (hamam)]. Engraved by Louis Danet.

by NICOLAS DE NICOLAY D'ARFEUILLE & DE BELAIR, (1517-1583).

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Paris: [N.p.]., From a 17th Century Edition. Soft cover. Very Good. Original copper engraved plate. 35x23,5 cm. French text on verso on 'La gentille femme Turque estant dans sa maison ou Serail'. This is palte numbered 40. From "Plusieurs descriptions des accoutremens tant des magistrats et officiers de la Porte de l'Empereur des Turcs que des peuples assujettis à son Empire. Avec les figures représentant le tout au naturel, tirées des Medailles antiques & descriptions de eux qui ont frequenté parmy ces nations, ou des bons Autheurs qui en ont écrit.". Published in 1598, Quatre premiers livres des navigations (Travels in Turkey) recorded Nicolay's observations about the Ottoman court and peoples from his 1551 mission to Istanbul on behalf of the French government. The book served as the first comprehensive survey of customs and costumes in the Ottoman world, and is hailed as one of the earliest and most accurate depictions of the… Read More
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[FINE COPPER ENGRAVING 17th CENTURY] Les yurongnes [The wrestlers]: Azamoglan, Levent, Azappi. Engraved by Louis Danet.

by NICOLAS DE NICOLAY D'ARFEUILLE & DE BELAIR, (1517-1583).

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Paris: [N.p.]., From a 17th Century Edition. Soft cover. Very Good. Original copper engraved plate. 35x23,5 cm. French text on verso on 'Cuisinier Turc'. This is palte numbered 18. From "Plusieurs descriptions des accoutremens tant des magistrats et officiers de la Porte de l'Empereur des Turcs que des peuples assujettis à son Empire. Avec les figures représentant le tout au naturel, tirées des Medailles antiques & descriptions de eux qui ont frequenté parmy ces nations, ou des bons Autheurs qui en ont écrit.". Published in 1598, Quatre premiers livres des navigations (Travels in Turkey) recorded Nicolay's observations about the Ottoman court and peoples from his 1551 mission to Istanbul on behalf of the French government. The book served as the first comprehensive survey of customs and costumes in the Ottoman world, and is hailed as one of the earliest and most accurate depictions of the Islamic world to appear in Europe. Travels in… Read More
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[HANDCOLOURED COLOR ENGRAVING] An inhabitant of the coast of Syria. Plate XXIII.= Un habitant de la côte de Syrie. Plance vingt-troisieme. [Ottoman janissarie of Syria]. Drawn by Octavien Dalvimart.

by Engraved by J[OHN] DADLEY, (1767-1807).

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London: W[illiam] Miller, 1802. Soft cover. Very Good. 4to - over 9¾ - 12" tall. Original hand-coloured engraved plate. Edges gilt. Large 4to. (37 x 27 cm). With its separate sheet of descriptive bilingual text in English and French. An attractive, richly colored and detailed engraved image. Very good, bright. An original plate from Dalvimart's famous and extremely rare work 'The costume of Turkey', first edition in 1802. Little is known about Octavien Dalvimart, besides the facts that he worked in Britain as painter and engraver, and that he was living in Paris in 1803. According to the prologue to this edition, he travelled during four years (starting in 1796), always drew from nature, and was in Athens in 1797. This elegant work was first published in 1802, and again in 1818 and 1820. It includes 60 drawings of human types from the Ottoman Empire. (Abbey Travel 370; Colas 782; Lipperheide 1422). The explanatory texts, in English and French, are based on extracts from works… Read More
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[HANDCOLOURED COLOR ENGRAVING] An inhabitant of the Isle of Simia. Plate XLI.= Une femme de 'lIsle de Simie. Plache quarante-unieme. Drawn by Octavien Dalvimart.

by Engraved by J[OHN] DADLEY, (1767-1807).

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London: William Miller, 1802. Soft cover. Very Good. 4to - over 9¾ - 12" tall. Original hand-coloured engraved plate. Slightly chipped on paper. Edges gilt. Large 4to. (37 x 27 cm). With its separate sheet of descriptive bilingual text in English and French. An attractive, richly colored and detailed engraved image. Very good, bright. An original plate from Dalvimart's famous and extremely rare work 'The costume of Turkey', first edition in 1802. Little is known about Octavien Dalvimart, besides the facts that he worked in Britain as painter and engraver, and that he was living in Paris in 1803. According to the prologue to this edition, he travelled during four years (starting in 1796), always drew from nature, and was in Athens in 1797. This elegant work was first published in 1802, and again in 1818 and 1820. It includes 60 drawings of human types from the Ottoman Empire. (Abbey Travel 370; Colas 782; Lipperheide 1422). The explanatory texts, in English and French, are… Read More
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[HANDCOLOURED COLOR ENGRAVING] A Turk in his chall, or shawl. Plate IX.= Un Turc dans son chale. Planche neuvieme. [An Ottoman Turk in his shal]. Drawn by Octavien Dalvimart.

by Engraved by WILLIAM POOLE, (1803-1807).

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London: William Miller, 1802. Soft cover. Very Good. 4to - over 9¾ - 12" tall. Original hand-coloured engraved plate. Edges gilt. Large 4to. (37 x 27 cm). With its separate sheet of descriptive bilingual text in English and French. An attractive, richly colored and detailed engraved image. Very good, bright. An original plate from Dalvimart's famous and extremely rare work 'The costume of Turkey', first edition in 1802. Little is known about Octavien Dalvimart, besides the facts that he worked in Britain as painter and engraver, and that he was living in Paris in 1803. According to the prologue to this edition, he travelled during four years (starting in 1796), always drew from nature, and was in Athens in 1797. This elegant work was first published in 1802, and again in 1818 and 1820. It includes 60 drawings of human types from the Ottoman Empire. (Abbey Travel 370; Colas 782; Lipperheide 1422). The explanatory texts, in English and French, are based on extracts from works… Read More
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[HANDCOLOURED COLOR ENGRAVING] A Turkish woman, in a provincial dress. Plate 4.= Une femme Turque, en habit de province. Planche quatrieme. Drawn by Octavien Dalvimart.

by Engraved by J[OHN] DADLEY, (1767-1807).

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London: William Miller, 1802. Soft cover. Very Good. 4to - over 9¾ - 12" tall. Original hand-coloured engraved plate. Edges gilt. Large 4to. (37 x 27 cm). With its separate sheet of descriptive bilingual text in English and French. An attractive, richly colored and detailed engraved image. Very good, bright. An original plate from Dalvimart's famous and extremely rare work 'The costume of Turkey', first edition in 1802. Little is known about Octavien Dalvimart, besides the facts that he worked in Britain as painter and engraver, and that he was living in Paris in 1803. According to the prologue to this edition, he travelled during four years (starting in 1796), always drew from nature, and was in Athens in 1797. This elegant work was first published in 1802, and again in 1818 and 1820. It includes 60 drawings of human types from the Ottoman Empire. (Abbey Travel 370; Colas 782; Lipperheide 1422). The explanatory texts, in English and French, are based on extracts from works… Read More
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[HANDCOLOURED COLOR ENGRAVING] A female bedouin of the desert, with her child. Plate XXVII.= Une femme bedouin du desert, avec son enfant. Planche vingt-septieme. Drawn by Octavien Dlvimart.

by Engraved by J[OHN] DADLEY, (1767-1807).

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London: William Miller, 1802. Soft cover. Very Good. 4to - over 9¾ - 12" tall. Original hand-coloured engraved plate. Slightly chipped on paper. Edges gilt. Large 4to. (37 x 27 cm). With its separate sheet of descriptive bilingual text in English and French. An attractive, richly colored and detailed engraved image. Very good, bright. An original plate from Dalvimart's famous and extremely rare work 'The costume of Turkey', first edition in 1802. Little is known about Octavien Dalvimart, besides the facts that he worked in Britain as painter and engraver, and that he was living in Paris in 1803. According to the prologue to this edition, he travelled during four years (starting in 1796), always drew from nature, and was in Athens in 1797. This elegant work was first published in 1802, and again in 1818 and 1820. It includes 60 drawings of human types from the Ottoman Empire. (Abbey Travel 370; Colas 782; Lipperheide 1422). The explanatory texts, in English and French, are… Read More
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[HANDCOLOURED COLOR ENGRAVING] An Egyptian Arab. Plate XXII.= Une Arabe Egyptienne. Planche vingt-deuxiemme. [Egyptian women]. Drawn by Octavien Dalvimart.

by Engraved by WILLIAM POOLE, (1803-1807).

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London: William Miller, 1802. Soft cover. Very Good. 4to - over 9¾ - 12" tall. Original hand-coloured engraved plate. Edges gilt. Large 4to. (37 x 27 cm). With its separate sheet of descriptive bilingual text in English and French. An attractive, richly colored and detailed engraved image. Very good, bright. An original plate from Dalvimart's famous and extremely rare work 'The costume of Turkey', first edition in 1802. Little is known about Octavien Dalvimart, besides the facts that he worked in Britain as painter and engraver, and that he was living in Paris in 1803. According to the prologue to this edition, he travelled during four years (starting in 1796), always drew from nature, and was in Athens in 1797. This elegant work was first published in 1802, and again in 1818 and 1820. It includes 60 drawings of human types from the Ottoman Empire. (Abbey Travel 370; Colas 782; Lipperheide 1422). The explanatory texts, in English and French, are based on extracts from works… Read More
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[HANDCOLOURED COLOR ENGRAVING] A Bedouin Arab. Plate XXVI.= Un Arab de Bedouin. Planche vingt-sixieme. Drawn by Octavien Dalvimart.

by Engraved by JOHN DADLEY, (1767-1807).

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London: William Miller, 1802. Soft cover. Very Good. 4to - over 9¾ - 12" tall. Original hand-coloured engraved plate. Edges gilt. Large 4to. (37 x 27 cm). With its separate sheet of descriptive bilingual text in English and French. An attractive, richly colored and detailed engraved image. Very good, bright. An original plate from Dalvimart's famous and extremely rare work 'The costume of Turkey', first edition in 1802. Little is known about Octavien Dalvimart, besides the facts that he worked in Britain as painter and engraver, and that he was living in Paris in 1803. According to the prologue to this edition, he travelled during four years (starting in 1796), always drew from nature, and was in Athens in 1797. This elegant work was first published in 1802, and again in 1818 and 1820. It includes 60 drawings of human types from the Ottoman Empire. (Abbey Travel 370; Colas 782; Lipperheide 1422). The explanatory texts, in English and French, are based on extracts from works… Read More
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[In memoriam] François Truffaut.

by YURDAER ALTINTAS, (1935- ).

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Limited Edition
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Istanbul, 1994. Limited Edition . No Binding. Fine. In modern black frame. Size; (26 x 57 cm). Limited edition. Original graphic poster of Altintas in memoriam François Truffaut for 13. International Istanbul Film Festival, 2-12 April, 1994. He was born in 1935 in Istanbul. He graduated from the Poster Atelier of the Istanbul Academy of Fine Arts in 1957. His first solo exhibition was held in 1964 in Istanbul and it was recognized as the first Turkish graphic design exhibition. In 1968 he pioneered the establishment of the Association of Graphic Artists. In 1976 he became a lecturer at the Academy of Fine Arts, School of Applied Industrial Arts, and he was appointed as the director of the school in 1979. He was the chairman of the Professional Association of Graphic Designers in 1982 and from 1987 to 1993. He held exhibitions in Turkey and abroad, and participated in many collective exhibitions. He showed his artworks in international biennials and triennials in different countries. By virtue… Read More
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[PHOTOS OF INEBOLU - BLACK SEA] Ten original photographs of Inebolu [Ionopolis].

by FOTO CEBE (SABRI CEBECIOGLU), (1900-1985), (Photographed by).

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Inebolu: Foto Cebe., (1929-1939), 1929. No Binding. Very Good. Ten original gelatin silver photographs of different views and places of Inebolu district which is a seaside town of Kastamonu city of Turkey, located at the southern coast of the Black Sea. The photos taken by Foto Cebe, established by Sabri Cebecioglu (1900-1985) in Inebolu. Sabri Cebecioglu was a local Turkish photographer immortalizing Atatürk's travels to Kastamonu during the Hat Revolution. This was the world's first hat revolution took place in Turkey in 1925. On November 25 of that year, the parliament passed a law that made it mandatory for all men to wear Western-style hats in public places; all civil servants had to wear them, and no other type of hat would be allowed. All photos sizes' are 9x14 cm, versos of some have small notes in Ottoman script (Old Turkish with Arabic letters). A very good collection of photographs. This photograph collection includes Inebolu's different views: An overhead view of… Read More
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