Search Results: Authors starting with E from Ken Lopez Bookseller, ABAA

Boston: Little, Brown. (1994). Very Good in Very Good DJ. Remainder mark on bottom edge. Unless otherwise noted, our first editions are first printings. First Edition. Hardcover. Very Good.

Boston: Little Brown. (2000). The second book, first novel, by this author selected as a member of both the Granta 20 and the New Yorker 20. Signed by the author. Fine in a fine dust jacket. Unless otherwise noted, our first editions are first printings. First Edition. Hardcover. Fine.

London: Michael Joseph. (1965). Very Good in Very Good DJ. Unless otherwise noted, our first editions are first printings. First Edition. Hardcover. Very Good.

NY: Simon & Schuster. (1969). Very Good in Very Good DJ. Unless otherwise noted, our first editions are first printings. First Edition. Hardcover. Very Good.

NY: Oxford University Press. 1980. Very Good in Very Good DJ. Unless otherwise noted, our first editions are first printings. First Edition. Hardcover. Very Good.

Owings Mills, MD: Stemmer House. 1979. Author's first book. Very Good in Very Good DJ. Unless otherwise noted, our first editions are first printings. First Edition. Hardcover. Very Good.

NY: Random House. (2002). Advance Uncorrected Proof. Very Good in wrappers. Unless otherwise noted, our first editions are first printings. First Edition. Softcover. Very Good.

NY: Viking Press. (2002). Advance Reading Copy. Very Good in wrappers. Unless otherwise noted, our first editions are first printings. First Edition. Softcover. Very Good.

NY: Pantheon Books. (1981). Advance Uncorrected Proof. Very Good in wrappers. Unless otherwise noted, our first editions are first printings. First Edition. Softcover. Very Good.

NY: Alfred A. Knopf. 1983. Advance Uncorrected Proof. Very Good in wrappers. Unless otherwise noted, our first editions are first printings. First Edition. Softcover. Very Good.

NY: Alfred A. Knopf. 1997. Advance Uncorrected Proof. Very Good in wrappers. Unless otherwise noted, our first editions are first printings. First Edition. Softcover. Very Good.

NY: Crown Publishers. (1981). Advance Uncorrected Proof. Very Good in wrappers. Unless otherwise noted, our first editions are first printings. First Edition. Softcover. Very Good.

Boston: David R. Godine. (1987). Advance Uncorrected Proof. Very Good in wrappers. Unless otherwise noted, our first editions are first printings. First Edition. Softcover. Very Good.

NY: Harcourt, Brace & Co.. (1995). Advance Reading Copy. Very Good in wrappers. Unless otherwise noted, our first editions are first printings. First Edition. Softcover. Very Good.

NY: Harcourt, Brace Jovanovich. (1993). Advance Uncorrected Proof. Very Good in wrappers. Unless otherwise noted, our first editions are first printings. First Edition. Softcover. Very Good.

NY: Grove. (2014). The uncorrected proof copy. Fine in wrappers. Unless otherwise noted, our first editions are first printings. First Edition. Softcover. Fine.

Berkeley, CA: North Point Press. (1986). Advance Uncorrected Proof. Very Good in wrappers. Unless otherwise noted, our first editions are first printings. First Edition. Softcover. Very Good.

Dallas, TX: Baskerville. (1995). Advance Uncorrected Proof. Very Good in wrappers. Unless otherwise noted, our first editions are first printings. First Edition. Softcover. Very Good.

Garden City: Doubleday. 1973. Nonfiction stories of Hollywood. Darkening at hinges from binder's glue; else fine in a near fine dust jacket with a tiny chip at the crown. Unless otherwise noted, our first editions are first printings. First Edition. Hardcover. Near Fine.

[c. 1990]. Two typescript drafts of Edgerton's fourth novel. One draft is warmly inscribed by Edgerton to Dudley Jahnke "with greatest appreciation for your help in the book business -- and music business -- and all else" and dated "28 March 90." Killer Diller deals with a struggling musician who forms the Killer Diller Blues Band, thus the reference to Jahnke's help with the "music business." Comb-bound in cardstock covers and titled in Edgerton's hand. This draft reproduces a number of the author's changes, which are especially heavy at the beginning of the book. A note in Edgerton's hand on the first page states that "The copy gets cleaner in a few pages." Near fine. The other draft, approximately 250 loose photocopied sheets from a dot matrix printer original, reproduces heavy editing by "SR," with SR's title page. This draft differs substantially from the bound draft, and the opening of the book [at least] is entirely different. Fine. Together with an envelope, hand-addressed by Edgerton to… Read More