Search Results: Authors starting with F from David Brass Rare Books, Inc.

New York: G.P. Putnam's Sons, 1977. With a Fine Black & White Inscribed Photograph of Federico Fellini FELLINI, Federico. Fellini's Films. The four hundred most memorable stills from Federico Fellini's fifteen and a half films. Edited by Christian Strich. With a Foreword by Georges Simenon. New York: G.P. Putnam's Sons, [1977]. First edition. Large quarto (13 x 10 5/8 inches; 330 x 270 mm.). [1-344] pp. Illustrated throughout in color and black & white. Publishers red cloth over boards, front cover and spine lettered in black, black endpapers. Pictorial dust jacket. Jacket with three inch tape repair to front panel, crease to rear panel, light chipping to extremities. A fine copy in a very good dust jacket. Affixed to the front free endpaper is a 9 14/ x 7 1/8 inch black & white photograph of Fellini inscribed "To Paul R. Palmer. Good luck! Federico Fellini June 73". Federico Fellini (1920-1993) was an Italian filmmaker. He is known for his distinctive style, which blends fantasy and baroque… Read More

London: Printed for Thomas M'Lean, 1823. With Thirteen Fine Hand-Colored Plates FELLOWES, W.D. A Visit to the Monastery of La Trappe, in 1817: with notes, taken during a tour through Le Perche, Normandy, Bretagne, Poitou, Anjou, Le Bocage, Touraine, Orleanois, and the Environs of Paris. Illustrated with numerous coloured engravings, from drawings made on the spot. London: Printed for Thomas M'Lean, 1823. Fourth Edition, Large Paper Copy. Text watermarked J. Whatman, 1823; Plates watermarked J. Whatman, 1827. Large octavo (10 1/4 x 6 7/8 inches; 261 x 175 mm.). xii, 188 pp. Thirteen fine hand colored aquatint plates and two plain plates. Contemporary dark blue straight-grain morocco, covers decoratively bordered in gilt and blind, spine with five raised bands, decoratively tooled and lettered in gilt, gilt board edges and turn-ins, brown endpapers, all edges gilt. First page of preface with small paper-flaw on blank margin. A clean, near fine copy. "First published by William Stockdale in 1818,… Read More

Naples & Rome: , 1824. A Fascinating Album Containing Thirty Superb Hand Colored Lithographs of Italian Trades and Costumes FERRARI, Filippo. LENGHI, Giacomo. [Costumi No. XXX di Roma e di altri paesi dello Stato pontificio, designati ed incini all' acqua forte da Filippo Ferrari]. [Italian Trades and Costumes]. Naples & Rome, [1824-1835]. An album of thirty fine hand colored lithograph plates and one original gouache painting. Folio (12 x 8 3/4 inches; 305 x 222 mm.). Twenty two (of thirty) fine hand colored lithograph plates plates heightened with gum arabic, mostly with tissue guards, and one fine gouache painting. Many of the plates neatly inscribed in ink ‘Dorothea Power, March 21st 1835'. Eight hand colored lithograph plates by Giacomo Lenghi and one original gouache painting - possibly by Giacomo Lenghi. Contemporary quarter dark green straight-grain morocco over marbled boards, smooth spine decoratively tooled and lettered in gilt, marbled endpapers. Neatly inscribed in ink on front… Read More

London: Charles Tilt, 1839; 1840. Two of the Exceptionally Rare Hand-Colored Deluxe Issues for 1839 and 1840" FINDEN, William and Edward. Finden's Tableaux or the Affections; A Series of Picturesque Illustrations of the Womanly Virtues. From paintings by W. Perring. Edited by Mary Russell Mitford [With:] Findens' Tableaux: The Iris of Prose, Poetry, and Art, for MDCCCXL. Illustrated with Engravings by W. and E. Finden, from Paintings by J. Browne. Edited by Mary Russell Mitford. London: Charles Tilt, 1839; [1840]. First Deluxe Hand-Colored Editions. Two folio volumes (14 9/16 x 10 7/8 inches; 370 x 276 mm.). [vi], 60; [3]-70 pp. Twenty-four hand-colored engraved plates after Perring or Browne, engraved by Holl, Finden, Egleton, Freeman, Scriven, Hollis, Gibbs and others, all heightened with gum arabic. Publishers red and green morocco, covers elaborately tooled in gilt and blind. Slight rubbing to extremities, otherwise near fine. Two issues of the exceptionally rare hand-colored deluxe… Read More

Paris: Chez Osterwald ainé, 1827. The History of a Pin" Sixteen Fine Hand Colored Lithograph Plates [FONTALLARD, Henri-Gérard, illustrator]. Histoire d'une Épingle Par elle mème. [En seize tabeaux]. Composé et dessine par H. Gérard-Fontallard, [accompagnés d'un texte], extrait du Corsaire. Du 17 Juillet, 1827. Paris: Chez Osterwald ainé, et chez Rittner, 1827. Large folio (14 3/4 x 11 inches; 374 x 280 mm.). One lithographed leaf of text with head-piece vignette (at end) and sixteen fine hand colored lithographed plates. Plates lithographed by Ducarme, and mounted on stubs. Early-to-mid twentieth century half red cloth over marbled boards, spine lettered in gilt. With the bookplate of antiquarian book dealer Antoine Vautier on front paste-down. Henri-Gérard Fontallard (1798-?) was one of the contributing artists to La Silhouette and La Caricature. (Benezit volume 4, p. 423). OCLC locates just three copies in libraries and institutions worldwide: The Morgan Library (NY, USA); The Getty… Read More

London: Printed for F.C. and J. Rivington; W. Nicol and Son..., 1821. With Two Very Fine Fore-Edge Paintings by Helen R. Haywood Depicting the Homes of Abraham Cowley and Alexander Pope - Both with a Fine Portrait FORE-EDGE PAINTING. HAYWOOD, Helen R., artist. JOHNSON, Samuel. The Lives of the most eminent English Poets: with Critical Observations on their Works... A New Edition, Corrected. In two volumes. London: Printed for F.C. and J. Rivington; W. Nicol and Son..., 1821. With two very fine early twentieth century fore-edge paintings by Helen R. Haywood. The first volume with a fine view of Chertsey Bridge and with a portrait of Abraham Cowley on the left side; The second volume with a fine view of Alexander Pope's Villa, Twickenham and with a portrait of Pope on the left-side. Two octavo volumes (8 3/8 x 5 1/8 inches; 212 x 130 mm.). [viii], [1]-446; [iv], [1]-454 pp. Full contemporary dark blue calf, covers elaborately decorated in gilt and blind, spines with four shallow raised bands,… Read More

Edinburgh: Archibald Constable and Company, 1811. Day set on Norham's castled steep. And Tweed's fair river, broad and deep... " Bound by Taylor & Hessey and with a Fine Fore-Edge Painting by the "Double-Line Painter" [FORE-EDGE PAINTING]. [TAYLOR & HESSEY, binder]. [DOUBLE-LINE PAINTER, artist]. SCOTT, Sir Walter. Marmion: A Tale of Flodden Field... The eighth edition. Edinburgh: Archibald Constable and Company, 1811. With a very fine early twentieth century fore-edge painting by the "Double-Line Painter" showing a view of Norham Castle in Northumberland depicting the opening lines of the poem. Octavo (8 1/4 x 5 1/4 inches; 210 x 133 mm.). [viii], [1]-377, [1, blank], [i]-cxxviii pp. Additional engraved vignette title-page and nine engraved plates. The title-page and plates with old water stain at top left corner, some occasional and light spotting, otherwise near fine. Handsomely bound ca. 1811 by Taylor and Hessey, Booksellers, London. Stamp-signed in gilt on the fore-edge of the front board… Read More

London: Printed for J. Johnson and Co., 1811. Bound by Taylor and Hessey With an Early Twentieth Century Fore-Edge Painting [FORE-EDGE PAINTING]. TAYLOR & HESSEY, binder. COWPER, William. Poems by William Cowper, of the Inner Temple, Esq. In two volumes. A New Edition. London: Printed for J. Johnson and Co., 1811. With an early twentieth century fore-edge painting by an unidentified artist, showing a man and two ladies seated by a fireplace. The man is reading his newspaper and a dog is seated at his feet. Two octavo volumes bound in one (8 5/16 x 5 1/4 inches; 211 x 133 mm.). [i]-xvi, [1]-438; [i]-vi, [2], [1]-427, [1, blank] pp. Bound ca. 1811 by Taylor and Hessey, Booksellers, London. Stamp-signed in gilt on the fore-edges of the boards "Bound and Sold by" [&] "Taylor and Hessey". Full dark red straight-grain morocco, covers elaborately paneled in gilt, spine with three 'double' raised bands, elaborately decorated and lettered in gilt in compartments, decorative gilt board-edges and… Read More

London: Printed for John Bumpus, Walker and Co...., 1822. With Two Very Fine Fore-Edge Paintings by Helen R. Haywood Depicting Burns Cottage with a Portrait of Robert Burns and a Fine View of the Bridges on the River Ayr FORE-EDGE PAINTING. HAYWOOD, Helen, artist. BURNS, Robert. The Poetical Works of Robert Burns; Including the Pieces Published in his Correspondence and Reliques: With his Songs and Fragments. To which are prefixed a history of the poems, by his brother, Gilbert Burns, and a sketch of his life. In two volumes. London: Printed for John Bumpus, Walker and Co...., 1822. Two small octavo volumes (6 1/8 x 4 inches; 157 x 101 mm.).[i]-xxx, [1]-268; [i]-xii, [1]-262 pp. Contemporary full dark blue straight-grain morocco, covers elaborately decorated in gilt and blind, spines with four shallow raised bands, decoratively tooled and lettered in gilt in compartments, decorative gilt board-edges and turn-ins, pale blue endpapers, all edges gilt. Housed in an early blue cloth slipcase. A… Read More

Edinburgh: Printed for Arch. Constable and Co., 1822. Two Fine Early-to-Mid Twentieth Century Fore-Edge Paintings Depicting Two Scottish Castles [FORE-EDGE PAINTING]. SCOTT, Sir Walter. The Poetical Works of Sir Walter Scott, Bart. [The Lady of the Lake [&] The Bridal of Triermain [&] Harold the Dauntless]. Edinburgh: Printed for Arch. Constable and Co. 1822. Each volume with a fine early-to-mid twentieth century fore-edge painting depicting Craigmillar Castle in Edinburgh and Loch Leven Castle. Two octavo volumes (6 1/2 x 3 7/8 inches; 166 x 99 mm.). [iv], [1-9], 10-380; [iii-vi], [1-3], 4-384, [1], [1, blank] pp. Some light water-staining to preliminary and final leaves. Full contemporary dark blue straight-grain morocco, front and back covers with elaborate gilt vignette. Spines with four raised bands, decoratively tooled and lettered in gilt in compartments, decorative gilt turn-ins, gray end-papers. Volumes IV & V of The Poetical Works of Sir Walter Scott. "The Scene from the following… Read More

London: William Pickering, 1830. A Fine Fore-Edge Painting by "The Dover Painter" FORE-EDGE PAINTING. [The "DOVER PAINTER"], artist. HAYDAY, binder. COLLINS, William. The Poetical Works of William Collins. London: William Pickering, 1830. With a fine fore-edge painting executed ca. 1930 by the "Dover Painter" depicting a view of Chichester Cathedral. The distinctive treatment of the clouds and pointillistic brush strokes for detail are hallmarks of the style of the extremely skillful artist known as the "Dover Painter," the name given by Jeff Weber to the artist who produced very high quality painted fore-edges in the 1920s and 1930s. Twelvemo (6 1/4 x 3 7/8 inches; 160 x 98 mm.). [ii], [i]-lxxii, [2], [1]-150 pp. Engraved frontispiece portrait of William Collins with original tissue-guard. Bound by Hayday (stamped in black on front paste-down. With the label of "W.H. Dalton/Bookeller & Stationer/28 Cockspur St. Charing Cross" also on front past-down. Full contemporary dark green hard-grain… Read More

London: Printed at the Stanhope Press, by Charles Whittingham, 1809. With an Exquisite Fore Edge Painting of Temple Bar, London By Joseph Clayton Clarke aka "KYD" FORE-EDGE PAINTING. KYD (pseudonym of Joseph Clayton Clarke), artist]. GOLDSMITH, Oliver. The Poetical Works of Oliver Goldsmith, M.B. Collated with the best editions by Thomas Park, F.S.A. London: Printed at the Stanhope Press, by Charles Whittingham, 1809. [bound with] The Poetical Works of William Collins. London: Printed at the Stanhope Press, by Charles Whittingham, 1709 [sic] 1808. [bound with] Poems by [Thomas] Gray. With an exquisite fore edge painting beneath the gilt, of Temple Bar - the principal ceremonial entrance to the City of London, by Joseph Clayton Clarke aka "Kyd." The painting is full of Dickensian style characters. Twelvemo (4 7/8 x 3 inches; 124 x 76 mm.). [i]-iv, [1]-86, [v]-vi, [1]-81, [1, blank]; [iv], [1]-64, [9]-99, [1, blank] pp. Two engraved frontispieces, one for Goldsmith's Poetical Works and the second… Read More

Paris: E Prelis Fratrum Mame, 1808. With a Fine Fore-Edge Painting of Verona, Italy by the "Double-Line Painter" FORE-EDGE PAINTING. DOUBLE-LINE PAINTER. HORACE (Quintus Horatius Flaccus. Carmina. Editio Stereotypa Herhan. Paris: E Prelis Fratrum Mame, 1808. With a fine early twentieth century fore-edge painting by the "Double-Line Painter" showing a colorful view of Verona, Italy. Twelvemo (6 5/16 x 3 15/16 inches; 161 x 97 mm.). [i]-xi, [xii, blank], [1]-354 pp. Full contemporary maroon straight-grain morocco, covers elaborately tooled in gilt and blind, spine with four shallow raised bands, decoratively tooled and lettered in gilt in compartments, gilt board-edges and double-ruled turn-ins, marbled endpapers, all edges gilt. With the Armorial bookplate of Sir Thomas Rumbold, 1st Baronet (1736-1791) with an note in ink by his son Charles Rumbold (1788-1857) who was educated at Oriel College, Oxford, and then went to Trinity College, Cambridge. The motto "Virtutis Laus Actio" means "The Praise… Read More

London: Printed for W. Bent, 1833. With an Exquisite Fore Edge Painting of St. Giles's Church, Cripplegate By The "Dover Painter" [FORE-EDGE PAINTING]. [The "DOVER PAINTER"], artist. [ALLESTREE, Richard]. The New Whole Duty of Man, Containing The Faith as well as Practice of A Christian: Made Easy For the Practice of the Present Age... London: Printed for W. Bent, [1833]. With an exquisite fore edge painting beneath the gilt, of St Giles's Cripplegate, Fore Street, London, by the "Dover Painter". The painting is full of Dickensian style characters. Octavo (8 1/2 x 5 3/8 inches; 218 x 136 mm.). [ii], [i]-x, [1]-542 pp. Engraved frontispiece of Moses with the Ten Commandments. Neat ink name and date on top blank margin of title-page "Hugh William Williamson/--April 13th 1838". Bound ca. 1900 in full maroon straight-grain morocco, covers decoratively bordered in gilt and blind, spine with four shallow raised bands, decoratively tooled and lettered in gilt in compartments, decorative gilt board… Read More

London: Printed for J. Sharpe, 1824. 'The Entrance to Hyde Park' An Early-to-Mid Twentieth Century Fore-Edge Painting FORE-EDGE PAINTING. GAY, John. Fables. London: Printed for J. Sharpe, 1812 [i.e., 1824]. With an early to mid twentieth century fore-edge painting of the "Entrance to Hyde Park" by an unidentified artist. Volumes I & II (of three) bound in one. Sixteenmo (4 3/4 x 3 inches; 121 x 76 mm.). Engraved frontispiece , engraved general title-page, [iv], [1]-155, [1, blank], engraved frontispiece, [1]-142 pp. Bound ca. 1824 in full red straight grain morocco, covers decoratively bordered in gilt and blind, smooth spine decoratively tooled and lettered in gilt in compartments, gilt board edges, blind tooled turn-ins, gray endpapers, all edges gilt. Contents: Volume I The Fables of John Gay; Volume II The Poetical Works of John Gay (volume I only).

Edinburgh: Printed for Adam Black, 1814. With Two Superb Fore-Edge Paintings by the "Dover Painter" FORE-EDGE PAINTING. [The "DOVER PAINTER"], artist. PALEY, William. The Principles of Moral and Political Philosophy. The Twenty-First Edition. Edinburgh: Printed for Adam Black, 1814. With two superb fore-edge paintings executed ca. 1930 by the "Dover Painter" depicting views of "Edinburgh Castle from Grass Market" and "St. Giles Cripplegate, Fore St." The distinctive treatment of the clouds and pointillistic brush strokes for detail are hallmarks of the style of the extremely skillful artist known as the "Dover Painter," the name given by Jeff Weber to the artist who produced very high quality painted fore-edges in the 1920s and 1930s. Two octavo volumes (8 3/8 x 5 1/4 inches; 213 x 133 mm.). [i-v], vi-xxviii, [1]-374; [viii], [1]-452 pp. Bound ca. 1814 in full dark blue straight-grain morocco, covers decoratively paneled in gilt and blind, spines with four 'double' raised bands, decoratively… Read More

London: H. Humphreys, 1811. Six Humorous Hand-Colored Engraved Hunting Scenes FRANKLAND, Sir Robert. COPLOW, Billesdon (pseudonym). Indispensable Accomplishments...London: Published...by H. Humphrey, 1811. First edition. Oblong folio (10 5/8 x 14 5/8 inches; 270 x 370 mm.). Engraved title and six numbered hand-colored engraved plates with interleaves. Seventeen blank leaves at rear. Bound by Morrell (stamp-signed) in later full green crushed morocco with gilt frame and equine-themed gilt corner-pieces. Gilt-ruled raised bands. Gilt ornamented and decorated compartments. Broad gilt dentelles. Top edge gilt. With the leather bookplate of Joseph Widener and armorial bookplate of Clarence S. Bemens. An excellent copy of this rare series of hunting scenes. OCLC locates only one copy (at Harvard). "Ev'ry species of ground ev'ry Horse does not suit;/What's a good Country Hunter may here prove a Brute;/And, unless for all sorts of strange fences prepar'd,/A Man and his Horse are sure to be scar'd"… Read More

London: Thomas McLean, 1823. One of the Rarest of all Color Plate 'Angling' Books FRANKLAND, Sir Robert, artist. TURNER, Charles, illustrator. [Delights of Fishing]. London: Thomas McLean, 1823-25. First edition, second issue. Oblong quarto (10 x 12 1/2 inches; 255 x 317 mm.). Six fine hand-colored aquatint plates. All plates mounted on stubs and interleaved. The last plate watermarked "J. Whatman 1827". Bound ca. 1933 by Alfred de Sauty of Donnelly's in half red morocco over red cloth boards decoratively ruled in gilt. Rectangular black morocco label on front cover decoratively ruled and lettered in gilt. Spine with five raised bands decoratively tooled in gilt, brown endpapers. Bookplate of Joel Spitz on front paste-down. Housed in the original red cloth slipcase. A fine copy of this great angling rarity. The first issue has the imprint C. Turner. Pencil note at end "Bot. from Hart - NY. 1/20/33 / Bound by de Sauty of Donnellys /Although only fair execution of plates, quite rare & seldom met… Read More

Cambridge: W.D. Jones, at His Repository of Arts..., 1813. A scarce set of amusing shooting incidents. In draftsmanship and colouring they are superior to "Indispensable Accomplishments." (Schwerdt). FRANKLAND, Sir Robert, Illustrator. Eight Representations of Shooting. Engraved by Woodman & Turner from Drawings by Robert Frankland Esqr. To whom these Plates are most Respectfully dedicated by his very Obedient & Obliged Ser[van]t. W.D. Jones. Cambridge: W.D. Jones, 1813. First edition. Oblong quarto (7 7/8 x 11 inches; 200 x 280 mm.). Engraved title-page and eight amusing hand colored engraved plates. Each plate bears the publisher's name and address with the date Aug. 1st, 1813. All plates with original tissue guards. Publisher's stiff paper wrappers with printed label lettered "Shooting." Original? red roan spine. Housed in a felt-lined half black morocco clamshell case, spine with five raised bands decoratively ruled and lettered in gilt. "A scarce set of amusing shooting incidents. In… Read More