Description:
1891. Tall folio (ca. 400 x 270 mm). Half dark brown morocco with dark brown textured cloth boards, titling gilt to upper. [ii] (index), [i] (Dramatis Personae), [iii] (blank) pp., 1f. (fine pen-and-ink decorative titled signed by E.A. Havers and dated 1891), 283 pp. Notated in ink on 12-stave paper, in all likelihood in the hand of Louis S. Reddy. Text in English. With an additional manuscript title and index dated 1856, possibly in the composer's autograph, to both sides of a leaf laid in. Binding somewhat worn, rubbed, and bumped; head and tail of spine frayed. Light uniform browning. In very good condition overall. We have found no records in OCLC for the present work, although several pieces of piano music by the same composer published from 1851 to 1868 are recorded. La Grasse, an American organist and composer, lived in Philadelphia and maintained a music studio at 30 Prime Street there. Anne of Austria enjoyed a single performance at the Music Fund Hall in the city in May of 1856, with a…
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Anne of Austria. Grand Historical Opera (in three acts) ... [Manuscript piano-vocal score]: Revised by His Nephew Louis S. Reddy. Libretto by Peter F. Stout
by LA GRASSA, Louis ?-1889
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Teatro alla Scala: Cronologia di tutti gli Spettacoli rappresentati in questo teatro dal giorno del solenne suo aprimento sino ad oggo con Introduzione ed Annotazioni
by [LA SCALA]. Romani, Luigi, comp
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Milano: Luigi di Giacomo Pirola, 1862. Original publisher's light blue printed wrappers with illustration of La Scala within decorative border to upper. 1f. (recto title, verso blank), 1f. (recto "Ai Lettore" dated November 1862, verso blank), [v]-xxix, [i] (blank), 1f. (recto part title, verso list of abbreviations), [3]-165, [i] (blank), 1f. (recto index, verso blank). Uncut. Wrappers slightly worn and creased; minor staining to verso; small paper label to foot of spine. Occasional light foxing; some signatures loose; leaves of slightly varying sizes. A complete chronology of performances at La Scala from its beginnings in 1778 to 1862 including details relative to composers, singers, dancers, etc., with a brief historical account of the great opera house.
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Sonate Pastorale Pour Piano ... Op: 253
by LACK, Théodore
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Paris: Alphonse Leduc [PN. A.L. 13,608], 1949. Small folio. Original publisher's ivory wrappers illustrated in color by Y. Lack. [1] (blank), 2-9 pp. Wrappers slightly worn, soiled, browned, and creased. Re-issue of the first edition. Lack, a French pianist and composer, studied under Antoine François Marmontel (pianoforte), Lefébure-Wély (composition), and François Bazin (harmony).
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Pierre Lacotte: Tradition
by [LACOTTE]. Pastori, Jean-Pierre
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Paris: Favre, 1987. Hardcover. Very Good. Quarto. Pictorial boards. 128 pp. With numerous illustrations, some in color. Text in French and English.
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The Organ and its Masters: A Short Account of the Most Celebrated Organists of Former Days, as Well as Some of the More Prominent Organ Virtuosi of the Present Time, Together with a Brief Sketch of the Development of Organ Construction, Organ Music and Organ Playing
by LAHEE, Henry C.
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London: Sir Isaac Pitman & Sons, 1909. Hardcover. Good. Octavo. Full dark red cloth with titling within elaborate border gilt to upper, titling gilt to spine. 345 pp. + 24 pp. (publisher's catalogue). Binding slightly worn, rubbed, and bumped; endpapers slightly foxed, with small date in ink to front free endpaper; minor foxing to edges.
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Les Curiosités de l'Opéra
by LAJARTE, Théodore de 1826-1890
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Paris: Calman Lévy, 1883. Octavo. Blue cloth-backed marbled boards with dark red title label to spine gilt, original wrappers bound in, upper with titling within decorative border printed in sepia, lower with publisher's advertisements. 1f. (half-title), 1f. (title), 249 pp. + 1f. (index). With several illustrative plates, one folding. Binding slightly worn, rubbed, and bumped, endpapers browned, small engraved bookplate to front pastedown. Minor uniform browning, slightly heavier to edges; some signatures separating. Interesting observations by a librarian at the Paris Opéra archives, best-known for his Bibliothèque musicale du théatre de l'Opéra listing works performed at the Opéra from its origin in 1669 to 1876.
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La Devineresse Opéra-Comique en un Acte Paroles de Mr. Jules Adenis. [Piano-vocal score]
by LAJARTE, Théodore 1826-1890
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[Paris]: Journal des Demoiselles, 1888. Large octavo. Original publisher's ivory illustrated wrappers. [i] (illustrated title), 30 pp. Some leaves unopened. Somewhat worn. First Edition. Lajarte, a French musicologist and composer, wrote at least ten opéras comiques, ballets, choral works. etc. He is perhaps best-known for his new editions of early music and for his Bibliothèque musicale du théatre de l'Opéra, a highly valuable resource for the history of the Opéra with its list of works performed there from its origins in 1669 until 1876, including historical and bibliographical information for each work.
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Manuscript document on vellum. Signed by the composer ("Delalande")
by LALANDE, Michel-Richard de 1657-1726
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1696. Addressed to Delalande, "Surintendant de la musique de la chambre du Roy et de la musique de la chambre de sa Majesté, et Compositeur de la musique de sa chambre." Lalande acknowledges receipt of wages for October-December, 1696 With small oval duty handstamp to head of royal device with "quittance" to left of device, "Six Sols" to right. Slightly worn and soiled; several very small holes. "In 1683, when the sous-maîtres Du Mont and Robert retired from the royal chapel, the king ordered a competition to replace them; 35 musicians took part (among them Charpentier, Desmarets, Lorenzani and Nivers). This number was narrowed to 15, who were all obliged to set the text of Psalm xxxii, Beati quorum; on the basis of these compositions (only Lalande's survives), four were chosen to share the responsibilities by quarters: Coupillet (January), Collasse (April), Minoret (July) and Lalande (October). According to the 'Discours', Louis XIV himself intervened to assure the quarter for Lalande,…
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A Thematic Catalogue of the Works of Michel-Richard de Lalande (1657-1726) ... with the assistance of John Nightingale
by [LALANDE]. Sawkins, Lionel
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- 9780198163602 / 0198163606
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Oxford: Oxford University Press, 2005. Hardcover. Very Good. Small folio. Boards. xlvii, 700 pp. With numerous musical examples. For 43 years (1683-1726), Lalande's music occupied a central position at the courts of Louis XIV and Louis XV, where his grands motets and instrumental suites set a style admired then and long after, both in the royal chapel and at the Paris Concert spirituel. Recent festivals at Versailles, as well as many editions, performances, and recordings worldwide, underline the importance of Lalande as an undisputed master of the French Baroque. With over 3,000 music examples, details of performing requirements and of all source materials, as well as with comprehensive indexes and thematic locators, this thematic catalogue makes Lalande's compositions fully accessible.
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Das "Heidelberger Kapellinventar" von 1544 (Codex Pal. Germ. 318)
by LAMBRECHT, Jutta
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- 9783980180306 / 3980180301
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Heidelberg: Universitätsbibliothek, 1987. Paperback. 2 volumes. xviii, 664 pages. Heidelberger Bibliotheksschriften 26.
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Silvia to Alexis. Set by Mr. Lampe. Plate 14 from George Bickham's The Musical Entertainer
by LAMPE, John Frederick 1702/3-1751
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London, 1740. Unbound. Very Good. 1 leaf, with a large elaborate vignette to head and foot illustrating the song with music and text below set for voice and figured bass with a separate part for flute. Signed in the plate by the engraver, Bickham. Ca. 326 x 200 mm. (12.75" x 7.85") [plate mark]. Slightly worn; minor soiling and dampstaining. From the second edition of Bickham's monumental work, first published in 1737-1739. BUC p. 107. RISM BII p. 245. "[Bickham ?1706-1771] was principally famous in music circles for his two illustrated folio volumes The Musical Entertainer, first issued in fortnightly parts, each containing four plates, from January 1737 to December 1739. The 200 plates are songs, headed and surrounded with pictorial embellishments illustrative of the song ..., and engraved in the style of and even copied directly from Gravelot and Watteau. This work was the first of its kind to be published in England and quickly produced imitators such as Lampe's British Melody, engraved by…
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On loosing their Toast and Butter. The Words by Mr. Carey. Set by Mr. Lampe. Plate 96 from George Bickham's The Musical Entertainer
by LAMPE, John Frederick 1702/3-1751
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London, 1740. Unbound. Very Good. 1 leaf, with a large elaborate vignette to head illustrating the song with music and text below set for voice and figured bass with a separate part for flute. The words by Mr. Carey. Ca 326 x 200 mm. (12.75" x 7.85") [plate mark]. Slightly worn; minor browning to edges; minor soiling; small tears to edges. From the second edition of Bickham's monumental work, first published in 1737-1739. BUC p. 107. RISM BII p. 245. Lampe was a German bassoonist and composer active in England; he often collaborated with Carey as librettist. "[Bickham ?1706-1771] was principally famous in music circles for his two illustrated folio volumes The Musical Entertainer, first issued in fortnightly parts, each containing four plates, from January 1737 to December 1739. The 200 plates are songs, headed and surrounded with pictorial embellishments illustrative of the song ..., and engraved in the style of and even copied directly from Gravelot and Watteau. This work was the first of its…
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The Dying Nymph. Set by Mr. Lampe. Plate 43 from George Bickham's The Musical Entertainer
by LAMPE, John Friedrich 1702/3-1751
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London, 1740. Unbound. Very Good. 1 leaf, with a large elaborate vignette to head illustrating the song with music and text below set for voice and figured bass with a separate part for flute. Scroll embellishment to foot. Signed in the plate by the engraver, G. Bickham junr. Ca. 326 x 200 mm. (12.75" x 7.85") [plate mark]. Slightly worn; minor browning to edges; minor soiling and dampstaining; small tears to edges. From the second edition of Bickham's monumental work, first published in 1737-1739. BUC p. 107. RISM BII p. 245. "[Bickham ?1706-1771] was principally famous in music circles for his two illustrated folio volumes The Musical Entertainer, first issued in fortnightly parts, each containing four plates, from January 1737 to December 1739. The 200 plates are songs, headed and surrounded with pictorial embellishments illustrative of the song ..., and engraved in the style of and even copied directly from Gravelot and Watteau. This work was the first of its kind to be published in England…
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[Op. 1 and Op. 2] Six Sonatas for two Violins with a Through Bass for the Harpsicord or Violoncello. [Set of parts]
by LAMPUGNANI, Giovanni Battista 1708-1788 and Giovanni Battista SAMMARTINI 1700/01-1775
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London: I. Walsh, 1744. Folio. Disbound. Violino primo: 1f. (title), [1] (blank), 2-13, [i] (blank) pp.; Violino secondo: 1f. (title), [1] (blank), 2-13, [i] (blank) pp. Basso (with figures): 1f. (title) 8 pp. Engraved. Basso part from issue of ca. 1748. Some browning, soiling and minor foxing. First Edition, first issue of string parts, first edition, later issue, of the bass part. Smith & Humphries 918-919. BUC p. 593. RISM L518. Together with: Lampugnani and Sammartini. [Op. 2]. A Second Set of Six Sonatas for two Violins with a Through Bass for the Harpsicord or Violoncello. London: I. Walsh [ca. 1750]. [Set of parts]. Folio. Disbound. Violino primo: 1f. (title), [1] (blank), 2-13, [i] (blank) pp.; Violino secondo: 1f. (title), 11, [i] (blank) pp.; Basso (with figures): 1f. (title), [i] (blank), 2-10 pp. Engraved. Spines slightly frayed. Minor browning, staining and foxing. Tear to title of Violino Secondo part repaired. A later edition. Smith & Humphries 921. BUC p. 593. RISM L524. It is…
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Ausstellung Genie und Handschrift Veranstaltet der Juni-Festwochen Zurich 1952 25. Mai bis 13. Juli
by LANDOLT, Emil
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Zurich: Artemis, 1952. Softcover. Very Good. Octavo. Wrappers. 112 pp. Includes some facsimiles.
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Five Centuries of Music In Venice
by LANDON, H.C. Robbins and John Julius Norwich
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New York: Schirmer, 1991. Hardcover. Fine. Quarto. Full dark blue cloth with titling gilt to spine. 200 pp. Profusely illustrated, some in color. In dustjacket.
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[Op. 18]. Petit Roman [Solo piano]: pour le piano en six chapitres ... I. Le Chevalier (Tempo di gavotta.) II. Madame la Princesse (Andantino.) III. Bal chez Mme. la Princesse (Tempo di Ballo.) IV. Monsieur le Prince (Andante con moto.) V. L'Epée de M. le Prince (Allegro con fuoco.) VI. La
by LANG, Margaret Ruthven 1867-1972
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Boston: Arthur P. Schmidt [PNs A.P.S. 2984a-f], 1902. Small folio. Original publisher's dark ivory wrappers with decorative titling in blue to upper; catalogue of Lang's published works to verso of lower. 31 pp. Edition Schmidt No. 36. Wrappers slightly chipped at spine; price in pencil to wrappers. Slightly browned. First Edition, later issue, of the work composed in 1894. "Lang was the first woman in the USA to have a work played by a major orchestra. On 7 April 1893 the Boston SO under Nikisch gave the première of her Dramatic Overture op.12. The same year her overture Witichis op.10 received three performances at the World's Columbian Exposition, Chicago, conducted by Theodore Thomas and Max Bendix. The Ballade op.36 received its première on 14 March 1901 at the Women in Music Grand Concert given by the Baltimore SO. Wind op.53 was commissioned by Victor Harris for his St Cecilia Club of New York, and was regularly included in the group's programmes. Lang's last work appeared in 1919."…
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Contemporary Music in Europe: A Comprehensive Survey
by LANG, Paul Henry and Nathan Broder, eds
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London: J.M. Dent & Sons, 1966. Hardcover. Very Good. Octavo. 308 pp. With musical examples. In worn dustjacket.
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[Op. 149]. Die Flotten. Walzer für das Pianoforte
by LANNER, Joseph 1801-1843
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Wien: Pietro Mechetti [PN P.M. 3457], 1839. Oblong folio. Unbound. Engraved. With decorative lettering to title. Slightly worn; trimmed. Weinmann p. 15.
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[Op. 138]. Victoria-Walzer für das Piano-Forte
by LANNER, Joseph 1801-1843
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Wien: Pieetro Mechetti [PN P.M. No. 3117], 1839. Oblong folio. Unbound. 11 pp. Engraved. With decorative title with crown of dedicatee framed by angels holding floral wreaths. Slightly dampstained, foxed, and creased. First Edition. Weinmann p. 15.
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