Search Results: Titles starting with C from Sebra Prints

1888. Lithograph with later hand-colouring. 270mm by 205mm (sheet). CE Connop, architect, cr of Commercial Road and Balmoral St, Prahran, adjoining railway line' "Premises of W Thompson, Brunswick St, Fitzroy'. From 'Jubilee history of Victoria and Melbourne', / T.W.H. Leavitt editor.

1880. Wood-engraving with original hand-colouring. 500mm by 330mm (sheet). The front cover from 'Le Don Quichotte', the caricature periodical which Gilbert-Martin founded in Bordeaux in 1874. Whole issue intact.Dentistry interest.

1839. Lithograph. 160mm by 260mm (sheet). From Jacques Arago's 'Souvenirs d'un aveugle, Voyage Autour du Monde', 1839. Jacques Etienne Victor Arago was a French writer, artist and explorer. He joined Louis de Freycinet on his 1817 voyage around the world aboard the ship Uranie, Toning at the very edges of the sheet.

1824. Etching. 225mm by 137mm (sheet). From Edward Griffith's English edition of Baron Cuvier's 'Animal Kingdom'. CONDITION : Some toning top right.

1780. Copper-line engraving. 160mm by 200mm (platemark) 200mm by 250mm (sheet). From Watts's 'The Seats of the Nobility and Gentry, in a Collection of the most interesting & Picturesque Views'. CONDITION : Faint water stain in right hand margin outside the platemark. A few small marks and toning in margins.

1820. Line engraving. 300mm by 450mm (platemark). Another Prospect of Caernarvon taken on the East side' drawn and engraved by John Boydell Published originally by John Boydell at the Globe near Durham Yard in the Strand, this impression circa 1820.John Boydell (1719-1804) was a draughtsman, line engraver, publisher and print seller. This engraving is from a series of views of Britain aiming at demonstrating the natural beauty and history of the country to English and foreign tourists. It is an early example of his engraved work.He was to become a very important publisher in the history of English prints in the 18th century changing the print trade from an import one to an export one by the 1770s. In 1790 he became Lord Mayor of London, and in the early 1800s set up the Shakespeare Gallery in Pall Mall, selling fine engravings of paintings by the finest English painters of the day from scenes of Shakespeare.Small repaired tear in top margin.

1778. Copper-line engraving. 155mm by 200mm (platemark). View in Wales from Paul Sandby's 'The Virtuosi's Museum, Containing Select Views in England, Scotland, and Ireland', published by George Kearsley. Paul Sandby was an important English landscape watercolourist.Accompanied by original descriptive text.A couple of tiny spots in the title area.

1880. Albumen paper photograph. 240mm by 300mm (sheet). 'The present illustration is characteristic of a Squatter's Station in Victoria and is situated near Elphinstone.'Original cardboard mount within red ruled borders, with the caption printed below the photograph. An original printed description within a red decorative border on the reverse. Number 29 in 'Views of Victoria (General Series)'.CONDITION : Some waviness to the card mount. Some light foxing.

1801. Copper-line engraving and stipple engraving. 195mm by 100mm (sheet). John Caius (1510 - 1573) was a prominent humanist and physician whose classic account of the English sweating sickness is considered one of the earliest histories of an epidemic. He served as president of the Royal College of Physicians for several years and served as physician to several members of the royal family, including King Edward VI, Queen Mary I, and Queen Elizabeth I.He was second founder of the present Gonville and Caius College, Cambridge.A couple of tiny spots, small margin at top of the sheet. Faint handling crease.

1809. Soft ground etching. 270mm by 200mm (platemark). Caleb Whitefoord FRS FRSE RSA (1734-1810) was a Scottish merchant, diplomat, and political satirist. In 1782 he served as Lord Shelburne's envoy to Benjamin Franklin on the Peace Commission at Paris. Dance was an architect, draughtsman and founder member of the Royal Academy. This portrait comes from a series of chalk portraits that he did of his friends, 72 of which were engraved and published (1808-1814) by Daniell who was an engraver as well as a reknown landscape painter.Accompanied by original descriptive text.

Lithograph, 1903. 295mm by 405mm. Inset maps of 'Yosemite Valley' and 'San Francisco and Vicinity'. Central fold as issued. Map name and number printed on the reverse corners. CONDITION : Tiny break in paper top left tip of sheet.

1817. Copper-line engraving with original hand-colouring. 200mm by 120mm (platemark). Australian native botanical engraving from Curtis's Botanical Magazine. William Curtis (1746-1799) was a trained pharmacist, in London, who maintained a large garden and devoted himself to the study of its flora. He began publishing the Curtis Botanical Magazine in 1787. Accompanied by original text describing features of the plant, when it was introduced and by whom, and whose collection it comes from.

1838. Copper-line engraving with original hand-colouring. 120mm by 200mm (platemark). Australian botanical engraving from 'Edward's Botanical Register', published by John Lindley. Accompanied by photocopy of the original text describing features of the plant, when it was introduced and by whom, and whose collection it comes from.

1843. Engraving with original hand-colouring. 235mm by 145mm (sheet). Walter Hood Fitch was one of the most famous botanical artists of the Victorian era. Australian native botanical engraving from Curtis's Botanical Magazine. William Curtis (1746-1799) was a trained pharmacist who maintained a large garden and devoted himself to the study of its flora. He began publishing the Curtis Botanical Magazine in 1787. Accompanied by original text describing features of the plant, when it was introduced and by whom, and whose collection it comes from. Minor ink inscription on descriptive text.

1819. Copper-line engraving with original hand-colouring. 230mm by 135mm (sheet). Australian native botanical engraving from Curtis's Botanical Magazine. William Curtis (1746-1799) was a trained pharmacist, in London, who maintained a large garden and devoted himself to the study of its flora. He began publishing the Curtis Botanical Magazine in 1787.Accompanied by original text describing features of the plant, when it was introduced and by whom, and whose collection it comes from.A couple of very faint foxing spots.

1819. Copper-line engraving with original hand-colouring. 230mm by 135mm (sheet). Australian native botanical engraving from Curtis's Botanical Magazine. William Curtis (1746-1799) was a trained pharmacist, in London, who maintained a large garden and devoted himself to the study of its flora. He began publishing the Curtis Botanical Magazine in 1787.Accompanied by original text describing features of the plant, when it was introduced and by whom, and whose collection it comes from.One foxing spot.

1827. Copper-line engraving with original hand-colouring. 250mm by 150mm (sheet). 'A native of the south-west coast of New Holland' Australian botanical engraving from 'Edward's Botanical Register', published by John Lindley.Accompanied by original text describing features of the plant, when it was introduced and by whom, and whose collection it comes from.Faint off-setting.

1800. Copper-line engraving. 220mm by 130mm (sheet). From George Shaw's 'General Zoology or Systematic Natural History'.

Silver gelatin stereoview photograph, 1903. 90mm by 178mm (card). Underwood & Underwood was an early producer and distributor of stereoscopic and other photographic images. CONDITION : Small mark on left hand edge of left photo. Printed descriptive text on the reverse.

Etching, circa 1930. 210mm by 300mm (platemark) 290mm by 460mm (sheet). Signed in pencil below the image, editioned 65/100. Edmund Blampied is one of the most significant artists to have hailed from the Channel Islands. Greatly versatile, he worked as a painter, illustrator, and occasional sculptor, though is best remembered as a printmaker and, especially, an etcher. Having been born on a farm, he produced some particularly evocative etchings of agricultural and peasant subjects. CONDITION : Faint mark from previous mount. A few faint foxing spots. Some faint foxing spots on the reverse of the sheet. Remains of paper hinges on the top corners.