Search Results: Titles starting with K from Sebra Prints

1895. Chromolithograph. 200mm by 130mm (image) 255mm by 170mm (sheet). Late 19th century chromolithograph of this New Zealand parrot.

1815. Copper-line engraving with original hand-colouring. 230mm by 180mm (platemark). After the engraving after George Stubbs. From 'Bilderbuch Zum Nutzen und Vergnugen Der Jugend' by Friedrich Justin Bertuch (1747-1822), a German encyclopedic series.With original descriptive text in German and French.

1821. Copper-line engraving with original hand-colouring. 220mm by 280mm (platemark). German engraving on laid paper depicting kangaroos. Some light foxing to border and margins.

1860. Steel-engraving. 180mm by 255mm (sheet). Frontispiece to a part of Meyer's Universum or views of the Most remarkable places and objects of all countries. A couple of tiny marks.

1874. Steel-engraving. 125mm by 200mm (image) 210mm by 270mm (sheet). From 'Australia' by Edwin Carton Booth.

1871. Lithograph with later hand-colouring. 455mm by 370mm (sheet). From Gerard Krefft's 'Mammals of Australia' (1871). Harriet and her sister Helena Scott were artists and naturalists. They became the pre-eminent illustrators of flora and fauna in late 19th century Australia.A couple of short tears on the right hand edge, outside the image area.

1789. Copper-line engraving. 255mm by 190mm (platmark). Copper-line engraving, from 'The Voyage of Governor Phillip to Botany Bay' by Arthur Phillip, published by Thomas Stockdale in 1789. Trimmed just within platemark at the top of the sheet.

1837. Copper-line engraving. 220mm by 135mm (platemark). Italian engraving from 'Enciclopedia Italiana Illustrata'. Faint handling creases below image and title area, exaggerated in the scan.

1800. Copper-line engraving. 130mm by 215mm (sheet). From George Shaw's 'General zoology or systematic natural history... with plates from the first authorities and most selected specimens, engraved principally by Mr. Heath. London: G. Kearsley, 16 vols., 1800-1826.' A couple of tiny spots in bottom right corner.

1805. Copper-line engraving. 205mm by 115mm (sheet). Scattered foxing in the margins.

1849. Steel-engraving with original hand-colouring. 160mm by 245mm (sheet). Mid 19th century French depiction of kangaroos from Dictionaire Universel d'Histoire Naturelle, c1849, a French natural history series reknown for the superb quality of the plates. Edouard Travies is regarded as one of the great French natural history artists of the 19th century. CONDITION : Trimmed along text at the top of the sheet. A few tiny specks in the paper.

1798. Copper-line engraving. 340mm by 260mm (sheet). An 18th century depiction of a kangaroo from a series of engravings titled 'Cabinet of Quadrupeds' published in 1805. With original text description.Ibbetson was a watercolour and oil painter.Faint discolouration towards edges of the sheet.

Chromolithograph, circa 1895. 245mm by 300mm (sheet). Central vertical fold as issued.

Lithograph, 1903. 295mm by 405mm. Central fold as issued. Map name and number printed on the reverse corners.

1790. Copper-line engraving. 150mm by 105mm (image)210mm by 130mm (sheet). A man in Persian dress reclining against a rock on an ornate rug with a chalice in his right hand and his sword in his left, looking up at the woman standing beside a hearth in a cave, gesturing towards an ornate bowl in the fire and placing her other hand on her chest. Angelica Kauffman RA (1741 - 1807) was a Swiss-born Austrian Neoclassical painter who had a successful career in London and Rome.

1843. Etching. 90mm by 160mm (image only). Etching from 'A narrative of a visit to the Australian colonies' by James Backhouse, 1843. The property Kelvedon located near Swansea, Tasmania, was the home of Francis and Anna Maria Cotton. Despite isolation, raids by Aborigines, fear of bushrangers, and destruction by fire the Cottons prospered as sheep farmers. James Backhouse (1794-1869) was a naturalist and Quaker missionary. For further information on Backhouse click on the following link:click here

Lithograph, 1903. 295mm by 405mm. Central fold as issued. Map name and number printed on the reverse corners.

1928. Lithograph with original hand-colouring. 235mm by 335mm (sheet). Limited edition lithograph (225) with original hand-colouring from Mathews 'The Birds of Norfolk and Lord Howe Islands and The Australasian South Polar Quadrant', 1928. Henrik Gronvold was a Danish naturalist and artist.

1786. Sepia aquatint. 245mm by 318mm (sheet). From Paul Sandby's fourth or 'D' set of Welsh views 'XII Views in North and South Wales', published by Sandby in 1786. Paul Sandby was an important English landscape watercolourist. CONDITION : Trimmed to just outside the platemark. One small repair in the sky. A few tiny spots in the image. A little light foxing at the edges of the sheet.

1818. Colour aquatint. 110m by 180mm (image) 140mm by 230mm (sheet). Killerton, Seat of Sir Thos. Dyke Ackland Bt MP'. Killerton is an 18th-century house in Broadclyst, Exeter, Devon. It was built for the Acland family in 1778. The garden was created in the 1770s by John Veitch, one of the leading landscape designers of the time. Killerton was given to the National Trust by British politician Sir Richard Acland. Published by Rudolf Ackermann in his Repository of the Arts.