Search Results: Titles starting with P from Sebra Prints

1820. Copper-line engraving. (sheet). Five portraits on one sheet - 'A Man of the Sandwich Islands', 'A Woman of the Sandwich Islands', 'A Man of Mangea, Omai or Omia a Native of Ulietea' and 'Capt James Cook FRS Killed on the Island of Owhyhee 14th Feb 1779'. 'Engraved for Jackson's Edition of Payne's New System of Universal Geography'. Trimmed within plate mark on left hand side. One foxing spot top left outside the platemark.

1981. Etching. 158mm by 120mm (platemark) 245mm by 198mm (sheet). Editioned (7/50), titled and signed in pencil by the artist. Austin Platt was an Australian printmaker. He etched many Australian buildings, esp schools after the Collegiate Etching and Fine Arts Studio began to sell etchings of schools. CONDITION : A couple of small spots on reverse where paper skinned, presumably where paper hinges once were.

1834. Engraving with original hand-colouring. 300mm by 230mm. From Paxton's Magazine of botany and register of flowering plants by Joseph Paxton. CONDITION : Horizontal fold as issued. Some light foxing. Off-setting.

1893. Chromolithograph. 370mm by 495mm (sheet). Published by Parrot et Cie, Paris, G Desrameaux, 348 W 37th St., New York City, NY. Ships identified are : US Baltimore, Caravel Pinta, Caravel Nina, HMS Blake and US Philadelphia. The fourth USS Baltimore (C-3) was a United States Navy cruiser.The Caravel Pinta and Caravel Nina were boats from Columbus' expedition.HMS Blake, named in honour of Admiral Robert Blake, was the lead ship of the her class of protected cruiser that served in the Royal Navy from 1889-1922.From 1892 - 1895 she served as the flagship of the North America and West Indies Squadron.The fourth USS Philadelphia (C-4) was a cruiser of the United States Navy. It was designated as flagship of Rear Admiral Bancroft Gherardi, commanding the North Atlantic Squadron. Repaired tear in lower margin, just coming into the image. Faint crease top right corner.

1815. Copper-line engraving with original hand-colouring. 235mm by 195mm (sheet). Indian views from Bilderbuch Zum Nutzen und Vergnugen Der Jugend by Friedrich Justin Bertuch (1747-1822), an encyclopedic collection of Interesting Animals, Plants, Flowers, Fruits, Minerals, Costumes, Antiquities and other Interesting Objects published in multiple volumes between 1801 and 1815.

1843. Tinted lithograph. 380mm by 485mm (sheet) 230mm by 385mm (image). From 'Paris et ses Environs' a series of twelve lithographs. William Parrott was a painter, watercolourist and lithographer. His subject matter included figures, landscapes, urban landscapes and architectural views.

1870. Tinted lithograph. 250mm by 360mm (image) 345mm by 500mm (sheet). From a French series titled 'Rome dans Sa Grandeur', circa 1870. Some soiling to edges of the sheet.

1870. Tinted lithograph. 250mm by 360mm (image) 345mm by 500mm (sheet). Depicts a view of Rome taken from the top of St Peter's. From a French series titled 'Rome dans Sa Grandeur', circa 1870. Benoist was one of France's most gifted topographical artists of the 19th century, he was both a master lithographer and painter. He began his career in Paris and by 1836 he was exhibiting his views at the Paris Salons and continued to do so until 1879. As an original lithographic artist, Philippe Benoist specialized in exterior and interior views of many famous European buildings. CONDITION : Some light soiling to edges of the sheet.

Lithograph, circa 1885. 275mm by 210mm (sheet). From 'The Encyclopaedia Britannica - A Dictionary of Arts, Sciences, and General Literature', Ninth Edition (1875-1889).

1862. Lithograph with original hand-colouring. 250mm by 150mm (sheet). Native of King George's Sound, Western Australia. Walter Hood Fitch was one of the most famous botanical artists of the Victorian era. Australian native botanical lithograph from Curtis's Botanical Magazine. William Curtis (1746-1799) was a trained pharmacist, in London, who maintained a large garden and devoted himself to the study of its flora. He began publishing the Curtis Botanical Magazine in 1787.Accompanied by original text describing features of the plant, when it was introduced and by whom, and whose collection it comes from.

1861. Tinted lithograph. 490mm by 330mm (sheet). From a series of lithographs depicting the famous buildings of Paris - 'Paris dans sa Splendeur', published in Nantes and Paris by Henri Charpentier in 1861. Phillippe Benoist (Geneva, 1813 - Paris, 1881)was one of France's most gifted topographical artists of the 19th century, he was both a master lithographer and painter. He began his career in Paris and by 1836 he was exhibiting his views at the Paris Salons and continued to do so until 1879. As an original lithographic artist, Philippe Benoist specialized in exterior and interior views of many famous European buildings. Light crease in left hand margin not affecting the image.

1861. Tinted lithograph. 325mm by 490mm (sheet). From a series of lithographs depicting the famous buildings of Paris - 'Paris dans sa Splendeur', published in Nantes and Paris by Henri Charpentier in 1861.

1861. Tinted lithograph. 235mm by 360mm (image) 340mm by 495mm (sheet). The 'Cirque de l'Imperatrice' was located on the north-east side of the present Rond-Point of the Champs-Elysees. At first called the Cirque national, it also became known as the Cirque des Champs-Elysees and the Cirque Olympique des Champs-Elysees. In 1853 it was renamed Cirque de l'Imperatrice (in honor of the new Empress Eugenie), a name which it retained until the fall of the empire in 1870. Initially devoted exclusively to equestrian performances, it was later also used for other purposes, including grand concerts conducted by Hector Berlioz. From a series of lithographs depicting the famous buildings of Paris - 'Paris dans sa Splendeur', published in Nantes and Paris by Henri Charpentier in 1861.

1861. Tinted lithograph. 355mm by 250mm (image) 495mm by 340mm (sheet). Louis XV recovered from illness in 1744 and was so grateful he built this Neo-Classical church. Work began in 1764 and was completed in 1790. From a series of lithographs depicting the famous buildings of Paris - 'Paris dans sa Splendeur', published in Nantes and Paris by Henri Charpentier in 1861.Phillippe Benoist was one of France's most gifted topographical artists of the 19th century, he was both a master lithographer and painter. He began his career in Paris and by 1836 he was exhibiting his views at the Paris Salons and continued to do so until 1879. As an original lithographic artist, Philippe Benoist specialized in exterior and interior views of many famous European buildings.

1861. Tinted lithograph. 490mm by 330mm (sheet). From a series of lithographs depicting the famous buildings of Paris - 'Paris dans sa Splendeur', published in Nantes and Paris by Henri Charpentier in 1861. Phillippe Benoist (Geneva, 1813 - Paris, 1881)was one of France's most gifted topographical artists of the 19th century, he was both a master lithographer and painter. He began his career in Paris and by 1836 he was exhibiting his views at the Paris Salons and continued to do so until 1879. As an original lithographic artist, Philippe Benoist specialized in exterior and interior views of many famous European buildings.

1861. Tinted lithograph. 490mm by 330mm (sheet). From a series of lithographs depicting the famous buildings of Paris - 'Paris dans sa Splendeur', published in Nantes and Paris by Henri Charpentier in 1861. Phillippe Benoist (Geneva, 1813 - Paris, 1881)was one of France's most gifted topographical artists of the 19th century, he was both a master lithographer and painter. He began his career in Paris and by 1836 he was exhibiting his views at the Paris Salons and continued to do so until 1879. As an original lithographic artist, Philippe Benoist specialized in exterior and interior views of many famous European buildings. Creasing to lower right corner, only visible in margins and title area.

1861. Tinted lithograph. 490mm by 330mm (sheet). From a series of lithographs depicting the famous buildings of Paris - 'Paris dans sa Splendeur', published in Nantes and Paris by Henri Charpentier in 1861. Very faint foxing in the margins.

1843. Tinted lithograph. 380mm by 485mm (sheet) 230mm by 370mm (image). From 'Paris et ses Environs' a series of twelve lithographs. William Parrott was a painter, watercolourist and lithographer. His subject matter included figures, landscapes, urban landscapes and architectural views.

1843. Tinted lithograph. 380mm by 485mm (sheet) 235mm by 390mm (image). From 'Paris et ses Environs' a series of twelve lithographs. William Parrott was a painter, watercolourist and lithographer. His subject matter included figures, landscapes, urban landscapes and architectural views. A few marks and short nicks at the edge of the sheet, not affecting the image / title area. Some light soiling in margins.

1861. Tinted lithograph. 245mm by 355mm (image) 340mm by 485mm (sheet). The Palais des Beaux Arts From a series of lithographs depicting the famous buildings of Paris - 'Paris dans sa Splendeur', published in Nantes and Paris by Henri Charpentier in 1861.Phillippe Benoist was one of France's most gifted topographical artists of the 19th century, he was both a master lithographer and painter. He began his career in Paris and by 1836 he was exhibiting his views at the Paris Salons and continued to do so until 1879. As an original lithographic artist, Philippe Benoist specialized in exterior and interior views of many famous European buildings. One small spot in the sky.