Search Results: Titles starting with Q from Sebra Prints

1837. Steel-engraving. 135mm by 175mm (platemark) 200mm by 265mm (sheet). Fine detailed india-laid engraving from James Ingram's 'Memorials of Oxford'. John Le Keux was a line engraver who had studied under James Basire and Frederick Mackenzie was an English watercolorist and architectural draughtsman. CONDITION : Very faint indented line below the image.

1837. Steel-engraving. 135mm by 175mm (platemark) 200mm by 265mm (sheet). Fine detailed india-laid engraving from James Ingram's 'Memorials of Oxford'. John Le Keux was a line engraver who had studied under James Basire and Frederick Mackenzie was an English watercolorist and architectural draughtsman. CONDITION : A few tiny foxing spots below the image. Foxing spot in left margin outside the platemark.

1837. Steel-engraving. 135mm by 175mm (platemark) 200mm by 265mm (sheet). Fine detailed india-laid engraving from James Ingram's 'Memorials of Oxford'. John Le Keux was a line engraver who had studied under James Basire and Frederick Mackenzie was an English watercolorist and architectural draughtsman.

1774. Copper-line engraving. 230mm by 185mm (sheet). Sketch of a Kangaroo, engraved from an oil painting by George Stubbs, who used as a model a skin brought back to England by Joseph Banks, who accompanied Capt. James Cook on his first voyage to the Pacific in 1768-1771. From the 1st French Edition of Cook's Voyages. Slight cockling to the sheet. Trimmed within platemark.

1810. Copper-line engraving. 265mm by 205mm (sheet). Depicts a Virginian Opossum, possum, Mouse opossum, and a male and female kangaroo. Faint soiling at the edges of the sheet.

Chromolithograph, circa 1895. 250mm by 160mm (sheet). Key below image. From Meyers Konversations Lexikon, a German encyclopaedia. CONDITION : Faint crease along left edge of the sheet. A couple of faint marks in the margins.

Lithograph, 1903. 295mm by 405mm. Central fold as issued. Map name and number printed on the reverse corners. CONDITION : A small black spot in right hand margin.

1804. Stipple engraving. 590mm by 415mm (platemark). Her Most Gracious Majesty, Queen Charlotte. A portrait of Charlotte Sophia Mecklenburg-Strelitz (1744-1818). King George III chose Princess Charlotte of Germany as his Queen when she was only 17 years old. They had 15 children in the first 20 years of their marriage. The image shows Charlotte in her later years.This engraving by Ryder (1746-1810) and his son of the same name is after the painting by Sir William Beechey (1753-1839). Beechey was a portrait painter and greatly influenced by Sir Joshua Reynolds. He was commisssioned as Charlotte's portrait painter in 1793.1 slight crease.

1770. Line engraving. 590mm by 390mm (platemark). 'Queen Charlotte, Queen of Great Britain and the Princess Royal. Engraved from an Original Picture in the Possession of His Majesty'. William Wynne Ryland (1732-1783) was a Welsh engraver who worked in London.Francis Cotes (1726-1770) was a fashionable English portrait painter.Top left corner missing (well outside image area).

1870. Steel-engraving. 180mm by 230mm (image) 320mm by 435mm (sheet). King Richard III. Act II. Scene 4. From Virtue's 'Shakespeare Gallery', originally an album of steel-engravings depicting scenes from Shakespeare. A couple of faint marks in the margins.

1953. Bromide photograph. 490mm by 345mm (photograph), 600mm by 480mm (sheet). Laid onto board. Signed by the Queen below the photograph, dated 1953. Dorothy Wilding was the first female Royal photographer. CONDITION : The ink signature has faded to a sepia. There is a little toning in the bottom margin. The reverse has an ink stamp of RANAS Nowra, where presumably it was once held.

1870. Steel-engraving. 180mm by 245mm (image) 320mm by 435mm (sheet). King Richard II. Act 3. Scene 4. From Virtue's 'Shakespeare Gallery', originally an album of steel-engravings depicting scenes from Shakespeare. Faint foxing and a couple of tiny marks.

1870. Steel-engraving. 180mm by 245mm (image) 320mm by 435mm (sheet). King Richard II. Act 3. Scene 4. From Virtue's 'Shakespeare Gallery', originally an album of steel-engravings depicting scenes from Shakespeare. Faint foxing and a couple of tiny marks.

1780. Copper-line engraving. 105mm by 145mm (platemark) 245mm by 185mm (sheet). Mary II (1662-1694) reigned as Queen of England, Scotland, and Ireland from 1689 until her death. Mary, a Protestant, came to the thrones following the Glorious Revolution, which resulted in the deposition of her Roman Catholic father, James II and VII. Mary reigned jointly with her husband and first cousin, William III and II, who became the sole ruler of both countries upon her death in 1694. Pierre Francois Basan (1723-1797) who was a French engraver and publisher.One small spot.

1871. Wood-engraving. 585mm by 400mm (sheet). 'The Queen and the Princess Louise. A Sketch in the House of Lords at the Opening of Parliament'. From 'The Graphic'. Central horizontal fold as issued. Reverse blank. CONDITION : Faint handling creases at in margins. Princess Louise accompanied the Queen to the Opening of Parliament for the second time on 9 February, 1871. She had become engaged to the Marquis of Lorne on 3 October, 1870. Queen Victoria was reluctant to open parliament in her widowhood. This occasion in 1871 arose through her need to get agreement for Princess Louise's dowry. The marriage took place on 21 March.

1891. Wood-engraving. 400mm by 290mm (sheet). From 'The Illustrated London News'. Unrelated text on the reverse.

1843. Lithograph with hand-colouring. 250mm by 345 mm (image). William Alfred Delamotte was a topographical watercolourist who produced a series of watercolours of Oxford colleges which were lithographed by William Gauci and published in 1841.

1778. Copper-line engraving. 165mm by 205mm (platemark). View in Wales from Paul Sandby's 'The Virtuosi's Museum, Containing Select Views in England, Scotland, and Ireland', published by George Kearsley. Paul Sandby was an important English landscape watercolourist.Accompanied by original descriptive text.

1870. Albumen photograph. 115mm by 175mm. CONDITION : The photograph is laid onto card which is slightly wavy. A couple of faint foxing spots.

1819. Colour aquatint. 240mm by 300mm (platemark). From a series by William Henry Pyne depicting the interiors of Regency Royal Palaces. Library stamp to left.