Search Results: Titles starting with U from Sebra Prints

Chromolithograph, circa 1895. 245mm by 305mm (sheet). German late 19th century chromolithograph. Central vertical fold as issued. Text on the reverse with list of moon craters.

1886. Wood-engraving. 280mm by 195mm (sheet). From a French publication titled 'La terre a Vol D'oiseau'. Another Australian related image on the reverse.

1879. Photogravure. 380mm by 465mm (platemark). French photogravure published by the reknown company of Goupil. A barber is distracted by a passing girl.Jules Worms (1832-1924) was a 19th century French painter. He was born in Paris and began studying at the Ecole des Beaux-Arts in 1849. In the early 1860s, Worms made the first of many trips to Spain where he was immediately enchanted with Spanish culture and customs. He was so enchanted with Spanish culture and customs that it became a primary theme for the rest of his career. His subject matter was typically based on the everyday life of the people, often coupled with a genial social comment on human foibles.

1834. Lithograph. 290mm by 225mm (sheet). Depicts Louis Philippe having a nightmare. Initialled 'ME' lower left. From 'Le Charivari', complete with whole issue. Text on the reverse.

1840. Lithograph. 330mm by 210mm (sheet). Original lithograph, c1840. Signed in the image. From a series titled 'Les Malades et Les Medecins' (The Sick and the Doctors) which was published in the French magazine 'Le Charivari'. Folds as issued, text on the reverse as issued. Some off-setting. Vet interest.

1842. Steel-engraving. 100mm by 160mm (image only). Un Naturel des Bords de la Riviere Endeavour (Nlle Hollande) Montre a ses Compagnons Lwa Cadeaux Qu'il A Recus' From 'Nouvelle bibliotheque des voyages anciens et modernes contenant la relation complete ou analysee des voyages de Christophe Colomb, Fernand Cortez,...,', 1842. Remains of hinges on reverse.

1790. Copper-line engraving. 180mm by 240mm (platemark). French copper line engraving after the famous image from Cook's voyages.

1780. Copper-line engraving. 220mm by 170mm (image). French copper line engraving by Bernard from a French edition of Cook's voyages, c1780.

1900. Etching. 500mm by 395mm (sheet). Etching signed in pencil by the artist, with butterfly remarque. Walker was an Irish artist who came to London and worked for the Dalziel brothers.Some creasing top right of the sheet, slightly affecting the image. Some residue of glue on reverse.

1868. Lithograph. 240mm by 205mm (image) 420mm by 285mm (sheet). The racquets are titled 'Opposition' and 'Conservator', and the shuttlecock 'Presse'. From a series titled 'Actualities' (News of the Day) which was published in the French magazine 'Le Charivari'. CONDITION : Light creases where once folded, as is common with Le Charivari lithographs, text on the reverse as issued.

1845. Lithograph. 370mm by 240mm (sheet). Lithograph published in 'Le Charivari'. Text on reverse as issued. Faint vertical crease as issued.

1883. Wood-engraving. 310mm by 445mm (sheet). From 'Journal des Voyages', 1883. CONDITION : Small piece missing from edge of sheet at the bottom outside the printed area. Central vertical fold as issued. There is some relating text on the reverse.

Lithograph, 1903. 295mm by 405mm. Central fold as issued. Map name and number printed on the reverse corners. CONDITION : A couple of small chips to lower edge of the sheet.

1889. Photogravure. 265mm by 220mm (image) 400mm by 280mm (sheet). A pair of rowing photogravures from 'The Illustrated London News' depicting the Oxford and Cambridge Boat Crews. Unrelated text below the image and on the reverse.

1855. Tinted lithograph. 200mm by 290mm (sheet). Signed in stone lower right. Printed title below the image. Roberts travelled throughout Egypt and the Holy Land in the late 1830s producing watercolours and drawings of the architecture and landscape.From David Roberts' 'The Holy Land, Syria, Idumea, Arabia, Egypt, & Nubia',the first quarto edition published by Day & Son.

1874. Steel-engraving. 125mm by 175mm (image) 200mm by 270mm (sheet). From 'Australia' by Edwin Carton Booth. Prout was an English artist who emigrated to Sydney in 1840. From 1844-1848 he lived and worked in Tasmania. A number of his works were used for engravings in Edwin Carton Booth's 'Australia'. From 'Australia' by Edwin Carton Booth. Some foxing in the title area and margins.

1838. Wood-engraving. 250mm by 165mm (sheet). Wood-engraving from a German periodical, c1838. Related text on the reverse.

1825. Etching. 225mm by 137mm (sheet). From Edward Griffith's English edition of Baron Cuvier's 'Animal Kingdom'. CONDITION : A few faint handling creases. Stitching holes on far left edge of the sheet.