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Realism, Writing, Disfiguration: On Thomas Eakins and Stephen Crane
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Realism, Writing, Disfiguration: On Thomas Eakins and Stephen Crane Paperback - 1988 - 1st Edition

by Michael Fried


From the publisher

A highly original and gripping account of the works of Eakins and Crane. That remarkable combination of close reading and close viewing which Fried uniquely commands is brought to bear on the problematic nature of the making of images, of texts, and of the self in nineteenth-century America.--Svetlana Alpers, University of California, Berkeley An extraordinary achievement of scholarship and critical analysis. It is a book distinguished not only for its brilliance but for its courage, its grace and wit, its readiness to test its arguments in tough-minded ways, and its capacity to meet the challenge superbly. . . . This is a landmark in American cultural and intellectual studies.--Sacvan Bercovitch, Harvard University

First line

When Thomas Eakins in March or early April 1875 began work on The Gross Clinic he was thirty years old and had reached a stage in his early career when for the first time he was prepared to attempt a painting of major artistic and intellectual scope (Fig. I, Pl. I).

Details

  • Title Realism, Writing, Disfiguration: On Thomas Eakins and Stephen Crane
  • Author Michael Fried
  • Binding Paperback
  • Edition number 1st
  • Edition 1
  • Pages 232
  • Volumes 1
  • Language ENG
  • Publisher University of Chicago Press, Chicago
  • Date November 15, 1988
  • Illustrated Yes
  • ISBN 9780226262116 / 0226262111
  • Weight 1.21 lbs (0.55 kg)
  • Dimensions 9.49 x 6.68 x 0.54 in (24.10 x 16.97 x 1.37 cm)
  • Library of Congress subjects Realism in literature, Eakins, Thomas
  • Library of Congress Catalog Number 86-16478
  • Dewey Decimal Code 759.13
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