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Realism in Nineteenth-Century Music
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Realism in Nineteenth-Century Music Paperback - 1985

by Carl Dahlhaus


From the publisher

The music of the nineteenth century was - and still is - thought of as a 'romantic' art, whereas the main current of the literature and fine arts of the age was 'realist' from about 1830. Yet some works are consistently described as 'realistic': Nusorgsky's Boris and Bizet's Carmen are only the most frequently cited examples. Professor Dahlhaus sets out the criteria of realism, with particular reference to French and German theorists and examines the extent to which they apply to music too. While his findings do not reverse the verdict that the music of the age was in general romantic, he demonstrates that musical realism consists in much more than imitation of natural sounds or tone-painting. The notes are revised here for the English-speaking reader.

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  • Title Realism in Nineteenth-Century Music
  • Author Carl Dahlhaus
  • Binding Paperback
  • Edition First English La
  • Pages 140
  • Volumes 1
  • Language ENG
  • Publisher Cambridge University Press, Cambridge
  • Date 1985-06-13
  • ISBN 9780521278416 / 0521278414
  • Weight 0.37 lbs (0.17 kg)
  • Dimensions 8.5 x 5.5 x 0.3 in (21.59 x 13.97 x 0.76 cm)
  • Library of Congress subjects Music - 19th century - History and criticism, Realism in music
  • Library of Congress Catalog Number 84028503
  • Dewey Decimal Code 781
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Realism in Nineteenth Century Music
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