Consumption Hardback - 2006

Excerpt

Eskimo ­Poetry

Here I stand,
Humble, with outstretched ­arms.
For the spirit of the ­air
Lets glorious food sink down to ­me.
Here I ­stand
Surrounded with great ­joy.
And this time it was an old dog ­seal
Starting to blow through his blowing ­hole.
I, little man,
Stood upright above it,
And with excitement ­became
Quite long of body,
Until I drove my harpoon in the ­beast
And tethered it ­to
My harpoon line!

–Recorded and translated from the Inuktitut by Danish ethno­grapher and explorer Knud Rasmussen in Report of the Fifth Thule Expedition, 1921­24

One

Storms are sex. They exist alongside and are indifferent to words and description and dissection. It had been blizzarding for five days and Victoria had no words to describe her restlessness. Motion everywhere, even the floors vibrated, and such motion as was impossible to ignore, just as it was impossible not to notice the squeaking walls, the relentless shuddering of the wind. Robertson was in Yellow­knife, and she and the kids had been stuck in this rattling house for almost a week, the tundra trying to get inside, snow drifting higher than the windows, and everyone in the house longing to be ­outside.

It was morning, again, and she was awake and so were the kids, but they had all stayed in bed and listened to the walls shake. Nine, or something like that, and still perfectly black. She had been dreaming that she had been having sex with Robertson. She was glad she had woken up. Even the unreal picture of it had left her feeling alarmed–though that eased as the image of the two of them, entwined, had faded. In another conscious moment she was able to blink the topic away and out of her thoughts. As it had ­been.

She could hear her girls, Marie and Justine, whispering to each other in their bedroom. She couldn’t tell what they were saying. She heard the word potato. Pauloosie, her son, her oldest child, was silent. She listened carefully and thought she could hear him turning in his bed. And then the wind wound up and just ­howled.

As a girl she had not been this restless, waiting out storms with her parents on the land in a little iglu, drinking sweet tea and lying on caribou skins. It had been more dangerous then but less frightening. Storms make an iglu feel more substantial somehow. This house, on the other hand, felt as if it were about to become airborne, and it would have if not for the bolts tethering it to its pilings. It had been made in Montreal, of particleboard and aluminum siding, before being shipped by barge to Hudson Bay, sagging from square with each surge of the sea. Where the door frame gapped away from the kitchen door, snow sprayed through in parabolas. These wee drifts persisted as long as the door stayed closed. After five days they seemed as permanent as furniture. The wind whistling under the house kept the kitchen floor nearly as cold as the stone beneath ­it.

That stone slid, in its turn, through the town, to the shore, and then under the ice of Hudson Bay, angling shallowly out into the sea basin like a knife slipping between skin and meat. And on top of that water was ice, a ­quarter-­million square miles of it, arid and flat and sucking in the frigid air from the High Arctic like a bellows–blowing it down through Rankin Inlet and into the rest of the unmindful continent. Chicago would be Rome but for this frozen ocean, not that its significance is known to anyone who doesn’t live alongside ­it.

Rankin Inlet, Repulse Bay, Baker Lake, Coral Harbour, Whale Cove: variations on the theme of shelter from the sea, each of these hamlets lies on the west coast of Hudson Bay, named by whalers seeking safety in the nineteenth century. The smallest is a couple hundred people and the largest of these, Rankin Inlet, is two thousand, almost all Inuit, with a handful of southerners, Kablunauks, among ­them.

The people exist along this coast against a backdrop of a ­half-­million square miles of tundra, gently rolling treeless plains. In the summer, this land is boggy and ­moss-­bound; in the winter–frozen and blasted lowlands: eskers of rock protruding through shallow snow. The Inuit lived here for ten thousand years, pulling their living from this meagre forage until the 1960s, when they accreted in the little government towns built along the coast and left the tundra empty of human inhabitants for the first time since the glacial ice ­melted.

Victoria and Robertson had been married a year when Robertson paid to have this house shipped here, for his new family to live in. It was twice the size of the housing department shacks offered to the rest of the community; this benefit of marrying a Kablunauk had been observed and remarked upon in Victoria’s presence since the house had floated its way to the bay at the edge of the town. The other young families were crowded into the back rooms of their relatives’ cramped houses, and privacy such as Victoria knew was held to be an uncommon ­luxury.

Robertson was not from here, and so no toothless and ­snuff-­spitting aunts had been assigned to their family. The drawbacks of marrying a Hudson’s Bay Company man had been explored by dozens of women in the town, but this single advantage held. She lay in her bed now and listened to her daughters squealing and whispering and calling out to each other. This was an intimacy, she thought, that could never be available to a family who shared its house with another. She was lucky, at least on that score. But then, she thought, there might be a different kind of intimacy available to the cousins and brothers who had grown up unencumbered by the rind of ­privacy.

She was thinking about that when the banging at the kitchen door began. Victoria thought the door had become unfastened, and she leapt out of bed to close it before it was torn from its hinges.

Media reviews

“It's this thematic resonance, along with an understated humanism reminiscent of Anton Chekhov (incidentally, another physician), that makes Consumption a quietly devastating novel.”
–The Vancouver Sun

“Some first novels simply tower above their contemporaries by the scope of their ambition and the power of their vision. Last year, it was Joseph Boyden’s Three Day Road; earlier this year it was Madeleine Thien’s Certainty, and now it’s Kevin Patterson’s Consumption.”
–The Globe and Mail

“On the surface, Consumption is deceptively simple and gripping. It's the story of one woman and her family. But what a woman -- and what a family!”
–The Globe and Mail

“Patterson has seen and done much where two or more world views intersect. It makes him a peculiarly well-informed and insightful guide to the conflicts within the coastal Inuit community of Rankin Inlet in the Canadian Arctic, the primary setting of Consumption…”
–The Globe and Mail

“the people in Kevin Patterson's gripping new novel of the North, Consumption, are defiantly human. They are complicated, passionate, troubled, confused and, in some cases, doomed -- by disease, by their own failings and by those of their loves ones and by economic and cultural forces beyond their control.”
–The Winnipeg Free Press

“Consumption launches a major voice in Canadian fiction”
–The Winnipeg Free Press

Praise for Country of Cold:

“[Patterson] . . . has made the leap to fiction with startling grace”
–The Georgia Straight

“A masterful debut short-story collection. . . . The stories are rich in event . . . but it’s in characterizations that Patterson shines, capturing shades of ambiguity, uncertainty and small happiness with a deft touch.”
–The Vancouver Sun

“Country of Cold is a terrific book. Kevin Patterson writes frequently about misfits and loners, but he presents them with such hard-edged clarity and insight that it’s impossible not to think of these people as kin. And whether it’s slapstick hilarity in a prairie Dairy Queen or the dead-serious menace of a winter storm north of the treeline, the writing is always pitch perfect.”
–Michael Crummey, author of River Thieves and The Wreckage