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The Films of Fred Zinnemann: Critical Perspectives
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The Films of Fred Zinnemann: Critical Perspectives Paperback - 1999

by Arthur Nolletti Jr (Editor)


From the publisher

Fred Zinnemann, celebrated director of such classic films as High Noon, From Here to Eternity, and A Man for All Seasons, is studied here in a book-length work for the first time. Zinnemann's fifty-year career includes twenty-two feature films, which are characterized by an unshakable belief in human dignity, a preoccupation with moral and social issues, a warm and sympathetic treatment of character, and consummate technical artistry. In discussing such issues as the role of Zinnemann's documentary aesthetic throughout his career, the relationship between his life and his art, his use and construction of history, and the central importance of women characters in his films, The Films of Fred Zinnemann lends new perspectives to the work of a major filmmaker and makes a significant contribution to the study of American cinema.

Details

  • Title The Films of Fred Zinnemann: Critical Perspectives
  • Author Arthur Nolletti Jr (Editor)
  • Binding Paperback
  • Edition 1st Printing
  • Pages 286
  • Volumes 1
  • Language ENG
  • Publisher State University of New York Press, Albany
  • Date July 1999
  • Illustrated Yes
  • Features Bibliography, Illustrated, Index, Table of Contents
  • ISBN 9780791442265 / 0791442268
  • Weight 0.77 lbs (0.35 kg)
  • Dimensions 8.98 x 5.95 x 0.72 in (22.81 x 15.11 x 1.83 cm)
  • Library of Congress subjects Zinnemann, Fred - Criticism and
  • Library of Congress Catalog Number 98-43754
  • Dewey Decimal Code 791.430
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The Films of Fred Zinnemann: Critical Perspectives (Suny Series, Cultural Studies in Cinema/Video)

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The Films of Fred Zinnemann: Critical Perspectives

by NOLLETTI, Arthur, Jr. (editor)

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Albany: State University of New York Press, 1999. Paperback. 8vo. Stiff glossy pictorial wrappers. xv, 286pp. Illustrations. Near fine. Superb and tight first edition of this collection of film criticism essays regarding the Austrian-American film director, handsomely inscribed and signed by the editor (who also contributes three of its sixteen essays) on the half-title page: "July 1999 / Dear Tom, / Please accept this book / as a long, long overdue / expression of thanks and / affection. Your friendship has / enriched my life, Monsieur. / Now Zinnemann is our witness. / Best always, / Art.
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