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Tropical Multiculturalism: A Comparative History of Race in Brazilian Cinema and
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Tropical Multiculturalism: A Comparative History of Race in Brazilian Cinema and Culture Paperback - 1997

by Robert Stam

Focusing on the representations of multicultural themes involving Euro- and Afro-Brazilians, other immigrants, and indigenous peoples, in the rich tradition of the Brazilian fictional feature film, Robert Stam provides a major study of race in Brazilian culture through a critical analysis of Brazilian cinema. 136 photos.


From the rear cover

"With "Tropical Multiculturalism," Robert Stam--one of the most sophisticated theorists of contemporary cultural representations--provides a much needed, historicized model for the analysis of non-European and Afro-diasporic cinemas and cultures."--Monthia Diawara, New York University

Details

  • Title Tropical Multiculturalism: A Comparative History of Race in Brazilian Cinema and Culture
  • Author Robert Stam
  • Binding Paperback
  • Edition First Edition
  • Pages 432
  • Volumes 1
  • Language ENG
  • Publisher Duke University Press, Durham, NC
  • Date 1997-12
  • ISBN 9780822320487 / 0822320487
  • Weight 1.59 lbs (0.72 kg)
  • Dimensions 9.27 x 6.13 x 1.24 in (23.55 x 15.57 x 3.15 cm)
  • Reading level 1510
  • Themes
    • Cultural Region: Latin America
    • Ethnic Orientation: Hispanic
  • Library of Congress subjects Culture in motion pictures, Racism in motion pictures
  • Library of Congress Catalog Number 97020233
  • Dewey Decimal Code 791.437

About the author

Robert Stam is Professor of Cinema Studies at New York University. He is the author of Subversive Pleasures and coauthor of Unthinking Eurocentrism: Multiculturalism and the Media, and Brazilian Cinema.

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Paperback / softback. New. Provides a major study of race in Brazilian culture through the most complete critical analysis of Brazilian cinema in any language. This title examines the broad historical and cultural links that connect Brazil and the United States before considering multicultural imagery in Brazilian film as it has changed from the silent era to the present.
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