Description:
Aris & Phillips. Used - Like New. 2010. Hardcover. Fine.
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Details
- Title Music in the Odes of Horace
- Author Stuart Lyons
- Binding Hardcover
- Pages 208
- Volumes 1
- Language ENG
- Publisher Liverpool University Press
- Date 2010-04
- Illustrated Yes
- Features Bibliography, Illustrated, Index, Table of Contents
- ISBN 9780856688447 / 0856688444
- Weight 1.5 lbs (0.68 kg)
- Dimensions 9.5 x 6.6 x 0.7 in (24.13 x 16.76 x 1.78 cm)
-
Themes
- Chronological Period: Ancient (To 499 A.D.)
- Library of Congress subjects Music and literature, Horace
- Dewey Decimal Code 480
Media reviews
Citations
- Reference and Research Bk News, 08/01/2010, Page 241
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Music in the Odes of Horace
by Stuart Lyons
- Used
- Hardcover
- Condition
- Used - Like New
- Binding
- Hardcover
- ISBN 10 / ISBN 13
- 9780856688447 / 0856688444
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- 1
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Music in the Odes of Horace
by Stuart Lyons
- Used
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- Hardcover
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- Used - Very Good
- Binding
- Hardcover
- ISBN 10 / ISBN 13
- 9780856688447 / 0856688444
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GORING BY SEA, West Sussex, United Kingdom
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Hardback. Very Good.
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Stock Photo: Cover May Be Different
Music in the Odes of Horace
by Stuart Lyons
- Used
- Hardcover
- Condition
- Used: Good
- Binding
- Hardcover
- ISBN 10 / ISBN 13
- 9780856688447 / 0856688444
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Aris & Phillips, 2010-04-30. Hardcover. Used: Good.
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MUSIC IN THE ODES OF HORACE
by Lyons, Stuart
- Used
- Hardcover
- Condition
- Used - Very Good+ in Very Good+ dust jacket
- Binding
- Hardcover
- ISBN 10 / ISBN 13
- 9780856688447 / 0856688444
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- 1
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Toronto, Ontario, Canada
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SGD 40.25SGD 8.90 shipping to USA
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Description:
Aris & Phillips. Very Good+ in Very Good+ dust jacket. 2010. Hardcover. 0856688444 . Corners very slightly bumped else book is fine. Light shelfwear to DJ. ; Viii, 204pp, illustrated. Following the success of Horace's Odes and the Mystery of Do-Re-Mi in which he proposed that Horace's Odes were truly carmina (songs) , Stuart Lyons further explores the orality of the Odes in both the Augustan Age and their early medieval reception. Challenging the perception of the Odes as purely literary works and drawing on extensive evidence in Horace and other ancient sources, Lyons argues that Horace's objective was to produce a unique type of performance art, a Latin re-interpretation of Greek lyric song to entertain the Roman elite. In post-Carolingian manuscripts, there are several instances of musical notation for the Odes. Some was to help students articulate their Latin, but other notation records performance works. Lyons shows that the arrangement for the Ode to Phyllis in the…
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