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Writing Short Films: Structure and Content for Screenwriters
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Writing Short Films: Structure and Content for Screenwriters Paperback - 2005

by Linda J. Cowgill


Summary

Contrasting and comparing the differences and similarities between feature films and short films, Writing Short Films offers readers the essential requirements necessary to make their writing crisp, sharp and compelling. Emphasizing characters, structure, dialogue and story, Writing Short Films dispels the "magic formula" concept that screenplays can be constructed by anyone with a word processor and a script formatting program. Writing a good screenplay, short or long, is a difficult job. Citing numerous examples from short films as well as feature films, the author teaches strategies to keep a short film on track and writer's block at bay. Chapter headings include "The Three Part Nature of Film Structure," "Proper Screenplay Format," and "Dialogue: The Search for the Perfect Line." - Publisher.

From the publisher

Writing Short Films is one of the bestselling university text books on writing short film screenplays. This updated and revised edition includes several new chapters.

Details

  • Title Writing Short Films: Structure and Content for Screenwriters
  • Author Linda J. Cowgill
  • Binding Paperback
  • Edition Second Edition
  • Pages 275
  • Volumes 1
  • Language ENG
  • Publisher Lone Eagle Publishing Company, US
  • Date 2005-09-01
  • Features Bibliography, Index, Table of Contents
  • ISBN 9781580650632 / 1580650635
  • Weight 0.97 lbs (0.44 kg)
  • Dimensions 8.94 x 6.06 x 0.65 in (22.71 x 15.39 x 1.65 cm)
  • Library of Congress subjects Short films - Authorship
  • Library of Congress Catalog Number 2005044185
  • Dewey Decimal Code 808.23

About the author

Linda J. Cowgill, author of Writing Short Films and Secrets of Screenplay Structure, currently heads the screenwriting department at the Los Angeles Film School. She has written for film and television, and taught at the American Film Institute, Loyola Marymount University, and the Boston Film Institute. She has presented The Art of Plotting seminar in Los Angeles, New York, and Miami.
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