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Film and Video Art
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Film and Video Art Paperback - 2009

by Contribution by Christopher Eamon; Stuart Comer (Editor); Contribution by Michael Newman


From the publisher

Includes bibliographical references (p. 154-156) and index.

Details

  • Title Film and Video Art
  • Author Contribution by Christopher Eamon; Stuart Comer (Editor); Contribution by Michael Newman
  • Binding Paperback
  • Pages 144
  • Volumes 1
  • Language ENG
  • Publisher Tate Publishing(UK), Millbank, London, England
  • Date 2009-03
  • Illustrated Yes
  • ISBN 9781854376077 / 1854376071
  • Weight 1.35 lbs (0.61 kg)
  • Dimensions 10.66 x 8.3 x 0.47 in (27.08 x 21.08 x 1.19 cm)
  • Library of Congress subjects Video art
  • Dewey Decimal Code 709.04

About the author

Stuart Comer is curator of Film at Tate Modern. Christopher Eamon is curator of the Pamela and Richard Kramlich Collection. Pip Laurenson is Head of Time-based Media Conservation at Tate. Pip Laurenson is the Head of Time-based Media Conservation at the Tate Gallery. Michael Newman is Associate Professor in Art History, Theory, and Criticism at the School of the
Art Institute of Chicago. Christiane Paul is the Adjunct Curator of New Media Arts at the Whitney Museum of American Art and the director of Intelligent Agent, a service organization dedicated to digital art. A.L. Rees is a research tutor in Communications at the Royal College of Art, London. Ian White is Adjunct Film Curator for Whitechapel, London, and a columnist for Art Review.
John Wyver is the director of the television company Illuminations.
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Film and Video Art
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Film and Video Art

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Film and Video Art
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Film and Video Art
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Film and Video Art

by Comer, Stuart [Editor]; Newman, Michael [Contributor]; Eamon, Christopher [Contributor]; Paul, Christiane [Contributor]; Rees, A. L. [Contributor]; White, Ian [Contributor]; Wyver, John [Contributor]; Laurenson, Pip [Contributor];

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Very good copy that shows light signs of wear, owner's inscription. Over the past four decades, film and video have played an increasingly important role in contemporary art. For the first time, a single volume traces the history of artists' involvement with the moving image, from the earliest experiments with film to the latest digital and video streaming techniques over the Internet. "Film and Video Art" takes in all the major developments in the unfolding dialogue between artists and moving image media. Among the works examined are films by the Lumiere Brothers from the late nineteenth century; films associated with art movements including Surrealism, Dada, Russian Constructivism and Pop Art; the advent of video; the arrival of the moving image in the gallery; the prominence of documentary in recent contemporary art; the advent of the major-budget art film; and the emergence of net art and video streaming. Artists and film-makers covered include: Matthew Barney, Blast Theory, Luis… Read More
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