Description:
2012 very good, large format paperback. Illustrated. Issued to accompany the Courtauld Gallery 2012-13 exhibition. Crease to front cover. (R 07/22 - B:21011028).
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PETER LELY: A LYRICAL VISION Paperback - 2012 - 1st Edition
by Campbell, Caroline
Details
- Title PETER LELY: A LYRICAL VISION
- Author Campbell, Caroline
- Binding Paperback
- Edition number 1st
- Edition 1
- Pages 152
- Language ENG
- Publisher Paul Holberton Publishing, London
- Date 2012
- Features Bibliography, Illustrated
- ISBN 9781907372407
-
Themes
- Aspects (Academic): Art Aspects
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PETER LELY: A LYRICAL VISION: (Courtauld Gallery)
by Caroline Campbell
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Bath, Somerset, United Kingdom
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Peter Lely : a lyrical vision / Edited by Caroline Campbell; contributors Diana Dethloff, Karen Hearn, David A H B Taylor
by Campbell, Caroline (editor)
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Galway, Ireland
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London : The Courtauld Gallery in association with Paul Holberton, 2012. Paperback Edition. Softcover. Fine paperback copy. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 152 pages : illustrations (some color), portraits ; 26 cm. Subjects; Lely, Peter 1618-1680 Criticism and interpretation ; Exhibitions. Lely, Peter 1618-1680 ; Exhibitions. Lovelace, Richard 1618-1658 Friends and associates. Lely, Peter 1618-1680 Criticism and interpretation.
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Peter Lely : A Lyrical Vision (Courtauld Gallery)
by Campbell, Caroline ( editor )
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East Palestine, Ohio, United States
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SGD 41.13SGD 5.96 shipping to USA
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Paul Holberton Publishing / The Courtauld Gallery. ** FINE SOFTCOVER ** OVERSIZED - QUARTO ** NOT A LIBRARY BOOK ** CLEAN, STAIN-FREE, UNMARKED ** SPINE UNCREASED AND UNBROKEN ** MANY ILLUSTRATIONS ** Published by The Courtauld Gallery and Paul Holberton Publishing, 2012, with 152 pages, numerous illustrations, 4to. Slight signs of use right at the corner-tips of the book's cover, otherwise book is As New. The book is quite clean and stain-free, square and straight, firm and tight in its binding, no pages are loose, torn, or missing. The spine is uncreased and unbroken. There is no writing, underlining, highlighting, or other such markings in the book. All pages are clean and stain-free, bright and white, and all text is crisp and legible. Cover has no tears, no pieces missing. Buy with confidence, professional booksellers for 35 years, selling books online since 1995. B75. . Fine. Softcover. 1st Edition. 2012.
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Peter Lely: A Lyrical Vision
by Caroline Campbell
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Southport, Merseyside, United Kingdom
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Paperback. New. Sir Peter Lely (1618-1680) was Charles II's Principal Painter and the outstanding artistic figure of Restoration England. When Lely arrived in England in the early 1640s his ambition was to be a painter of narrative scenes and not to work as a portraitist. However, the 'subject pictures' did not find favor with many English patrons and he produced less than thirty. As Lely's friend Richard Lovelace explained, all they wanted was "their own dull counterfeits" or portraits of their mistresses. Thus, Lely was obliged to turn to portraiture to make a living. Yet, his poetic pictures of figures in idyllic landscapes are among the most beautiful paintings made in 17th-century England and this catalog will be the first in-depth look at this important chapter of this major painter's career. Lely was born in Westphalia and received his artistic training in Haarlem with Frans Pietersz. De Grebber. He came to England around 1643. Few painters had stayed in…
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PETER LELY: A LYRICAL VISION
by Campbell, Caroline
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Middlebury, Vermont, United States
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US: Paul Holberton Publishing, 2012. 1st. Softcover. Very Good/None. 152 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to wrappers. Sir Peter Lely (1618-1680) was Charles II’s Principal Painter and the outstanding artistic figure of Restoration England. When Lely arrived in England in the early 1640s his ambition was to be a painter of narrative scenes and not to work as a portraitist. However, the ‘subject pictures’ did not find favor with many English patrons and he produced less than thirty. As Lely’s friend Richard Lovelace explained, all they wanted was “their own dull counterfeits” or portraits of their mistresses. Thus, Lely was obliged to turn to portraiture to make a living. Yet, his poetic pictures of figures in idyllic landscapes are among the most beautiful paintings made in 17th-century England and this catalog will be the first in-depth look at this important chapter of this major painter’s career. Record # 350824
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Peter Lely: A Lyrical Vision
by Campbell, Caroline
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Exeter, Devon, United Kingdom
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Casemate UK Ltd, 2012. Paperback. New. 1st edition. 160 pages. 10.20x8.54x0.47 inches.
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Peter Lely: A Lyrical Vision
by Campbell, Caroline
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Columbia, Pennsylvania, United States
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London: Courtauld Gallery, 2012. Paperback. VG. Color-illustrated wraps with white and blue lettering. 152 pp. Mainly color illustrations. "Sir Peter Lely (1618-1680) was Charles II's Principal Painter and the outstanding artistic figure of Restoration England. When Lely arrived in England in the early 1640s his ambition was to be a painter of narrative scenes and not to work as a portraitist. However, the 'subject pictures' did not find favour with many English patrons and he produced less than thirty. As Lely's friend Richard Lovelace explained, all they wanted was "their own dull counterfeits" or portraits of their mistresses. Thus, Lely was obliged to turn to portraiture to make a living. Yes, his poetic pictures of figures in idyllic landscapes are among the most beautiful paintings made in 17th-century England and this catalogue will be the first in-depth look at this important chapter of this major painter's career.
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Peter Lely A Lyrical Vision
by Campbell, Caroline
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- Paperback
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- 9781907372407 / 1907372407
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Paul Holberton Publishing. New. 2020. Paperback. 1907372407 .*** FREE UPGRADE to Courier/Priority Shipping Upon Request *** - *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy, brand new, pristine, never opened with a bonus offer--; 10.2 X 8.4 X 0.5 inches; 160 pages .
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