Movements / Color-Field Painting from LEFT COAST BOOKS

New York: E. P. Dutton & Co., Inc., 1968. 448 pages, illustrations; 20 cm. Firm binding, clean inside copy. Moderate shelfwear to wraps, age toning. Essential reading for anyone interested in Minimalism and the art of the 1960s. All the seminal writings, including Michael Fried's "Art and Objecthood", are included. CONTENTS: Introduction; Systemic painting, by Lawrence Alloway; Sculpture as architecture… Read more about this item

New York: Thames & Hudson; World of Art Series, 1990. 216 pages, illustrations (some colour); 21 cm. Near fine. Tight, clean copy. Age toning. CONTENTS: 1. Introduction ; 2. Background and Early Work; 3. The Question of a Heritage; 4. The Ideographic Picture; 5. The Process of Painting; 6. Being and Field; 7. The Later Work; 8. After Abstract Expressionism;… Read more about this item

New York: Harper & Row, Publishers; Icon Editions, 1978. xi, 366 pages, illustrations; 26 cm. Firm binding, gently creased spine. Clean inside copy. Dust spotting/top edge, age toning. OVERSIZE! No priority/international, except by arrangement. Profusely illustrated. CONTENTS: The milieu of the New York School in the early fifties; The community of the New York School; The colonization of gesture painting;… Read more about this item

Washington D.C.: National Gallery of Art, 1976. [47] pages, illustrations (some colour); 21 x 28 cm. Exhibition held at the National Gallery, September 12, 1976 to January 9, 1977. Firm binding, clean inside copy. Light shelfwear to wraps, age toning. An exhibition on the Washington Color School painter Morris Louis (1912-1962).. 1st. Paperback. Very Good. Oblong. Collectible.

New York: Ameringer McEnery Yohe, 2013. 27 pages, chiefly colour illustrations; 23 x 31 cm. Catalogue of an exhibition held at Ameringer, McEnery, Yohe, New York, September 5 to October 12, 2013. Firm binding, clean inside copy.. 1st. Paperback. Fine. Oblong.

New York: Andre Emmerich Gallery, 1983. [2], 8 leaves, [3] pages, chiefly colour illustrations; 24 x 30 cm. Catalogue of an exhibition held at the Andr Emmerich Gallery, March 3 to April 2, 1983. Firm binding, clean inside copy. OVERSIZE! No priority/air, except by special arrangement. Cover title: Noland 1983.. 1st. Paperback. Fine. Oblong.

New York: Museum of Modern Art; distributed by New York Graphic Society, Greenwich, Conn., 1971. 158 pages, illustrations (some colour); 29 cm. Published in conjunction with a retrospective exhibition held from October 21, 1971 to January 10, 1972 at the Museum of Modern Art, New York. Good+. Firm binding, clean inside copy. Moderate shelfwear to wraps, with rubbing & wear… Read more about this item

London and New York: Phaidon Press Limited, 2000. Cloth, 304 pages, illustrations (some colour); 30 cm. Firm binding, clean inside copy. Dust jacket protected in a mylar book cover. OVERSIZE! No priority/air, except by special arrangement. "This beautifully illustrated book is internationally recognized as the most definitive survey of Minimalism, among the most influential movements in late twentieth-century art." -… Read more about this item

London and New York: Phaidon Press Limited, 2000. Cloth, 304 pages, illustrations (some colour); 30 cm. Near fine. Firm binding, clean text. Remainder mark/paste-down endpaper (inside front cover), hidden by front flap. Dust jacket protected in a mylar book cover. Another copy available. OVERSIZE! No priority/air, except by special arrangement. "This beautifully illustrated book is internationally recognized as the most… Read more about this item

New York: Pace Gallery, 2017. 51 pages, illustrations (chiefly colour); 27 cm. Catalogue of an exhibition at Pace Gallery: January 26 to March 4, 2017. BRAND NEW. A fine copy. Still in publisher's shrinkwrap. "Pace Gallery is pleased to present 'Kenneth Noland. Into the Cool', a survey of never before exhibited works from the end of the groundbreaking artist's life.… Read more about this item

New York and Milan: McCall Publishing Company; Fratelli Fabbri Editori, 1970. Pictorial boards, 91 pages, illustrations (some colour); 31 cm. Near fine. Firm binding, clean inside copy. Light edgewear to boards, small indentation of front cover, else fine. Another copy available. OVERSIZE! No priority/air, except by special arrangement. Richly illustrated with colour plates. The title is a little misleading; also… Read more about this item

New York: Andre Emmerich Gallery, 1969. [24] pages (including cover), illustrations (some colour); 22 x 28 cm. Catalogue of an exhibition held at the Andre Emmerich Gallery, New York, February 22 to March 13, 1969. Good+. Firm binding, clean inside copy. Blue ink streaking on the front cover. Colour-Field paintings.. 1st. Paperback. Good. Oblong.

Auckland: Auckland City Art Gallery, 1971. [16] pages, illustrations (some colour); 22 x 28 cm. An exhibition organised by the Auckland City Art Gallery in association with the Honolulu Academy of Arts, the National Gallery of Victoria, Melbourne, and the Santa Barbara Museum of Art, California. Near fine. Firm binding, clean inside copy. Light shelfwear to wraps, age toning. An… Read more about this item

Cambridge, MA: MIT Press, 2004. Cloth, xi, 213 pages, illustrations; 24 cm. Near fine. Tight, clean copy. Age toning. First Edition. Dust jacket protected in a mylar book cover. "In the era of The Man in the Gray Flannel Suit--when social pressures on men to conform threatened cherished notions of masculine vitality, freedom, and authenticity--modernist paintings came to be seen… Read more about this item

New York and Milan: McCall Publishing Company; Fratelli Fabbri Editori, 1970. Pictorial boards, 91 pages, illustrations (some colour); 31 cm. Near fine. Firm binding, clean inside copy. Age toning. OVERSIZE! No priority/air, except by special arrangement. Richly illustrated with colour plates. The title is a little misleading; also includes the Abstract Expressionists.. Hardcover. Very Good. 4to.