Photography / Techniques / Digital from LEFT COAST BOOKS

Houston: Contemporary Arts Museum, 1992. Cloth, 59 pages, illustrations; 20 cm. Catalogue of an exhibition held at the Contemporary Arts Museum, Houston. Firm binding, clean inside copy. . 1st. Hardcover. Fine. 8vo. Collectible.

Cambridge, MA: MIT List Visual Arts Center, 1990. 12 pages, illustrations, portraits; 28 cm. Firm binding, clean text. Previous owner's ink stamp/title page, otherwise unmarked. Digital art. . 1st. Paperback. Very Good. 4to.

New York: Aperture, 1999. xx, 142 pages, illustrations; 24 cm. Tight, clean copy. "A comprehensive account of computer technology's impact on what we see and, ultimately, what we believe about the world." - Publisher.. 2nd. Paperback. Fine. 8vo.

New York: Aperture Foundation, 1994. 78, [2] pages, illustrations (some colour); 29 cm. Aperture (San Francisco, Calif.), no. 136, no. 136 (Summer 1994). Published in conjunction with an exhibition held September 8 through October 29, 1994 at the Museum at FIT, New York City, and at other venues. Firm binding, clean inside copy. Age toning. OVERSIZE! No priority/international, except by… Read more about this item

New York: Jayne H. Baum Gallery, 1992. Postcard in near-fine condition, a little age-toned. Unmailed. Cards are sent in stiff mailers.. 1st. Very Good.

New York: Jack Shainman Gallery, 1992. Postcard in Very Good condition, with minor wear, age toning. Unmailed. Cards are sent in stiff mailers.. 1st. Very Good.

New York: Paula Cooper Gallery, 1993. Postcard in near-fine condition, a little age-toned. Unmailed. Cards are sent in stiff mailers.. 1st. Very Good.

New York: Jack Shainman Gallery, 1995. Postcard in near-fine condition, a little age-toned. Unmailed. Cards are sent in stiff mailers.. 1st. Very Good.

Cambridge, MA: MIT Press, 2003. xi, 178 pages, illustrations (some colour); 23 cm. Published in association with the MIT Museum. Firm binding, clean inside copy. "The MIT hacking culture has given us such treasures as police cars and cows on the Great Dome and a disappearing door to the President's office. 'Nightwork' includes material from two previous books published by… Read more about this item

Venice, CA: Venice Family Clinic, 2010. Cloth, 1 volume, colour illustrations; 22 x 43 cm. Text in English and German. Edition of 1000 copies. Volume 0ne published on the occasion of the Venice Art Walk & Auctions, May 22-23, 2010, Venice, Calif. PRESENTATION COPY. Signed by the artist Jay Mark Johnson, with a personalized inscription. A near-fine copy with light… Read more about this item

Munich, Berlin, London, and New York: Prestel; Henry Art Gallery, University of Washington, 2010. Pictorial boards, 175 pages, illustrations (some colour); 25 cm. Firm binding, clean inside copy. "Photographers who use digital technologies as tools for creative expression are driving the most exciting and transformative developments in today's photography. Digital photographic and imaging technologies are the most recent development in… Read more about this item

Cambridge, MA: MIT Press, 1994. 273 pages, illustrations (some colour); 25 cm. Firm binding, clean inside copy. "Continuing William Mitchell's investigations of how we understand, reason about, and use images, The Reconfigured Eye provides the first systematic, critical analysis of the digital imaging revolution." - Publisher.. Paperback. Fine. 4to.

Hoboken, NJ: Wiley Publishing, Inc., 2006. xiv, 370 pages, colour illustrations; 24 cm. Near fine. Tight, clean copy. Light shelfwear to wraps. "This unique book walks readers through the steps and techniques needed to take and print gallery-quality photos with digital equipment; Shows readers how to select and use high-end photo equipment, work with special effects while shooting, and shoot… Read more about this item

New York: Simon & Schuster, 1992. 192 pages, illustrations (some colour); 31 cm. Firm binding, clean inside copy. Lower right corner lightly bumped. OVERSIZE! No priority/international, except by arrangement. Richly illustrated with colour plates. "Fractals are unique patterns left behind by the unpredictable movements -- the chaos -- of the world at work. The branching patterns of trees, the veins… Read more about this item

San Francisco: San Francisco Museum of Modern Art in association with Yale University Press, 2001. 152 pages, illustrations (chiefly colour); 22 cm. Published on the occasion of the exhibition organized by the San Francisco Museum of Modern Art and on view March 3 to July 8, 2001. Tight, clean copy. CONTENTS: Beyond the Saturation Point: The Zeitgeist in the Machine,… Read more about this item

New York and London: W. W. Norton & Company, Inc., 2010. 199 pages, illustrations; 23 cm. Near fine. Tight, clean copy. Light edgewear to wraps, age toning. "'After Photography' examines the myriad ways in which the digital revolution has fundamentally altered the way we receive visual information, from photographs of news events taken by ordinary people on mobile phones to… Read more about this item

Santa Barbara, CA: Rocky Nook, 2011. vi, 220 pages, illustrations (chiefly colour); 26 cm. Firm binding, clean inside copy. Stated 1st Edition. OVERSIZE! No priority/international, except by special arrangement. Richly illustrated with colour plates. "Over the years, photographers have come to know one thing is certain in the landscape photography world: there are places in America that have become icons… Read more about this item

New York and Syracuse: Harry N. Abrams in association with the Everson Museum of Art, 1987. 191 pages, illustrations (some colour); 25 cm. Accompanies a touring exhibition sponsored by IBM and the National Endowment for the Arts. Organized by the Everson Museum of Art, Syracuse, New York, September 17 to November 8, 1987. Firm binding, clean inside copy. Light shelfwear… Read more about this item

London and New York: Routledge, 1995. x, 256 pages, illustrations; 24 cm. Firm binding, with one spine crease. Clean inside copy. "The Photographic Image in Digital Culture explores the technological transformation of the photographic image. Contributors investigate such issues as the relationship of technological change to visual culture; the new discourses of 'techno-culture'; medicine's new vision of the body, and… Read more about this item

New York: St. Martin's Press, 1991. xix, 419 pages, illustrations (some colour); 25 cm. Tight, clean copy. Dust jacket protected in a mylar cover. CONTENTS: PART I. INTRODUCTION; Computers and the unexpected; PART II. SIMULATION; Simulation: Introduction; Butterfly curves; The cancer conundrum; Growing your own font; Experiments with a leaning tower of books; Building your own artificial web; A wiring… Read more about this item