Limited Editions from Royal Books, Inc.

Garden City: Doubleday, Doran, 1944. Limited Edition, one of 750 hand numbered copies (this being No. 739) SIGNED by the author. Good only, lacking the slipcase, with moderate offsetting on the endpapers, crown dampstained, and a partial ring stain on the front board.

East Aurora, NY: The Roycroft Shop, 1899. First printing of this edition. Limited Edition, one of 920 hand numbered copies (this being No. 638) SIGNED by publisher Elbert Hubbard. Poor, bound in embossed suede, with text block detached from the binding, a chip at the heel, and endpapers moderately toned.

Portland, ME: Thomas B. Mosher, 1904. Second Edition. Limited Edition, one of 425 unnumbered copies. Very Good, lacking the slipcase, with a slight lean, owner bookplate on the front endpaper, and light age toning and a few splashes on the extremities.

Berkeley: Poltroon Press, 1986. Limited Edition, one of 120 unnumbered copies SIGNED by author Jess Collins. Additionally INSCRIBED by the author on the first blank: "Dear Ken / Some old dreams here all dresst [sic] up pretty like / Sending herewith loving best wishes as always and ever / Love / Jess." The only known publication by the… Read more about this item

New York: Covici-Friede, 1937. First Edition. First Edition, one of 699 hand-numbered copies (this being No. 186) SIGNED by the author. Front board slightly warped, else Near Fine, lacking the glassine wrapper, housed in a Very Good plus, lightly rubbed example of the publisher's slipcase.

Pocatello, Idaho: The Limberlost Press, 1980. First Edition. First Edition. Limited Edition, one of 26 hand-lettered copies (this being letter C) SIGNED by the author. Very Good plus in side stapled wrappers, with wrapper spine lightly toned.

Ossining: Hill House, 2006. Limited Edition, one of 250 hand numbered copies (this being No. 158) SIGNED by the author. Fine and unread, in publisher's original black envelope with matching title plate.

Various cities: Albatross, 1939. First Edition. Limited Edition, published simultaneously with the First Edition, one of twelve unnumbered copies bound in quarter leather, with raised bands and gilt titles on the spine. INSCRIBED on the front endpaper by the author to his fourth and final wife, Florence Macbeth, underneath a small drawing of a four-leaf clover: "To Florence /… Read more about this item

New Haven: N.p., 1960. First Limited Edition, one of 500 copies (this being No. 172) . Near Fine, lacking glassine dust jacket, in a Very Good plus sliipcase.

Franklin Center, PA: The Franklin Library, 1978. Limited Edition, bound in full maroon leather with gilt lettering, rule, design and page edges. SIGNED by the author on the second blank. Near Fine, with tiny spots of rubbing on crown and bands.

Paris: Editions du Sablier, 1929. Limited Edition, one of 467 numbered copies (this being No. 28). INSCRIBED by the author to American journalist Edgar Mowrer on the limitation page: "A Edgar Mowrer / cordial souvenir / Duhamel / Novembre 29" ("To Edgar Mowrer / fond memories / Duhamel / December 28"). Text and titles in French. Considered… Read more about this item

Geneva: Editions du Sablier, 1919. Limited Edition, one of 706 numbered copies (this being No. 8). With ten woodcut illustrations by Flemish artist Frans Masereel. Text and titles in French. Very Good plus, bound in contemporary quarter-leather, with raised bands and gilt titles on the spine.

Berlin: A. Rogall, 1932. Folio. Limited Edition, one of 100 numbered copies (this being No. 27) SIGNED by illustrator Rafaello Busoni. Text and titles in German. Comprises the libretto of "Arlecchino," a one-act opera composed by Ferruccio Busoni in 1913, and originally performed at the Zürich Opera House in 1917. Lithograph illustrations throughout by Busoni's son Rafaello.… Read more about this item

Warsaw: J. Mortkowicz, 1923. Limited Edition, one of 150 hand-numbered copies (this being No. 70). Illustrated with seven woodcut plates. Tissue guards intact. Titles and text in French. Near Fine, clothbound, with contemporary decorated paper covered boards. Small tap on the fore-edge of the front board.

Paris: Editions du Sablier, 1928. Limited Edition, one of 660 numbered copies (this being No. 18). INSCRIBED by the author to American journalist Edgar Mowrer on the limitation page: "a Edgar Mowrer / hommage particulier / Duhamel / Decembre 28" ("To Edgar Mowrer / best regards / Duhamel / December 28"). Text and titles in French. Considered… Read more about this item

Paris: Éditions du Sablier, 1928. Limited Edition, one of nine hand-numbered copies (this being No. 7) on handmade paper, with a watercolor design by Frans Masereel. INSCRIBED in the year after publication by the author to American journalist Edgar Mowrer on the front endpaper: "À mon Cher Edgar Mowrer / avec mon souvenir le plus affectueux / René Arcos… Read more about this item

Geneva: Editions du Sablier, 1921. Limited Edition, one of 165 numbered copies (this being No. 140) SIGNED by the author. Text and titles in French. Comprises 16 woodcuts by noted Flemish artist Frans Masereel. Very Good, bound in contemporary brown quarter leather, with light offsetting on the endpapers, corners rubbed, and leather spine partially detached from… Read more about this item

Paris: Éditions du Sablier, 1935. Limited Edition, one of 60 numbered copies (this being No. 2) SIGNED by the artist. Text and titles in French. A collection of 66 woodcut illustrations by Flemish artist Frans Masereel. Very Good plus in a Very Good example of the original vellum dust jacket. Tidemark on the bottom edges… Read more about this item

Unknown: Privately printed, 1939. Limited Edition, one of 100 numbered copies (this being No. 27). INSCRIBED by the author to American journalist Edgar Mowrer on the limitation page: "To Edgar Mowrer / from / Edward Storer / Rome / 30/1/'60." Considered by many to be "the dean of American foreign correspondents," Edgar Mowrer was born in Bloomington in… Read more about this item

Paris: Editions du Sablier, 1926. Limited Edition, one of 65 numbered copies (this being No. 34) on Hollande van Gelder paper. SIGNED by Panaït Istrati on the colophon page. Very Good plus, bound in contemporary quarter leather, with boards slightly warped and worn at the corners, and leaves lightly age toned.